Annotation:Colonel Whittaker's March: Difference between revisions
(Created page with "{{TuneAnnotation |f_annotation='''COLONEL WHITTAKER'S MARCH.''' AKA - "Colonel Whitticker's March." Irish, March (whole time). G Major. Standard tuning (fiddle). AB. |f_sourc...") |
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''COLONEL WHITTAKER'S MARCH.''' AKA - "Colonel Whitticker's March." Irish, March (whole time). G Major. Standard tuning (fiddle). AB. | |f_annotation='''COLONEL WHITTAKER'S MARCH.''' AKA - "Colonel Whitticker's March." Irish, March (whole time). G Major. Standard tuning (fiddle). AB. "Colonel Whittaker's March" is contained in the music manuscript collection of curate and fiddler [[biography:Rev. Luke Donnellan]] (1878-1952), Oriel region, south Ulster<ref>Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler. </ref>. | ||
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor]. | |f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor]. | ||
|f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 8, p. 131. | |f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 8, p. 131. | ||
}} | }} |
Latest revision as of 12:29, 30 June 2022
X:1 T:Colonel Whittaker's March M:C L:1/8 R:March B:Rev. Luke Donnellan music manuscript collection (c. 1909, Oriel B:region, south Ulster K:G e/f/e/d/|B2 Bc A2 A/c/B/A/|G2 GG G2 gf|fe....
COLONEL WHITTAKER'S MARCH. AKA - "Colonel Whitticker's March." Irish, March (whole time). G Major. Standard tuning (fiddle). AB. "Colonel Whittaker's March" is contained in the music manuscript collection of curate and fiddler biography:Rev. Luke Donnellan (1878-1952), Oriel region, south Ulster[1].
- ↑ Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.