Annotation:Colonel McBain's: Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Colonel_McBain's > | |f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Colonel_McBain's > | ||
|f_annotation='''COLONEL McBAIN'S''' (An Ardtaoiseac Mic Baeitine). AKA - "Captain McBain," "Colonel McBean." AKA and see "[[Boston Rattlers']]," "[[Brian Boru's March (1)]]," "[[Dan Sullivan's Reel]]," "[[Devonshire Reel (1) (The)]]," "[[Duke of Clarence Reel (The)]]," "[[General McBean]]," "[[Hobb's Favorite]]," "[[Johnny's Wedding]]," "[[Miss Abercrombie's Reel]]," "[[Mother's Delight]]," "[[Phelan's Fancy]]," "[[Seán Frank]]," "[[Sporting Paddy (3)]]," "[[Sporting Molly (1)]]," "Suìridhach a phoca mhine," "[[Woer with the pock of meal]]." Scottish (originally), Irish; Reel. G Minor (most versions): E Minor (O'Neill). Standard tuning (fiddle). AB (Howe, O'Neill, Surenne): AAB (most versions): AABB (Cole). Glen (1891) finds the earliest publication of the tune in Robert Bremner's 1768 2nd collection (p. 101). O'Neill (1922) remarks: "'Col. McBain's Reel' first appeared in print in Bremner's '''2nd Collection of Scots Reels''', or Country Dances (London 1768), and reprinted in McGoun's '''Repository of Scots and Irish Strathspeys, Reels, etc.''' (Glasgow 1803). | |f_annotation='''COLONEL McBAIN'S''' (An Ardtaoiseac Mic Baeitine). AKA - "Alec McBain," "Captain McBain," "Colonel McBean." AKA and see "[[Boston Rattlers']]," "[[Brian Boru's March (1)]]," "[[Captain McBanes Reel]]," "[[Colonel McBlaine's Reel]]," "[[Cork Lasses (1) (The)]]," "[[Dan Sullivan's Reel]]," "[[Devonshire Reel (1) (The)]]," "[[Duke of Clarence Reel (The)]]," "[[General McBean]]," "[[Hobb's Favorite]]," "[[Johnny's Wedding]]," "[[Miss Abercrombie's Reel]]," "[[Mother's Delight]]," "[[Phelan's Fancy]]," "[[Seán Frank]]," "[[Sporting Paddy (3)]]," "[[Sporting Molly (1)]]," "Suìridhach a phoca mhine," "[[Woer with the pock of meal]]." Scottish (originally), Irish; Reel. G Minor (most versions): E Minor (O'Neill, Stanford/Petrie). Standard tuning (fiddle). AB (Howe, O'Neill, Surenne): AAB (most versions): AABB (Cole). Glen (1891) finds the earliest publication of the tune in Robert Bremner's 1768 2nd collection (p. 101). O'Neill (1922) remarks: "'Col. McBain's Reel' first appeared in print in Bremner's '''2nd Collection of Scots Reels''', or Country Dances (London 1768), and reprinted in McGoun's '''Repository of Scots and Irish Strathspeys, Reels, etc.''' (Glasgow 1803). | ||
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The reel's popularity was not confined to Scotland for we find it named '[[Duke of Clarence Reel (The)]]' in Lavenu's '''New Country Dances for the Year 1798''', published at London. "Colonel Mac Bean's Reel" is also contained in vol. 2 (p. 156) of the large c. mid-19th century music manuscript collection of County Cork cleric and uilleann piper [[ | The reel's popularity was not confined to Scotland for we find it named '[[Duke of Clarence Reel (The)]]' in Lavenu's '''New Country Dances for the Year 1798''', published at London. "Colonel Mac Bean's Reel" is also contained in vol. 2 (p. 156)[http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=159&z=1464.1112%2C852.6783%2C7429.8284%2C2584.8765] of the large c. mid-19th century music manuscript collection of County Cork cleric and uilleann piper [[wikipedia:James_Goodman_(musicologist)|James_Goodman_]], who had obtained it from a manuscript provided him by Dublin bookseller John O'Daly, according to Hugh & Lisa Shields[https://s3.eu-west-1.amazonaws.com/prints.itma.ie/goodman/TMP_Full_index_March_2022.pdf] (Goodman's "Miss Westrop's Reel", in volume 1 of his mss. is cognate with "Colonel McBain's" in the first strain only). The reel also was entered in to Goodman's contemporary, fiddler and piper [[biography:Stephen Grier|Stephen Grier]] (c. 1824-1894) x, 1883 music manuscript collection as "Captain McBain." A setting of this noted reel as played by the experts of the Irish Music Club of Chicago may be found on page 116 of O'Neill's '''Dance Music of Ireland'''. In composition and fluency of rhythm the variant above presented compares very favorably with the original especially when given expression on the fiddle in the inimitable style of the genial Paddy Stack from whom the manuscript was obtained." The tune was first recorded by Galway melodeon player Peter Conlon in 1921, under the title "McBan's Reel" (thought the different spelling may be due to an error by the record company). Irish versions are in E Minor, Scottish in G Minor. Paul Cranford (1997) remarks that he has heard a strathspey setting (in G) of "Colonel McBain's" played by Cape Breton fiddler Johnny Wilmot who learned it from his uncle Joe Confiant. "[[Johnny's Wedding]]", "[[Mother's Delight]]," and "[[Seán Frank]]" are related tunes. See also O'Neill's "[[Smoky House (1) (The)]]," a variant. | ||
|f_sources_for_notated_versions=Winston Fitzgerald (1914-1987, Cape Breton) [Cranford]; the Rice-Walsh manuscript, a collection of music from the repertoire of Jeremiah Breen, a blind fiddler from North Kerry, notated by his student [O'Neill]. | |f_sources_for_notated_versions=Winston Fitzgerald (1914-1987, Cape Breton) [Cranford]; the Rice-Walsh manuscript, a collection of music from the repertoire of Jeremiah Breen, a blind fiddler from North Kerry, notated by his student [O'Neill]. | ||
|f_printed_sources=Anderson ('''Anderson's Budget of Strathspeys, Reels & Country Dances for the German Flute or Violin'''), Edinburgh, 1820; p. 30. Anonymous ('''A Companion to the reticule'''), 1833; p. 8. Joshua Campbell ('''A Collection of New Reels & Highland Strathspeys'''), Glasgow, 1789; pp. 32-33. Cole ('''1000 Fiddle Tunes'''), 1940; p. 31. Cranford ('''Winston Fitzgerald'''), 1997; No. 162, p. 64. Gow ('''Complete Repository, Part 1'''), 1799; p. 8. Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; p. 29. Howe ('''1000 Jigs and Reels'''), c. 1867; p. 131. Elias Howe ('''Musician’s Omnibus Nos. 6 & 7'''), Boston, 1880-1882; p. 620. Hunter ('''Fiddle Music of Scotland'''), 1988; No. 265. Laybourn ('''Köhlers’ Violin Repository, Book 1'''), 1881-1885; p. 99. Joseph Lowe ('''Lowe's Collection of Reels, Strathspeys and Jigs, book 4'''), 1844–1845; p. 20. McGlashan ('''A Collection of Reels'''), c. 1786; p. 18 (appears as "Colonel Macbean's Reel"). O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1403, p. 261. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 645, p. 116. O'Neill ('''Waifs and Strays of Gaelic Melody'''), 1922; No. 262. Robert Ross ('''Choice Collection of Scots Reels or Country Dances & Strathspeys'''), Edinburgh, 1780; p. 19. '''Ryan's Mammoth Collection''', 1883; p. 57. Stewart-Robertson ('''The Athole Collection'''), 1884; p. 185 (appears as "Colonel MacBean"). Surenne ('''Dance Music of Scotland'''), 1852; p. 6 (appears as "Colonel M'Bain"). | |f_printed_sources=Anderson ('''Anderson's Budget of Strathspeys, Reels & Country Dances for the German Flute or Violin'''), Edinburgh, 1820; p. 30. Anonymous ('''A Companion to the reticule'''), 1833; p. 8. Robert Bremner ('''For the year 1769 a collection of scots reels, or country dances'''), p. 101. Joshua Campbell ('''A Collection of New Reels & Highland Strathspeys'''), Glasgow, 1789; pp. 32-33. Cole ('''1000 Fiddle Tunes'''), 1940; p. 31. Cranford ('''Winston Fitzgerald'''), 1997; No. 162, p. 64. Gow ('''Complete Repository, Part 1'''), 1799; p. 8. Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; p. 29. Howe ('''1000 Jigs and Reels'''), c. 1867; p. 131. Elias Howe ('''Musician’s Omnibus Nos. 6 & 7'''), Boston, 1880-1882; p. 620. Hunter ('''Fiddle Music of Scotland'''), 1988; No. 265. Laybourn ('''Köhlers’ Violin Repository, Book 1'''), 1881-1885; p. 99. Joseph Lowe ('''Lowe's Collection of Reels, Strathspeys and Jigs, book 4'''), 1844–1845; p. 20. James Manson ('''Hamilton's Universal Tune Book vol. 1'''), 1944; p. 61. McGlashan ('''A Collection of Reels'''), c. 1786; p. 18 (appears as "Colonel Macbean's Reel"). O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1403, p. 261. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 645, p. 116. O'Neill ('''Waifs and Strays of Gaelic Melody'''), 1922; No. 262. Robert Petrie ('''Second Collection of Strathspey Reels & Country Dances'''), 1796; p. 14. Robert Ross ('''Choice Collection of Scots Reels or Country Dances & Strathspeys'''), Edinburgh, 1780; p. 19. '''Ryan's Mammoth Collection''', 1883; p. 57. Susan Songer with Clyde Curley ('''Portland Collection vol. 3'''), 2015; p. 52. Charles Villiers Stanford ('''Complete Collection of Petrie's Irish Music'''),1905; No. 915, p. 232 (appears as untitled reel). Stewart-Robertson ('''The Athole Collection'''), 1884; p. 185 (appears as "Colonel MacBean"). Surenne ('''Dance Music of Scotland'''), 1852; p. 6 (appears as "Colonel M'Bain"). Jean White ('''100 Popular Hornpipes, Reels, Jigs and Country Dances'''), Boston, 1880; p. 22. | ||
|f_recorded_sources=Celtic LP CSX5 34, Winston Fitzgerald. | |f_recorded_sources=Celtic LP CSX5 34, Winston Fitzgerald. | ||
Gael-Linn Records CEF 165, Máire O'Keeffe – "An Coisir." | Gael-Linn Records CEF 165, Máire O'Keeffe – "An Coisir." | ||
Latest revision as of 05:04, 12 August 2024
X:1 T:Colln. MacBain’s Reel M:C L:1/8 R:Reel B:Robert Bremner – “For the year 1769 a collection of scots reels, or country dances” (p. 101) Z:AK/Fiddler’s Companion K:Gdor c|(B/c/d) Gd BGdB|(A/B/c) Fc AFcA|(B/c/d) Gd BGdG|(^F/G/A) DF G2-G:| =f|f2 Bf B/B/B fB|c>dT(cB) ABcA|Gg-ga bag^f|gb (a/g/^f) g2-ga| (g/a/b) fd Bdfd|cdTcB ABcA|Bdg^f gdc_e|dBcA G2-G||
COLONEL McBAIN'S (An Ardtaoiseac Mic Baeitine). AKA - "Alec McBain," "Captain McBain," "Colonel McBean." AKA and see "Boston Rattlers'," "Brian Boru's March (1)," "Captain McBanes Reel," "Colonel McBlaine's Reel," "Cork Lasses (1) (The)," "Dan Sullivan's Reel," "Devonshire Reel (1) (The)," "Duke of Clarence Reel (The)," "General McBean," "Hobb's Favorite," "Johnny's Wedding," "Miss Abercrombie's Reel," "Mother's Delight," "Phelan's Fancy," "Seán Frank," "Sporting Paddy (3)," "Sporting Molly (1)," "Suìridhach a phoca mhine," "Woer with the pock of meal." Scottish (originally), Irish; Reel. G Minor (most versions): E Minor (O'Neill, Stanford/Petrie). Standard tuning (fiddle). AB (Howe, O'Neill, Surenne): AAB (most versions): AABB (Cole). Glen (1891) finds the earliest publication of the tune in Robert Bremner's 1768 2nd collection (p. 101). O'Neill (1922) remarks: "'Col. McBain's Reel' first appeared in print in Bremner's 2nd Collection of Scots Reels, or Country Dances (London 1768), and reprinted in McGoun's Repository of Scots and Irish Strathspeys, Reels, etc. (Glasgow 1803).
The reel's popularity was not confined to Scotland for we find it named 'Duke of Clarence Reel (The)' in Lavenu's New Country Dances for the Year 1798, published at London. "Colonel Mac Bean's Reel" is also contained in vol. 2 (p. 156)[1] of the large c. mid-19th century music manuscript collection of County Cork cleric and uilleann piper James_Goodman_, who had obtained it from a manuscript provided him by Dublin bookseller John O'Daly, according to Hugh & Lisa Shields[2] (Goodman's "Miss Westrop's Reel", in volume 1 of his mss. is cognate with "Colonel McBain's" in the first strain only). The reel also was entered in to Goodman's contemporary, fiddler and piper Stephen Grier (c. 1824-1894) x, 1883 music manuscript collection as "Captain McBain." A setting of this noted reel as played by the experts of the Irish Music Club of Chicago may be found on page 116 of O'Neill's Dance Music of Ireland. In composition and fluency of rhythm the variant above presented compares very favorably with the original especially when given expression on the fiddle in the inimitable style of the genial Paddy Stack from whom the manuscript was obtained." The tune was first recorded by Galway melodeon player Peter Conlon in 1921, under the title "McBan's Reel" (thought the different spelling may be due to an error by the record company). Irish versions are in E Minor, Scottish in G Minor. Paul Cranford (1997) remarks that he has heard a strathspey setting (in G) of "Colonel McBain's" played by Cape Breton fiddler Johnny Wilmot who learned it from his uncle Joe Confiant. "Johnny's Wedding", "Mother's Delight," and "Seán Frank" are related tunes. See also O'Neill's "Smoky House (1) (The)," a variant.
