Migonette Francoise (La): Difference between revisions

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R:Jig
R:Jig
B:Giovanni Andrea Gallini - A New Collection of Forty-four Cotillons, with Figures Properly Adapted (1772, No. 27)
B:Giovanni Andrea Gallini - A New Collection of Forty-four Cotillons, with Figures Properly Adapted (1772, No. 27)
N:Gallini held an annual ball at Almacks, helping to introduce quadrilles to London in 1773. Moira Goff writes:
N:"Gallini advertised his forthcoming ball at Almacks in the Public Advertiser and drew attention to the fact that
N:the tunes in the second volume of his Treatise on the Art of Dancing 'may be danced to in Quadrille as well
N:as Cotillons'" [https://danceinhistory.com/tag/simon-slingsby/]
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:F
K:F

Latest revision as of 01:42, 10 August 2020


Migonette Francoise (La)  Click on the tune title to see or modify Migonette Francoise (La)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Migonette Francoise (La)
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 Theme code Index    3355 5531
 Also known as    
 Composer/Core Source    
 Region    England
 Genre/Style    English
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    6/8
 History    
 Structure    AABBCCDD
 Editor/Compiler    Biography:Giovanni Andrea Gallini
 Book/Manuscript title    Book:A New Collection of Forty-four Cotillions with Figures Properly Adapted
 Tune and/or Page number    No. 27
 Year of publication/Date of MS    1772
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   


Migonette Francoise (La): Annotation

X:1 T:Migonette Francoise, La M:6/8 L:1/8 R:Jig B:Giovanni Andrea Gallini - A New Collection of Forty-four Cotillons, with Figures Properly Adapted (1772, No. 27) N:Gallini held an annual ball at Almacks, helping to introduce quadrilles to London in 1773. Moira Goff writes: N:"Gallini advertised his forthcoming ball at Almacks in the Public Advertiser and drew attention to the fact that N:the tunes in the second volume of his Treatise on the Art of Dancing 'may be danced to in Quadrille as well N:as Cotillons'" [1] Z:AK/Fiddler’s Companion K:F F|A2A AGF|c2c c2f|c2a c2B|TA3 G2F| A2A AGF|c2c c2f|edc Gc=B|c3 c2:| |:c|g2c b2a|Tg2f e2f|g2f b2a|gfe fc_e| d>bd B>dB|c>ac A>cA|B2G F2E |F2F F2:| |:A|A3 GFG|F2F F2c|c3 BAB|A2A A2f| {g}f2e {f}e2d|{e}d2c {d}c2B|ABc B2A |G2G G2:| |:c|{cd}_e2e ecA|B2B B2d|f2f fd=B|c2 c c2a| b2a {a}g2f|b2a {a}g2f|cba gfe|f2 f f2:|


X:1 T:Migonette Francoise, La M:6/8 L:1/8 R:Jig B:Neil Stewart – “Select Collection of Scots, English, Irish and Foreign B:Airs, Jiggs & Marches” (1784, No. 48, p. 22) Z:AK/Fiddler’s Companion K:G G|B2B- B>AG|d2d d2g|d2b d2c|TB2A G2G| B2B- B>AG|d2d d2g|fed Ad^c|d3- d2:| |:d2|a2d c'2-b|{b}a2g f2g|a2d c'2b|T(ag).f g2d| ec'e cec|dbd BdB|c2A TG2F|(G3G2):| |:B3AGA|G2G G2d|d3 cBc|B2B B2g| {a}g2f {f}f2e|{f}e2d {e}d2c|(B>c).d Tc2B|A2A A2:| |:d|=f2 f- fdB|c2c c2e|g2g- ge^c|d2d d2b| c'2bTa2g|c'2bTa2g|ec'b agf|g2g g2:|


Migonette Francoise (La): Annotation

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