Annotation:Tullamore Piper (The): Difference between revisions
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|f_annotation='''TULLAMORE PIPER, THE''' (An Piobaire Ua Tulad-Moir). AKA and see "[[Bummer's Reel (1)]]," "[[Reilly's Own]]." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB. "Tullamore Piper" was probably named by O'Neill for his source, Chicago piper Bernard Delany who was born in the county town of Tullamore, County Offaly, Ireland. The hornpipe is often played as a reel in Cape Breton, as in Andrea and Kinnon Beaton’s rendition on “The Beaton Family of Mabou” (2004). | |f_annotation='''TULLAMORE PIPER, THE''' (An Piobaire Ua Tulad-Moir). AKA and see "[[Bummer's Reel (1)]]," "[[Reilly's Own]]." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB. "Tullamore Piper" was probably named by O'Neill for his source, Chicago piper Bernard Delany (c. 1854-1923) who was born in the county town of Tullamore, County Offaly, Ireland. The hornpipe is often played as a reel in Cape Breton, as in Andrea and Kinnon Beaton’s rendition on “The Beaton Family of Mabou” (2004). | ||
|f_source_for_notated_version=Chicago uilleann piper Bernard Delaney [O’Neill]. | |f_source_for_notated_version=Chicago uilleann piper Bernard Delaney [O’Neill]. Delaney was a skilled piper whose playing O'Neill praised, describing him as "unquestionably the best player of Irish dance music now alive, perfect time, fine spirit, great execution...." The piper married a younger sister of O'Neill's wife, but the relationship between O'Neill and his now in-law deteriorated as time went on. O'Neill felt a lack of gratitude for championing Delaney's career, while Delaney became more isolated and aloof<ref>See Nick Whitmer's biography of Delaney at Lives of the Pipers site [https://livesofthepipers.com/1delaneybarney.html] </ref>. | ||
|f_printed_sources=O'Neill (Krassen), 1976; p. 215. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1773, p. 330. | |f_printed_sources=O'Neill (Krassen), 1976; p. 215. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1773, p. 330. | ||
|f_recorded_sources=Smithsonian Folkways Records, SFW CD 40507, The Beaton Family of Mabou – “Cape Breton Fiddle and Piano Music” (2004). | |f_recorded_sources=Smithsonian Folkways Records, SFW CD 40507, The Beaton Family of Mabou – “Cape Breton Fiddle and Piano Music” (2004). | ||
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Latest revision as of 04:53, 3 January 2021
X:1 T:Tullamore Piper, The M:C| L:1/8 R:Hornpipe S:O’Neill – Music of Ireland (1903), No. 1773 Z:AK/Fiddler’s Companion K:D fe|dfAd f2 fe|d2 ba ^gaed|ceAc eAce|dfba ^ga=ge| dfAd f2 fe|d2 ba ^gaed|ceAc eAce|d2f2d2|| A2|B2c2d2 cB|BA^GA F2 ed|ceAc eAce|dfba ^gafd| B2c2d2 dB|BA^GA F2 ed|ceAc eAce|d2f2d2||
TULLAMORE PIPER, THE (An Piobaire Ua Tulad-Moir). AKA and see "Bummer's Reel (1)," "Reilly's Own." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB. "Tullamore Piper" was probably named by O'Neill for his source, Chicago piper Bernard Delany (c. 1854-1923) who was born in the county town of Tullamore, County Offaly, Ireland. The hornpipe is often played as a reel in Cape Breton, as in Andrea and Kinnon Beaton’s rendition on “The Beaton Family of Mabou” (2004).
