Annotation:Sweet Child: Difference between revisions

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{{TuneAnnotation
{{TuneAnnotation
|f_annotation='''SWEET CHILD.''' AKA  "[[Honey]] (Babe)," "[[Sugar Baby Mine]]," "Sweet Thing." American; Reel and song. USA; Missouri, Oklahoma, Louisiana. A Major. AEae tuning (fiddle). One part tune.  "Sweet Child" is a member of a widespread and varied song/tune family, whose many members can be found in standard folksong collections. Volume III of the Frank C. Brown omnibus from North Carolina contains at least four songs which share elements of either verse or structure <ref>“The Dummy Line” (p. 521), “Sugar Babe” (p. 550), and “Went Down Town” and “Standin’ On The Street Doin’ No Harm” (p. 562). </ref>.  The song family is thought to have derived from the British/Irish folksong "[[Frog and the Mouse (The)]], which itself has many variants, including numerous American ones as "[[Froggie went a-courtin (1)]]” These words sung to the tune were collected in Missouri by Marion Thede, who also printed the Louisiana version of the lyrics:  
|f_annotation='''SWEET CHILD.''' AKA  "[[Honey]] (Babe)," "[[Sugar Baby Mine]]," "Sweet Thing." American; Reel and song. USA; Missouri, Oklahoma, Louisiana. A Major. AEae tuning (fiddle). One part tune.  "Sweet Child" is a member of a widespread and varied song/tune family, whose many members can be found in standard folksong collections. Volume III of the Frank C. Brown omnibus from North Carolina contains at least four songs which share elements of either verse or structure <ref>“The Dummy Line” (p. 521), “Sugar Babe” (p. 550), and “Went Down Town” and “Standin’ On The Street Doin’ No Harm” (p. 562). </ref>.  The song family is thought to have derived from the British/Irish folksong "[[Frog and the Mouse (The)]], which itself has many variants, including numerous American ones as "[[Froggie Went a Courtin' (1)]]” These words sung to the tune were collected in Missouri by Marion Thede, who also printed the Louisiana version of the lyrics:  
<blockquote>
<blockquote>
''Standin' on a corner and I meant no harm my honey,''<br>
''Standin' on a corner and I meant no harm my honey,''<br>
Line 22: Line 22:
''Just lay me away in alcohol (al ky hol) my sweet child.''<br>
''Just lay me away in alcohol (al ky hol) my sweet child.''<br>
</blockquote>
</blockquote>
"The Crawdad Song" [Roud No. 4853] and "[[Old Mister Rabbit]]" are closely related songs/tunes. Songwriter Ben Harney's (1872-1938) "You've been a good old wagon, but you've done broke down" is a ragtime adaptation of the family.   
"The Crawdad Song" [Roud No. 4853] and "[[Old Mister Rabbit]]" are closely related songs/tunes. Songwriter Ben Harney's (1872-1938) "You've been a good old wagon, but you've done broke down" is a ragtime adaptation of the family. See also Mt. Airy, N.C., fiddler [[wikipedia:Tommy_Jarrell]]'s (1901-1985) "Policeman."  
|f_source_for_notated_version=
|f_source_for_notated_version=
|f_printed_sources=Thede ('''The Fiddle Book'''), 1967; pp. 72-73.
|f_printed_sources=Thede ('''The Fiddle Book'''), 1967; pp. 72-73.
|f_recorded_sources=
|f_recorded_sources=
|f_see_also_listing=See Bluegrass Messengers entry for extensive notes on the tune family [http://bluegrassmessengers.com/honey-baby-mine-see-also-sugar-babe.aspx]<br>
|f_see_also_listing=See Bluegrass Messengers entry for more complete notes on the tune family [http://bluegrassmessengers.com/honey-baby-mine-see-also-sugar-babe.aspx]<br>
}}
}}

Latest revision as of 02:54, 16 September 2021


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X:1 T:Sweet Child M:2/4 L:1/8 N:AEae tuning B:Thede - The Fiddle Book (1967, p. 72) K:A A,(F/G/) [AA][AA]|(A/c/)B/A/ (F/E/)F/G/|[AA][A2A2] (A/B/|c)[ee] [ee][ee]-|[e2e2](af/ e/)(c/A/c/)| [ce][ee] [Ae](f/g/|a) a (e/f/e/)d/-|c(c/B/ A/)(A/A/c/)|B(A/B/ c/)A/B/A/|(F/E/)(F/G/)|[AA]!fermata![AA]|| P:Vocal: F|AA/A/ F/F/E/F/|A/A/A/A/ F>E|F/A2 A/B/|c/c/c B/A/A/B/| c/c/c/c/ c>B|c/e2e|e/e/e c/c/A/B/|c/c/c/c/ B/AA/| BB BA/B/|cA F>E|A/A/-A e/d/(^B/c/)|A3z||



SWEET CHILD. AKA "Honey (Babe)," "Sugar Baby Mine," "Sweet Thing." American; Reel and song. USA; Missouri, Oklahoma, Louisiana. A Major. AEae tuning (fiddle). One part tune. "Sweet Child" is a member of a widespread and varied song/tune family, whose many members can be found in standard folksong collections. Volume III of the Frank C. Brown omnibus from North Carolina contains at least four songs which share elements of either verse or structure [1]. The song family is thought to have derived from the British/Irish folksong "Frog and the Mouse (The), which itself has many variants, including numerous American ones as "Froggie Went a Courtin' (1)” These words sung to the tune were collected in Missouri by Marion Thede, who also printed the Louisiana version of the lyrics:

Standin' on a corner and I meant no harm my honey,
Standin' on a corner and I meant no harm my sweet child;
Standin' on a corner and I meant no harm
A big policeman took me by the arm my sweet child.

Rared and I kicked and I tried to get loose my honey,
Rared and I kicked and I tried to get loose my sweet child;
Rared and I kicked and I tried to get loose,
But he took me off to the calaboose my sweet child.

A little bit cloudy but it ain't a gonna rain my honey,
A little bit cloudy but it ain't a gonna rain my sweet Child;
A little bit cloudy but it ain't a gonna rain,
We'll take a trip on the north bound train my sweet child.

When I die don't bury me a tall my honey,
When I die don't bury me a tall my sweet child;
When I die don't bury me a tall,
Just lay me away in alcohol (al ky hol) my sweet child.

"The Crawdad Song" [Roud No. 4853] and "Old Mister Rabbit" are closely related songs/tunes. Songwriter Ben Harney's (1872-1938) "You've been a good old wagon, but you've done broke down" is a ragtime adaptation of the family. See also Mt. Airy, N.C., fiddler wikipedia:Tommy_Jarrell's (1901-1985) "Policeman."


Additional notes



Printed sources : - Thede (The Fiddle Book), 1967; pp. 72-73.



See also listing at :
See Bluegrass Messengers entry for more complete notes on the tune family [1]



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  1. “The Dummy Line” (p. 521), “Sugar Babe” (p. 550), and “Went Down Town” and “Standin’ On The Street Doin’ No Harm” (p. 562).