Annotation:Henrietta Hornpipe: Difference between revisions
(Created page with "[[{{BASEPAGENAME}}|Tune properties and standard notation]] ---- <p><font face="garamond, serif" size="4"> '''HENRIETTA HORNPIPE'''. American, Hornpipe. F Major (Cole, Ryan): G Ma...") |
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Henrietta_Hornpipe > | |||
'''HENRIETTA HORNPIPE'''. American, Hornpipe. F Major (Cole, Ryan): G Major (Miller). Standard tuning (fiddle). AABB. | |f_annotation='''HENRIETTA HORNPIPE'''. AKA and see "[[Aurora Hornpipe]]." American, Hornpipe. F Major (Cole, Ryan): G Major (Miller). Standard tuning (fiddle). AABB. "Henrietta Hornpipe" is another renaming of a tune ("[[Aurora Hornpipe]]") in Elias Howe's '''Musician's Omnibus Nos. 6 & 7''' printed c. 1882, only a year or two prior to '''Ryan's Mammoth Collection''' (1883). It is curious as both were published by the Elias Howe music publishing company of Boston, but perhaps it was a deliberate renaming so as not to appear duplicative to the buying public. | ||
|f_source_for_notated_version= | |||
|f_printed_sources=Cole ('''1000 Fiddle Tunes'''), 1940; p. 104. Miller ('''Fiddler's Throne'''), 2004; No. 288, p. 172. '''Ryan's Mammoth Collection''', 1883; p. 139. | |||
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Latest revision as of 22:18, 16 August 2022
X:1 T:Henrietta Hornpipe M:2/4 L:1/8 R:Hornpipe S:Ryan's Mammoth Collection (1883) Z:AK/Fiddler's Companion K:F .c.c A/c/f/a/ | .g.g g>e | f/e/d/c/ =B/c/d/e/ | {g}f/e/f/g/ a2 | .c.c A/c/f/a/ | .g.g g>e | f/e/d/c/ =B/c/d/e/ | faf :| |: c | .f/(c/=B/c/) .A/(c/B/c/) | .d/(_B/A/B/) .G/(B/A/B/) | A/c/f/e/ d/f/b/a/ | g/f/e/d/ .cd/e/ | .f/(c/=B/c/) .A/(c/B/c/) | .d/(_B/A/B/) .G/(B/A/B/) | A/c/f/a/ g/b/e/g/ | fff :||
HENRIETTA HORNPIPE. AKA and see "Aurora Hornpipe." American, Hornpipe. F Major (Cole, Ryan): G Major (Miller). Standard tuning (fiddle). AABB. "Henrietta Hornpipe" is another renaming of a tune ("Aurora Hornpipe") in Elias Howe's Musician's Omnibus Nos. 6 & 7 printed c. 1882, only a year or two prior to Ryan's Mammoth Collection (1883). It is curious as both were published by the Elias Howe music publishing company of Boston, but perhaps it was a deliberate renaming so as not to appear duplicative to the buying public.
