Annotation:Cailín Beag Óg Leoghbhaidhe: Difference between revisions

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{{TuneAnnotation
{{TuneAnnotation
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Cailín_Beag_Óg_Leoghbhaidhe >
|f_annotation='''CAILÍN BEAG ÓG LEOGHBHAIDHE'''.  Irish, Air (3/4 time). A Flat Mixolydian.  Standard tuning (fiddle). One part. Gerry O'Connor (2018) notes that the song is called "The Girl from County Louth" in the Oriel region, south Ulster.
|f_annotation='''CAILÍN BEAG ÓG LEOGHBHAIDHE'''.  Irish, Air (3/4 time). E Flat Major (Donnellan): A Minor (O'Connor).  Standard tuning (fiddle). One part.  
|f_printed_sources=Rev. Luke Donnellan ('''"Oriel Dances and Songs", '''Journal of the County Louth Archeological Society, vol. II'''), Sept. 1909; No. 106.  O'Connor ('''The Rose in the Gap'''), 2018; p. 143.
|f_source_for_notated_version=
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Cailín_Beag_Óg_Leoghbhaidhe >
|f_printed_sources=Rev. Luke Donnellan ('''"Oriel Dances and Songs", '''Journal of the County Louth Archeological Society, vol. II'''), Sept. 1909; No. 106.  O'Connor ('''The Rose in the Gap'''), 2018; p. 143.  
|f_recorded_sources=
|f_see_also_listing=
}}
}}
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Latest revision as of 22:40, 1 July 2022


Back to Cailín Beag Óg Leoghbhaidhe

X:1 T:Cailín Beag Óg Leoghbhaidhe M:3/4 L:1/8 R:Air N:the name “J. McCrinck?, Dromintee” appears with the tune S:Rev. Luke Donnellan – “Oriel Songs and Dances", S:Journal of the County Louth Archaeological Society (vol. II, No. 2, 1909; No. 106) Z:AK/Fiddler’s Companion K:Eb E2 |AG E2E2|E2 AB =B2|BB BA B2|AA A3=B| B_B E=E _E2|E AG E{D}E2|E2 GA B2|AA A2 z2||


CAILÍN BEAG ÓG LEOGHBHAIDHE. Irish, Air (3/4 time). A Flat Mixolydian. Standard tuning (fiddle). One part. Gerry O'Connor (2018) notes that the song is called "The Girl from County Louth" in the Oriel region, south Ulster.


Additional notes



Printed sources : - Rev. Luke Donnellan ("Oriel Dances and Songs", Journal of the County Louth Archeological Society, vol. II), Sept. 1909; No. 106. O'Connor (The Rose in the Gap), 2018; p. 143.





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