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{{TuneAnnotation
{{TuneAnnotation
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Welcome_to_Cork >
|f_annotation='''WELCOME TO CORK''' (Failte romad sa Corcac/Corcaige). AKA and see "[[Teddy Malo's Jig]]." Irish, Double Jig (6/8 time). G Major/G Mixolydian. Standard tuning (fiddle). AABB. It is possible Francis O'Neill renamed "[[Teddy Malo's Jig]]" from '''Ryan's Mammoth Collection''' (1883), as he occasionally did with other tunes he liked (and perhaps thought had an Irish provenance). Jack Gerrity, a fiddler residing in Brooklyn and prominent in the Irish dance halls, recorded the tune under O'Neill's title in 1920.
|f_annotation='''WELCOME TO CORK''' (Failte romad sa Corcac/Corcaige). AKA and see "[[Teddy Malo's Jig]]." Irish, Double Jig (6/8 time). G Major/G Mixolydian. Standard tuning (fiddle). AABB. The second strain is in "double tonic" tonality, somewhat unusual for an Irish jig.  It is possible Francis O'Neill renamed "[[Teddy Malo's Jig]]" from '''Ryan's Mammoth Collection''' (1883), as he occasionally did with other tunes he liked (and perhaps thought had an Irish provenance). However, O'Neill researcher Paul de Grae could find no earlier Irish antecedents for the jig although he did note that Joyce's "[[Old Jerry Doyle]]", "from John Dolan of Glenosheen: 1845," seemed to him a rather distant relative<ref>
<br>
Paul de Grae, “Notes on Sources of Tunes in the O’Neill Collections”, 2017 [https://www.irishtune.info/public/oneill-sources.htm]. </ref>.
<br>
|f_source_for_notated_version=
O'Neill researcher Paul de Grae could find no earlier Irish antecedents for the jig although he did note that Joyce's "[[Old Jerry Doyle]]", "from John Dolan of Glenosheen: 1845," seemed to him a rather distant relative. <ref>
Paul de Grae, “Notes on Sources of Tunes in the O’Neill Collections”, 2017 [https://www.irishtune.info/public/oneill-sources.htm]. </ref>
|f_printed_sources=O'Neill (Krassen), 1976; p. 20. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 733, p. 137. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 30, p. 32. Sweet ('''Fifer’s Delight'''), 1965/1981; p. 28.
|f_printed_sources=O'Neill (Krassen), 1976; p. 20. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 733, p. 137. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 30, p. 32. Sweet ('''Fifer’s Delight'''), 1965/1981; p. 28.
|f_recorded_sources=Alan Ng's Irishtune.info [https://www.irishtune.info/tune/2045/]<br>
|f_recorded_sources=John Gerrity, Columbia 78 rpm disc E4977, 1920.
|f_see_also_listing=
Alan Ng's Irishtune.info [https://www.irishtune.info/tune/2045/]
}}
}}
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Latest revision as of 01:03, 9 October 2022


Back to Welcome to Cork


X:1 T:Welcome to Cork M:6/8 L:1/8 R:Jig S:O’Neill – 1001 Gems (1907), No. 30 Z:AK/Fiddler’s Companion K:G B/c/|dBG dBG|efg dBG|cec BdB|cAG FED| dBG ecA|gag fed|fed cAF|AGG G2:| |:G|Ggf gag|=fde f3|=Ffe fgf|edc dcA| Ggf gag|=fde f3|cde =fcA|AGG G2:|]



WELCOME TO CORK (Failte romad sa Corcac/Corcaige). AKA and see "Teddy Malo's Jig." Irish, Double Jig (6/8 time). G Major/G Mixolydian. Standard tuning (fiddle). AABB. It is possible Francis O'Neill renamed "Teddy Malo's Jig" from Ryan's Mammoth Collection (1883), as he occasionally did with other tunes he liked (and perhaps thought had an Irish provenance). Jack Gerrity, a fiddler residing in Brooklyn and prominent in the Irish dance halls, recorded the tune under O'Neill's title in 1920.

O'Neill researcher Paul de Grae could find no earlier Irish antecedents for the jig although he did note that Joyce's "Old Jerry Doyle", "from John Dolan of Glenosheen: 1845," seemed to him a rather distant relative. [1]


Additional notes



Printed sources : - O'Neill (Krassen), 1976; p. 20. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 733, p. 137. O'Neill (Dance Music of Ireland: 1001 Gems), 1907; No. 30, p. 32. Sweet (Fifer’s Delight), 1965/1981; p. 28.

Recorded sources : - John Gerrity, Columbia 78 rpm disc E4977, 1920. Alan Ng's Irishtune.info [1]




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  1. Paul de Grae, “Notes on Sources of Tunes in the O’Neill Collections”, 2017 [2].