Wounded Hussar (The): Difference between revisions
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|f_mode=Aeolian (minor) | |f_mode=Aeolian (minor) | ||
|f_structure=AAB, AABB | |f_structure=AAB, AABB | ||
|f_book_title=Riley's Flute Melodies vol. 2 | |||
|f_collector=Edward Riley | |||
|f_year=1817 | |||
|f_page=No. 288, p. 78 | |||
|f_theme_code_index=5L11 321 | |f_theme_code_index=5L11 321 | ||
|f_score=1 | |f_score=1 | ||
Line 33: | Line 37: | ||
---- | ---- | ||
<section begin=abc /> | <section begin=abc /> | ||
X:1 | |||
T:Wounded Houssar | |||
M:C | |||
L:1/8 | |||
R:Air | |||
Q:"Affetuoso" | |||
B:Edward Riley – “Riley’s Flute Melodies vol. 2” (New York, 1817, No. 288, p. 78) | |||
F: https://archive.org/details/flutemelodies0000rile/page/n117/mode/2up | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
B>c|d2 e>f g2 fe|dBce edcA|G2 e>d d2 G>A|Bdec A2 zA| | |||
d2 d>e f2 FG|AdBg fe ze|a2 g/f/e/d/ ^cB zB|ge B^c d2 zd| | |||
d2 e>f g2 G>G|GABG c2 ze|edcB BAAB|(cA)EA G2-FD|G2 G>A B2 B>c| | |||
d2 e>f g2 g>g|fadc Bd ef/g/|dBAd !fermata!B2 b>g|fdef g2 ec|B<d A>F G2|| | |||
<section end=abc /> | |||
<section begin=X1 /> | |||
X:1 | X:1 | ||
T:Wounded Hussar,The. RH.036 | T:Wounded Hussar,The. RH.036 | ||
Line 52: | Line 72: | ||
d'2c'2b2 a2g2f2|{f}e2dca2 A2B2c2|\ | d'2c'2b2 a2g2f2|{f}e2dca2 A2B2c2|\ | ||
d2f2d2 fedcBA|F2B2B2 B4:| | d2f2d2 fedcBA|F2B2B2 B4:| | ||
<section end= | <section end=X1 /> | ||
<section begin=X2 /> | <section begin=X2 /> | ||
X: 1 | X: 1 | ||
Line 63: | Line 83: | ||
L:1/8 | L:1/8 | ||
Q:3/4=30 | Q:3/4=30 | ||
R: | R:Air | ||
N:NB-These 3 notes were written as a quaver and 2 semiquavers, but I’ve made them the same as the 5th bar. | N:NB-These 3 notes were written as a quaver and 2 semiquavers, but I’ve made them the same as the 5th bar. | ||
K:Am | K:Am | ||
Line 71: | Line 91: | ||
c'ba gfe|e/d/c/B/g GGB/B/|cec e/d/c/B/A/G/|EAA A2:| | c'ba gfe|e/d/c/B/g GGB/B/|cec e/d/c/B/A/G/|EAA A2:| | ||
<section end=X2 /> | <section end=X2 /> | ||
<section begin=X3 /> | |||
X:1 | |||
T:Wounded Hussar, The | |||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
B:John Burks music manuscript collection dated 1821 | |||
N:Nothing is known of Burks or the provenance of his | |||
N:ms. but it is probable he was from England. | |||
N:His music ms. surfaced in the United States, and had possibly | |||
N:been in the possession of his descendants. | |||
Z:AK/Fiddler’s Companion | |||
K:Bb | |||
FD|D2G2A2|B4 AG|ABcBAG|F2G2A2|B2d2c2|dcBAGF| | |||
D2G2G2|G4::GA|B2d2d2|d4 cB|A2d2c2|c4 (cd/=e/)| | |||
f2d2g2|b2a2b2|d2g2^f2|g4 ga|b3ag2|f3e d2| | |||
c=Bcdef|F2G2A2|B2d2c2|dcBAGF|D2G2G2|G4:| | |||
<section end=X3 /> | |||
<section begin=X4 /> | <section begin=X4 /> | ||
X:1 | X:1 | ||
Line 144: | Line 182: | ||
GAB ceg | e/d/c/ B/A/G/ EAA | A2 :| | GAB ceg | e/d/c/ B/A/G/ EAA | A2 :| | ||
<section end=X11 /> | <section end=X11 /> | ||
<section begin= | <section begin=X14 /> | ||
X:166 | |||
T:The Wounded Hussar | |||
O:No 166 William Clarke of Feltwell | |||
Z:Transcribed M.Humphreys May2010.Written with note values for 3/8, time | |||
Z:signature written as 6/8.I have changed note values to correspond with | |||
Z:6/8 time to reflect the Slow comment at the beginning of the tune. | |||
M:6/8 | |||
L:1/8 | |||
K:Am | |||
P:Slow | |||
(AG)|E2A2B2|c4(BA)| (BcdcBA)|^G2A2B2|c2e2c2|(edcBAG)|E2A2^G2| A4 (AG)| | |||
E2A2B2|c4(BA) |(BcdcBA)| ^G2 A2 B2| c2e2c2| (edcBAG)| E2A2 ^G2| A4|| | |||
(AB)|c2e2e2|e4 dc|B2d2d2|d4g2| e2a2^g2| a2b2c'2|e2a2^g2| !fermata! a4 (ab)| | |||
c'2b2a2| g2f2e2| (edcBAg)|G2A2B2| c2e2c2| (edcBAG)|E2A2^G2| A6|| | |||
<section end=X14 /> | |||
<section begin=X17 /> | |||
X:1 | X:1 | ||
T:Wounded Hussar, The | T:Wounded Hussar, The | ||
Line 159: | Line 213: | ||
g4 ga|b2a2g2|fe(de)(fe)|(dc)(BA)(GA)| | g4 ga|b2a2g2|fe(de)(fe)|(dc)(BA)(GA)| | ||
F2G2A2|fedefd|dcBAGF|D2G2 GA|G4:|] | F2G2A2|fedefd|dcBAGF|D2G2 GA|G4:|] | ||
<section end= | <section end=X17 /> | ||
<section begin= | <section begin=X20 /> | ||
X:1 | X:1 | ||
T:Wounded Hussar, The | T:Wounded Hussar, The | ||
Line 176: | Line 230: | ||
B2e2d2 | e4 ef | g2f2e2 | d2c2B2 | A2d2F2 | | B2e2d2 | e4 ef | g2f2e2 | d2c2B2 | A2d2F2 | | ||
D2E2F2 | G2B2d2 | BAGFED | B,2E2D2 | E4 || | D2E2F2 | G2B2d2 | BAGFED | B,2E2D2 | E4 || | ||
<section end= | <section end=X20 /> | ||
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
<section begin=X1 /> | <section begin=X1 /> |
Latest revision as of 21:24, 9 September 2024
X:1 T:Wounded Houssar M:C L:1/8 R:Air Q:"Affetuoso" B:Edward Riley – “Riley’s Flute Melodies vol. 2” (New York, 1817, No. 288, p. 78) F: https://archive.org/details/flutemelodies0000rile/page/n117/mode/2up Z:AK/Fiddler’s Companion K:G B>c|d2 e>f g2 fe|dBce edcA|G2 e>d d2 G>A|Bdec A2 zA| d2 d>e f2 FG|AdBg fe ze|a2 g/f/e/d/ ^cB zB|ge B^c d2 zd| d2 e>f g2 G>G|GABG c2 ze|edcB BAAB|(cA)EA G2-FD|G2 G>A B2 B>c| d2 e>f g2 g>g|fadc Bd ef/g/|dBAd !fermata!B2 b>g|fdef g2 ec|B<d A>F G2||
X:1
T:Wounded Hussar,The. RH.036
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/16
Q:3/8=60
K:Bm
BA|”_sic”G2B2c2 d4cB|cdedcB A2B2c2|\
d2f2d2 fedcBA|F2B2B2 B4BA|!
F2B2c2 d4cB|cdedcB A2B2c2|\
a3^gf2 e2c2A2|F2B2B2 B4:|!
|:Bc|d2f2f2 f4ed|c2e2e2 e4g2|\
f2b2a2 b2c'2d'2|f2b2^a2 b4bc'|!
d'2c'2b2 a2g2f2|{f}e2dca2 A2B2c2|\
d2f2d2 fedcBA|F2B2B2 B4:|
X: 1
C:Page 31
T:Wounded Hussar. MBe.60
S:Matthew Betham MS, Towcett Cumbria, 1815
O:England;Cumbria;Towcett
Z:VMP – Hugh Taylor, 2012
M:C
L:1/8
Q:3/4=30
R:Air
N:NB-These 3 notes were written as a quaver and 2 semiquavers, but I’ve made them the same as the 5th bar.
K:Am
A/G/|”^NB”EAB c2 B/A/|B/c/d/c/B/A/ GAB|cec e/d/c/B/A/G/|EAA A2 A/G/|
EAB c2 B/A/|B/c/d/c/B/A/ GAB|g>^fe dBA|EAA A2:|
|:A/B/|cee e2 d/c/|Bdd d2 g/f/|e>ag !fermata!a2 b/c'/|eag a2 a/b/|
c'ba gfe|e/d/c/B/g GGB/B/|cec e/d/c/B/A/G/|EAA A2:|
X:1
T:Wounded Hussar, The
M:3/4
L:1/8
R:Air
B:John Burks music manuscript collection dated 1821
N:Nothing is known of Burks or the provenance of his
N:ms. but it is probable he was from England.
N:His music ms. surfaced in the United States, and had possibly
N:been in the possession of his descendants.
Z:AK/Fiddler’s Companion
K:Bb
FD|D2G2A2|B4 AG|ABcBAG|F2G2A2|B2d2c2|dcBAGF|
D2G2G2|G4::GA|B2d2d2|d4 cB|A2d2c2|c4 (cd/=e/)|
f2d2g2|b2a2b2|d2g2^f2|g4 ga|b3ag2|f3e d2|
c=Bcdef|F2G2A2|B2d2c2|dcBAGF|D2G2G2|G4:|
X:1
T:Wounded Hussar,The. CJF.131
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:1/4=60
K:G
(A/G/)|EABc2(B/A/)|(B/c/d/c/B/A/) GAB|\
cec (e/d/)(c/B/)(A/G/)|FAAA2:|!
|:(A/B/)|ceee2d/c/|Bddd2g/f/|ea^g g>bc'|ea^ga2(a/b/)|!
c'ba geg|dBg GAB|cec (e/d/)(c/B/)(A/G/)|FAAA2:|
X:1
T:Wounded Huzzar,The. JC.248
R:Air
S:John Clare,Poet,Helpstone (1793-1864)
O:England
A:Northamptonshire
Z:vmp.Phil Headford
M:3/4
L:1/8
Q:1/4=120
K:G
ED|\
C2E2F2|G4FE|FGAGFE|^D2E2F2|!
G2B2B2|BAGFED|C2E2E2|E4:|!
|:EF|G2B2B2|B4AG|F2A2A2|A4GF|!
E2e2^d2|^e2f2g2|B2gfe^d|e4ef|!
g2f2e2|d2B2{f}g2|GBAGFE|D2E2F2|!
G2BGBd|BAGFED|C2E2E2|E4:|
W:Tunes from here on are as loose paper inserts into MS book.
X:1
T:Wounded Hussar,The. WI.008
M:3/4
L:1/8
Q:1/4=100
B:Wm Irwin, 1838 MS, AGG's Transcription
R:.Air
O:England
A:Lake District
Z:vmp.Chris Partington.2005
F:http://www.cpartington.plus.com/Links/Irwin/IRWIN(12-4-16).ABC
K:Am
AG|E2A2B2|c4BA|BcdcBA|G2A2B2|\
c2e2gf|edcBAG|E2A2A2|A4:|
AB|c2e2e2|e4dc|B2d2d2|d4cB|\
A2a2b2|c'2b2a2|e2a2g2|a4ab|
c'2b2a2|g2e2c2|BdfcBA|G2A2B2|\
c2e2gf|edcBAG|E2A2A2|A4|]
X:1
T:Wounded Hussar. Le4.013, The
B:L.Leadley MS#4 c1850
Z:Village Music Project, 2016 Steve Mansfield
M:6/8
L:1/8
Q:3/8=70
K:Am
AGF AAB | cBA Bcd | cBA GAB | ceg edc |
BAG EAA | A2 :: ABA eee | dcB ddd |
cBA aga | bc'g aga | abc' bag | ege dBg |
GAB ceg | e/d/c/ B/A/G/ EAA | A2 :|
X:166
T:The Wounded Hussar
O:No 166 William Clarke of Feltwell
Z:Transcribed M.Humphreys May2010.Written with note values for 3/8, time
Z:signature written as 6/8.I have changed note values to correspond with
Z:6/8 time to reflect the Slow comment at the beginning of the tune.
M:6/8
L:1/8
K:Am
P:Slow
(AG)|E2A2B2|c4(BA)| (BcdcBA)|^G2A2B2|c2e2c2|(edcBAG)|E2A2^G2| A4 (AG)|
E2A2B2|c4(BA) |(BcdcBA)| ^G2 A2 B2| c2e2c2| (edcBAG)| E2A2 ^G2| A4||
(AB)|c2e2e2|e4 dc|B2d2d2|d4g2| e2a2^g2| a2b2c'2|e2a2^g2| !fermata! a4 (ab)|
c'2b2a2| g2f2e2| (edcBAg)|G2A2B2| c2e2c2| (edcBAG)|E2A2^G2| A6||
X:1
T:Wounded Hussar, The
M:3/4
L:1/8
R:Air
S:James Goodman music manuscript collection (mid-19th cent., County Cork, p. 77)
F: http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=80&z=764.114%2C903.623%2C7374.2874%2C4466.6667
Z:AK/Fiddler's Companion
K:G
GF|D2 G2 GA|B2A2G2|ABcB AG|F2G2A2|f2 defd|
(dc)(BA) GF|D2G2 GA|G4::GA|B2d2 ded|d2c2B2|
A2B2 cd|c2B2A2|G2 g2 gf|g2a2b2|d2g2 ga|
g4 ga|b2a2g2|fe(de)(fe)|(dc)(BA)(GA)|
F2G2A2|fedefd|dcBAGF|D2G2 GA|G4:|]
X:1
T:Wounded Hussar, The
M:3/4
L:1/8
R:Air
Q:"Slow"
N:"Old Air.”
S:Skinner – Harp and Claymore (1904)
Z:AK/Fiddler’s Companion
K:Emin
E>D | B,2 E2F2 | G4 FE | FGAGFE | D2E2F2 | G2B2d2 |
BAGFED | B,2 E2D2 | E4 :|EF | G2B2B2 |
B4A2 | F2A2A2 | A4 GF | E2e2d2 | e2f2g2 |
B2e2d2 | e4 ef | g2f2e2 | d2c2B2 | A2d2F2 |
D2E2F2 | G2B2d2 | BAGFED | B,2E2D2 | E4 ||