Annotation:Lady Louth's Reel: Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''LADY LOUTH'S REEL.''' Irish, Reel (cut time). G Major. Standard tuning (fiddle). AB. "Lady Louth's Reel" is contained in the music manuscript collection that was in the possession of curate and fiddler [[biography:Rev. Luke Donnellan]] (1878-1952), Oriel region, south Ulster. | |f_annotation='''LADY LOUTH'S REEL.''' Irish, Reel (cut time). G Major. Standard tuning (fiddle). AB. "Lady Louth's Reel" is contained in the music manuscript collection that was in the possession of curate and fiddler [[biography:Rev. Luke Donnellan]] (1878-1952), Oriel region, south Ulster<ref>Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler. </ref>. Some similarities with John Gow's "[[Mrs. Gunn's Strathspey]]." | ||
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor]. | |f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor]. | ||
|f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 114, p. 70. | |f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 114, p. 70. | ||
}} | }} | ||
Latest revision as of 02:26, 5 September 2022
X:1 T:Lady Louth's Reel M:C| L:1/8 R:Reel B:Rev. Luke Donnellan music manuscript collection (c. 1909, Oriel B:region, south Ulster) K:G G2 BG EAAG|FDFA dAF|G2 ....
LADY LOUTH'S REEL. Irish, Reel (cut time). G Major. Standard tuning (fiddle). AB. "Lady Louth's Reel" is contained in the music manuscript collection that was in the possession of curate and fiddler biography:Rev. Luke Donnellan (1878-1952), Oriel region, south Ulster[1]. Some similarities with John Gow's "Mrs. Gunn's Strathspey."
- ↑ Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.