Cotillion No. 2 Fifth Figure: Difference between revisions
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!f!(A3 F2)A | A2d d2f | f2f {f}ede | dAF D2 H|] | !f!(A3 F2)A | A2d d2f | f2f {f}ede | dAF D2 H|] | ||
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"_dim..."(ce)A "_dim..."(ce)A | "_dim..."(df)A "_dim..."(df)A | | "_dim..."(ce)A "_dim..."(ce)A | "_dim..."(df)A "_dim..."(df)A |"_dim..."(ce)A "_dim..."(ce)A | dec d2d | | ||
"_dim..."(ce)A "_dim..."(ce)A | dec d2d | | "_dim..."(ce)A "_dim..."(ce)A | "_dim..."(df)A "_dim..."(df)A |"_dim..."(ce)A "_dim..."(ce)A | dec d2 |] | ||
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ABc def | age c2A !p!| "_dim..."(ce)A "_dim..."(ce)A | dec d2A | | ABc def | age c2A !p!| "_dim..."(ce)A "_dim..."(ce)A | dec d2A | |
Latest revision as of 23:48, 30 July 2020
X: 10713 T: COTILLION No. 2. tune 5 C: %R: jig %N: This is version 1, for ABC software that doesn't understand diminuendo notation. B: Elias Howe "The Musician's Companion" Part 1 1842 p.71 #3 S: http://imslp.org/wiki/The_Musician's_Companion_(Howe,_Elias) Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - !p!A |\ (A3 F2)A | (A3 F2)F | E2E EFE | DFD A,2A | !f!(A3 F2)A | A2d d2f | f2f {f}ede | dAF D2 H|] !pp!d |\ "_dim..."(ce)A "_dim..."(ce)A | "_dim..."(df)A "_dim..."(df)A |"_dim..."(ce)A "_dim..."(ce)A | dec d2d | "_dim..."(ce)A "_dim..."(ce)A | "_dim..."(df)A "_dim..."(df)A |"_dim..."(ce)A "_dim..."(ce)A | dec d2 |] !f!A |\ ABc def | age c2A !p!| "_dim..."(ce)A "_dim..."(ce)A | dec d2A | !f!ABc def | age c2A | "_dim..."(ce)A "_dim..."(ce)A | dec "^D.C."d2 |] |: A |\ ded AFA | dfd ege | ded AFA | dec d2 :| a | aga afd | cea d2=c | Bbb Aaa | gec "^D.C."d2 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%begintext align %% First 4 lead to the right, %% chassa out, %% form lines across the hall, %% ladies forward and back, %% swing to place with partners, %% first 2 forward and back, %% back to back, %% balance 4, %% and turn partners, %% same 4 repeat, %% then side. %%endtext % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 300