Annotation:Bile Them Cabbage Down: Difference between revisions
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|f_annotation='''BILE THEM CABBAGE DOWN'''. AKA - "[[Boil Them Cabbage Down]]," "[[Bake Them Hoecakes Brown]]." AKA and see "[[Carve Dat Possum (1)]]," "[[Possum Pie]]," "[[Rocking My Sugar Lump]]," "[[Somebody's Rockin' My Sugar Lump]]." American, Reel (cut time). USA; Oklahoma, Arkansas, southwestern Pa., northeast Alabama. D Major (Bayard, Thede): A Major (Beisswenger & McCann, Reiner, Ruth, Sweet): G Major (Silberberg). Standard or AEae (McMichen) tunings (fiddle). One part: AABB (Sweet): AA'BB'CC' (Beisswenger & McCann): AABBCCDD' (Ruth). The word 'bile' means 'boil'. Ralph Rinzler traces the tune to an early English country dance "[[Smiling Polly]]," in print in 1765<ref>Ralph Rinzler, liner notes to Folkways FA 2315, "The Stoneman Family: Old Time Songs". </ref>. "Bile Them Cabbage Down" is commonly found in beginning fiddle instructors and in ditty-books, and is "a negro reel tune which has become universally popular among white square dance musicians" (Alan Lomax). African-American origins are evident in collections of White, Scarborough and Brown-all from black informants. Tennessee banjoist and entertainer Uncle Dave Macon recorded one of the first versions of the song in 1924; that same year Georgia fiddler and entertainer Fiddlin' John Carson, and Georgia guitarist and singer Riley Puckett both separately recorded the tune. Clayton McMichen put together a virtuoso version of this tune to use in competition at various major fiddle contests. Also played by Arthur Smith on his radio broadcasts (Frank Maloy). The tune was Clayton McMichen's favorite contest tune, by his own account (Charles Wolfe). Richardson, in '''American Mountain Songs''', p. 88., thought the tune was derived from "Oh Susanna." The title appears in a list of traditional Ozark Mountain fiddle tunes compiled by folklorist/musicologist Vance Randolph, published in 1954. Cauthen (1990) found evidence the tune was commonly known in northeast Alabama from its mention in two sources: reports of the De Kalb County Annual (Fiddlers') Convention 1926-31, and in the book Sourwood Tonic and Sassafras Tea (where it was listed as one of the tunes played by turn of the century Etowah County fiddler George Cole). Richard Nevins believes the tune was not known in the Mt. Airy, N.C., musical community until the advent of the phonograph. Beisswenger & McCann (2008) note that Ozarks fiddlers typically employ the "Nashville shuffle" bowing pattern when playing this tune, and that it is often used as the vehicle for contest fiddlers to show off crowd-pleasing virtuostic techniques. | |||
|f_annotation='''BILE THEM CABBAGE DOWN'''. AKA - "[[Boil Them Cabbage Down]]," "[[Bake Them Hoecakes Brown]]." AKA and see "[[Carve Dat Possum (1)]]," "[[Possum Pie]]." American, Reel (cut time). USA; Oklahoma, Arkansas, southwestern Pa., northeast Alabama. D Major (Bayard, Thede): A Major (Beisswenger & McCann, Reiner, Ruth, Sweet): G Major (Silberberg). Standard or AEae (McMichen) tunings (fiddle). One part: AABB (Sweet): AA'BB'CC' (Beisswenger & McCann): AABBCCDD' (Ruth). The word 'bile' means 'boil'. Ralph Rinzler traces the tune to an early English country dance "[[Smiling Polly]]," in print in 1765. "Bile Them Cabbage Down" is commonly found in beginning fiddle instructors and in ditty-books, and is "a negro reel tune which has become universally popular among white square dance musicians" (Alan Lomax). African-American origins are evident in collections of White, Scarborough and Brown-all from black informants. Tennessee banjoist and entertainer Uncle Dave Macon recorded one of the first versions of the song in 1924; that same year Georgia fiddler and entertainer Fiddlin' John Carson, and Georgia guitarist and singer Riley Puckett both separately recorded the tune. Clayton McMichen put together a virtuoso version of this tune to use in competition at various major fiddle contests. Also played by Arthur Smith on his radio broadcasts (Frank Maloy). The tune was Clayton McMichen's favorite contest tune, by his own account (Charles Wolfe). Richardson, in '''American Mountain Songs''', p. 88., thought the tune was derived from "Oh Susanna." The title appears in a list of traditional Ozark Mountain fiddle tunes compiled by folklorist/musicologist Vance Randolph, published in 1954. Cauthen (1990) found evidence the tune was commonly known in northeast Alabama from its mention in two sources: reports of the De Kalb County Annual (Fiddlers') Convention 1926-31, and in the book Sourwood Tonic and Sassafras Tea (where it was listed as one of the tunes played by turn of the century Etowah County fiddler George Cole). Richard Nevins believes the tune was not known in the Mt. Airy, N.C., musical community until the advent of the phonograph. Beisswenger & McCann (2008) note that Ozarks fiddlers typically employ the "Nashville shuffle" bowing pattern when playing this tune, and that it is often used as the vehicle for contest fiddlers to show off crowd-pleasing virtuostic techniques. | <br /> | ||
<br> | <br /> | ||
<br> | A version of the tune was recorded in the 78 RPM era by the Carolina Tar Heels, who titled it "Drake's Reel," named after their newest member, Drake Walsh. | ||
African-American collector Thomas Talley was the first to publish the text of the song in his book '''Negro Folk Rhymes''' (1922, reprinted in 1991 edited by Charles Wolfe). His lyric (No. 232, "Cooking Dinner") goes: | African-American collector Thomas Talley was the first to publish the text of the song in his book '''Negro Folk Rhymes''' (1922, reprinted in 1991 edited by Charles Wolfe). His lyric (No. 232, "Cooking Dinner") goes: | ||
<blockquote> | <blockquote> | ||
''Go: Bile dem cabbage down.''<br> | ''Go: Bile dem cabbage down.''<br /> | ||
''Turn dat hoecake 'round,''<br> | ''Turn dat hoecake 'round,''<br /> | ||
''Cook it done an' brown.'' | ''Cook it done an' brown.'' | ||
<br> | <br /> | ||
<br> | <br /> | ||
''Yes: Gwineter have sweet taters too.''<br> | ''Yes: Gwineter have sweet taters too.''<br /> | ||
''Hain't had none since las' Fall,''<br> | ''Hain't had none since las' Fall,''<br /> | ||
''Gwineter eat 'em skins an' all.'' <br> | ''Gwineter eat 'em skins an' all.'' <br /> | ||
</blockquote> | </blockquote> | ||
Modern lyrics go: | Modern lyrics go: | ||
<blockquote> | <blockquote> | ||
''Bile them cabbage down,'' <br> | ''Bile them cabbage down,'' <br /> | ||
''Bake that hoecake brown;''<br> | ''Bake that hoecake brown;''<br /> | ||
''The only song that I can sing''<br> | ''The only song that I can sing''<br /> | ||
''Is 'Bile Them Cabbage Down.'''<br> | ''Is 'Bile Them Cabbage Down.'''<br /> | ||
</blockquote> | </blockquote> | ||
|f_source_for_notated_version=Claude Thompson (Cotton County, Oklahoma) [Thede], John Nicholson (Fayette County, Pa., 1949) [Bayard]; Roger Fountain (b. 1948, of Pineville, Arkansas) [Beisswenger & McCann]. | |f_source_for_notated_version=Claude Thompson (Cotton County, Oklahoma) [Thede], John Nicholson (Fayette County, Pa., 1949) [Bayard]; Roger Fountain (b. 1948, of Pineville, Arkansas) [Beisswenger & McCann]. | ||
|f_printed_sources=Bayard ('''Dance to the Fiddle'''), 1981; No. 219, p. 173. Beisswenger & McCann ('''Ozarks Fiddle Music'''), 2008; p. 33. Reiner ('''Anthology of Fiddle Styles'''), 1977; p. 8. Ruth ('''Pioneer Western Folk Tunes'''), 1948; No. 118, p. 41 (appears as "Bake Those Hoe Cakes Brown"). Silberberg ('''Tunes I Learned at Tractor Tavern'''), 2002; p. 9. Sweet ('''Fifer's Delight'''), 1964; p. 76 (includes variations, and appears as "Boil the Cabbage Down"). Thede ('''The Fiddle Book'''), 1967; p. 69. | |f_printed_sources=Bayard ('''Dance to the Fiddle'''), 1981; No. 219, p. 173. Beisswenger & McCann ('''Ozarks Fiddle Music'''), 2008; p. 33. Stephen F. Davis ('''The Devil's Box'''), vol. 23, No. 1, Spring 1989, p. 43. Reiner ('''Anthology of Fiddle Styles'''), 1977; p. 8. Ruth ('''Pioneer Western Folk Tunes'''), 1948; No. 118, p. 41 (appears as "Bake Those Hoe Cakes Brown"). Silberberg ('''Tunes I Learned at Tractor Tavern'''), 2002; p. 9. Sweet ('''Fifer's Delight'''), 1964; p. 76 (includes variations, and appears as "Boil the Cabbage Down"). Thede ('''The Fiddle Book'''), 1967; p. 69. | ||
|f_recorded_sources=Recorded by numerous North Georgia bands: Riley Puckett and Gid Tanner (1924), The Skillet Lickers (1928), Earl Johnson (1928), and the Georgia Wildcats (1937) {Clayton McMichen's band}. County 723, Fred Cockerham, Tommy Jarrell & Oscar Jenkins - "Back Home in the Blue Ridge". Paramount 3151 (78 RPM), 1928, The Dixie Crackers {North Georgia}. Heritage 048, "Georgia Fiddle Bands" {Brandywine, 1982}, (1983). Vocalion 14849 (78 RPM), Uncle Dave Macon (1924). Roger Fountain - "Cloggin' Jiggin' Waltzin' Two-Steppin'" (2000). | |f_recorded_sources=Recorded by numerous North Georgia bands: Riley Puckett and Gid Tanner (1924), The Skillet Lickers (1928), Earl Johnson (1928), and the Georgia Wildcats (1937) {Clayton McMichen's band}. Brunswick 549 (78 RPM), Lowe Stokes' Pot Lickers (1930, as "Rocking My Sugar Lump"). Columbia 254 (78 RPM), Riley Puckett. County 723, Fred Cockerham, Tommy Jarrell & Oscar Jenkins - "Back Home in the Blue Ridge". OKeh 40306 (78 RPM), Fiddlin' John Carson. Paramount 3151 (78 RPM), 1928, The Dixie Crackers {North Georgia}. Heritage 048, "Georgia Fiddle Bands" {Brandywine, 1982}, (1983). Vocalion 14849 (78 RPM), Uncle Dave Macon (1924). Roger Fountain - "Cloggin' Jiggin' Waltzin' Two-Steppin'" (2000). | ||
|f_see_also_listing= | |f_see_also_listing=Hear Lowe Stokes' Pot Lickers 1930 recording "Rocking My Sugar Lump" at youtube.com [https://www.youtube.com/watch?v=1Ng5yXFqtiY] | ||
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Bile_Them_Cabbage_Down > | |||
}} | }} | ||
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Latest revision as of 20:33, 19 June 2023
X: 1 T:Bile Them Cabbage Down L:1/16 M:2/4 K:D de | f2f2 fedf | [d3g3][dg]-[d2g2]ag | f2f2 fedf | [c3e3][ce] [c2e2]de | f2f2 fedf | gagf g2fg | a2a2 fde2 | dfed [d2f2] :|
BILE THEM CABBAGE DOWN. AKA - "Boil Them Cabbage Down," "Bake Them Hoecakes Brown." AKA and see "Carve Dat Possum (1)," "Possum Pie," "Rocking My Sugar Lump," "Somebody's Rockin' My Sugar Lump." American, Reel (cut time). USA; Oklahoma, Arkansas, southwestern Pa., northeast Alabama. D Major (Bayard, Thede): A Major (Beisswenger & McCann, Reiner, Ruth, Sweet): G Major (Silberberg). Standard or AEae (McMichen) tunings (fiddle). One part: AABB (Sweet): AA'BB'CC' (Beisswenger & McCann): AABBCCDD' (Ruth). The word 'bile' means 'boil'. Ralph Rinzler traces the tune to an early English country dance "Smiling Polly," in print in 1765[1]. "Bile Them Cabbage Down" is commonly found in beginning fiddle instructors and in ditty-books, and is "a negro reel tune which has become universally popular among white square dance musicians" (Alan Lomax). African-American origins are evident in collections of White, Scarborough and Brown-all from black informants. Tennessee banjoist and entertainer Uncle Dave Macon recorded one of the first versions of the song in 1924; that same year Georgia fiddler and entertainer Fiddlin' John Carson, and Georgia guitarist and singer Riley Puckett both separately recorded the tune. Clayton McMichen put together a virtuoso version of this tune to use in competition at various major fiddle contests. Also played by Arthur Smith on his radio broadcasts (Frank Maloy). The tune was Clayton McMichen's favorite contest tune, by his own account (Charles Wolfe). Richardson, in American Mountain Songs, p. 88., thought the tune was derived from "Oh Susanna." The title appears in a list of traditional Ozark Mountain fiddle tunes compiled by folklorist/musicologist Vance Randolph, published in 1954. Cauthen (1990) found evidence the tune was commonly known in northeast Alabama from its mention in two sources: reports of the De Kalb County Annual (Fiddlers') Convention 1926-31, and in the book Sourwood Tonic and Sassafras Tea (where it was listed as one of the tunes played by turn of the century Etowah County fiddler George Cole). Richard Nevins believes the tune was not known in the Mt. Airy, N.C., musical community until the advent of the phonograph. Beisswenger & McCann (2008) note that Ozarks fiddlers typically employ the "Nashville shuffle" bowing pattern when playing this tune, and that it is often used as the vehicle for contest fiddlers to show off crowd-pleasing virtuostic techniques.
A version of the tune was recorded in the 78 RPM era by the Carolina Tar Heels, who titled it "Drake's Reel," named after their newest member, Drake Walsh.
African-American collector Thomas Talley was the first to publish the text of the song in his book Negro Folk Rhymes (1922, reprinted in 1991 edited by Charles Wolfe). His lyric (No. 232, "Cooking Dinner") goes:
Go: Bile dem cabbage down.
Turn dat hoecake 'round,
Cook it done an' brown.
Yes: Gwineter have sweet taters too.
Hain't had none since las' Fall,
Gwineter eat 'em skins an' all.
Modern lyrics go:
Bile them cabbage down,
Bake that hoecake brown;
The only song that I can sing
Is 'Bile Them Cabbage Down.'
- ↑ Ralph Rinzler, liner notes to Folkways FA 2315, "The Stoneman Family: Old Time Songs".