Annotation:Cameronian March (1): Difference between revisions
(Created page with "{{TuneAnnotation |f_annotation='''CAMERONIAN MARCH [1]. ''' Irish, March (whole time). D Major. Standard tuning (fiddle). AB. |f_source_for_notated_version=Rev. Luke Donnellan...") |
No edit summary |
||
| (2 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''CAMERONIAN MARCH [1]. ''' Irish, March (whole time). D Major. Standard tuning (fiddle). AB. | |f_annotation='''CAMERONIAN MARCH [1]. ''' AKA and see "[[London March (1)]]." Irish, March (whole time). D Major. Standard tuning (fiddle). AB. "The Cameronian March" is contained in the music manuscript collection of curate and fiddler [[biography:Rev. Luke Donnellan]] (1878-1952), Oriel region, south Ulster<ref>Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler. </ref>. The title also appears in a list of tunes in his repertoire brought by Philip Goodman, the last professional and traditional piper in Farney, Louth, to the Feis Ceoil in Belfast in 1898 (Breathnach, 1997). | ||
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor]. | |f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor]. | ||
|f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 15, p. 135. | |f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 15, p. 135. | ||
}} | }} | ||
Latest revision as of 19:58, 12 November 2023
X:1 T:Cameronian March [1] M:C L:1/8 R:March B:Rev. Luke Donnellan music manuscript collection (c. 1909, Oriel B:region, south Ulster) K:D E|F2 FA GFED|DFAD B2A2|Bd....
CAMERONIAN MARCH [1]. AKA and see "London March (1)." Irish, March (whole time). D Major. Standard tuning (fiddle). AB. "The Cameronian March" is contained in the music manuscript collection of curate and fiddler biography:Rev. Luke Donnellan (1878-1952), Oriel region, south Ulster[1]. The title also appears in a list of tunes in his repertoire brought by Philip Goodman, the last professional and traditional piper in Farney, Louth, to the Feis Ceoil in Belfast in 1898 (Breathnach, 1997).
- ↑ Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.