Thamama Hulla: Difference between revisions
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K:D | K:D | ||
A>A|(B2d2).d2|.d4 .f>.f|(efafed)|{c}B4 .A2|(B2d2).d2| | A>A|(B2d2).d2|.d4 .f>.f|(efafed)|{c}B4 .A2|(B2d2).d2| | ||
(f2a3).b|Te4-(ed)|d4 .b>.b| (c'4d'2)| {c'}(b4 | (f2a3).b|Te4-(ed)|d4 .b>.b| (c'4d'2)| {c'}(b4 d'b)|(abafed)| | ||
(d2B2) zA|(Bd3)d2|(f2a2) z(b|e) z (e3f)|d6| | (d2B2) zA|(Bd3)d2|(f2a2) z(b|e) z (e3f)|d6| | ||
(g2 agfe)|(f2 gfed)|(efaefd)|{c}B4 A>A| | (g2 agfe)|(f2 gfed)|(efaefd)|{c}B4 A>A| | ||
| Line 84: | Line 84: | ||
B:J.T. Surenne - Songs of Ireland without Words (1854, No. 14, p. 156) | B:J.T. Surenne - Songs of Ireland without Words (1854, No. 14, p. 156) | ||
Z:AK/Fiddler's Companion | Z:AK/Fiddler's Companion | ||
K: | K:G | ||
D2|E2G2G2|G4B2|ABdB AG|E4 AG|E4 D2|E2G2G2| | D2|E2G2G2|G4B2|ABdB AG|E4 AG|E4 D2|E2G2G2| | ||
B2d2e2|A4 G2|G4||e2|=f4g2|e4g2|dBde ga| | B2d2e2|A4 G2|G4||e2|=f4g2|e4g2|dBde ga| | ||
| Line 111: | Line 111: | ||
E2G2G2|B2d2e2|A4G2|G6|| | E2G2G2|B2d2e2|A4G2|G6|| | ||
c2|dcBA|B2 cBAG|ABdABG|E4 D2| | c2|dcBA|B2 cBAG|ABdABG|E4 D2| | ||
E2G2G2|B2d2e2|A4 G2|G4|| | |||
<section end=X5 /> | <section end=X5 /> | ||
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
Latest revision as of 16:32, 7 April 2023
X:1 T:Thamama Hulla M:3/4 L:1/8 R:Air Q:"Slow" B:Smollet Holden - Collection of favourite Irish Airs (London, c. 1841; p. 35) Z:AK/Fiddler’s Companion K:G D2|E2G2G2|G4B2|ABdBAG|E4 D2|E2G2G2| B2d2e2|A4 G2|G4||e2|=f4 g2|e4 g2|dBde ga| g2e2 dB|d3e ga|g3e d2| B2 dBAG|G3ED2| =f>ef>gf>g|e>de>ge>g|d>ed>B (d/B/)(A/G/)|G3 E D2|E2G2G2| B2d2e2|A4 G2 |G4||c2 dcBA|B2 cBAG|ABdABG| E4D2|E2G2G2|B2d2e2|A4G2|G6|| =f>ef>gf>g|e>de>ge>g|d>Bd>eg>a|g3e d2|B2d2 ef| g3 ed2|B2 dBAG|G3E D2|=f>ef>gf>g|e>de>ge>g| d>ed>B (d/B/)(A/G/)|G3E D2|E2G2G2|B2d2e2|A4 G2|G6||
X:1
T:Thamama Hulla
M:3/4
L:1/8
R:Air
Q:"With feeling & solemnity"
B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 74, p. 37)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
K:D
A>A|(B2d2).d2|.d4 .f>.f|(efafed)|{c}B4 .A2|(B2d2).d2|
(f2a3).b|Te4-(ed)|d4 .b>.b| (c'4d'2)| {c'}(b4 d'b)|(abafed)|
(d2B2) zA|(Bd3)d2|(f2a2) z(b|e) z (e3f)|d6|
(g2 agfe)|(f2 gfed)|(efaefd)|{c}B4 A>A|
(B2d2).d2|f2-(a3b)|e2 e3^f/|d6|]
X:!
T:Thamam Hulla - 2nd Air
M:3/4
L:1/8
R:Air
Q:"Con Anima"
B:J.T. Surenne - Songs of Ireland without Words (1854, No. 14, p. 156)
Z:AK/Fiddler's Companion
K:G
D2|E2G2G2|G4B2|ABdB AG|E4 AG|E4 D2|E2G2G2|
B2d2e2|A4 G2|G4||e2|=f4g2|e4g2|dBde ga|
g2e2 dB|d3 ega|g3ed2|B2 dcBA|G3 E D2|=f>ef>gf>g|
e>de>ge>g|d>e d>B (d/B/A/G/)|G3 E D2|E2G2G2|B2d2e2|
A4G2|G6||c2 dcBA|B2 cBAG|ABdA BG|E4 D2|
E2G2G2|B2d2e2|A4G2|G6||=f>ef>gf>g|
e>de>ge>g|d>B d>eg>a|g3ed2|B2d2 ef|g3ed2|
B2 dBAG|G3E D2|=f>ef>gf>g|e>de>ge>g|
d>e d>B d/B/A/G/|G3 ED2|E2G2G2|B2d2e2|A4G2|G4||
X:1
T:Thamma Hulla
M:3/4
L:1/8
R:Air
S:Smollet Holden – Old Established Irish Tunes, bk. Ii., 1906, p. 34
B:Moffat – Minstrelsy of Ireland (1897, Appendix, p. 341)
N:”The varied repetition of the second strain omitted” [Moffat]
Z:AK/Fiddler’s Companion
K:G
D2|E2G2G2|G4B2|ABdBAG|E4 D2|
E2G2G2|B2d2e2|A4 G2|G4||
e2|=f4 g2|e4 g2|d>ed>B d/B/A/G/|G3 E D2|
E2G2G2|B2d2e2|A4G2|G6||
c2|dcBA|B2 cBAG|ABdABG|E4 D2|
E2G2G2|B2d2e2|A4 G2|G4||