Annotation:Miss Hutchinson's Reel: Difference between revisions

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{{TuneAnnotation
{{TuneAnnotation
|f_annotation='''MISS HUTCHINSON'S REEL.''' Irish, Reel (cut time). A Major. Standard tuning (fiddle). AB.
|f_annotation='''MISS HUTCHINSON'S REEL.''' Irish, Reel (cut time). A Major. Standard tuning (fiddle). AB. "Miss Hutchinson's Reel" is contained in the music manuscript collection of curate and fiddler [[biography:Rev. Luke Donnellan]] (1878-1952), Oriel region, south Ulster<ref>Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler. </ref>
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor].
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor].
|f_printed_sources=O'Connor ('''The Rose in the Gap'''), 2018; No. 142, p. 81.
|f_printed_sources=O'Connor ('''The Rose in the Gap'''), 2018; No. 142, p. 81.
}}
}}

Latest revision as of 20:30, 10 June 2022



X:1 T:Miss Hutchinson's Reel M:C| L:1/8 R:Reel B:Rev. Luke Donnellan music manuscript collection (c. 1909, Oriel region, B:south Ulster) K:A d|ce (3fga e2 dc|dBfB bBfB|ce (3fga e2 dc|defg aAAd| ce (3fga e2 dc|dBfB bBfB|ce (3fga e2 dc|defg aAAd|| cA A/A/A cdec|BE E/E/E GABd|cA A/A/A cdec|defg aAAd| cA A/A/A cdec|BE E/E/E GABd|cA A/A/A cdec|defg aAA|



MISS HUTCHINSON'S REEL. Irish, Reel (cut time). A Major. Standard tuning (fiddle). AB. "Miss Hutchinson's Reel" is contained in the music manuscript collection of curate and fiddler biography:Rev. Luke Donnellan (1878-1952), Oriel region, south Ulster[1]


Additional notes
Source for notated version : - Rev. Luke Donnellan music manuscript collection [O'Connor].

Printed sources : - O'Connor (The Rose in the Gap), 2018; No. 142, p. 81.






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  1. Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.