Annotation:Farewell to Leitrim: Difference between revisions
No edit summary |
No edit summary |
||
| Line 4: | Line 4: | ||
|f_annotation='''FAREWELL TO LEITRIM'''. AKA and see "[[Kennaw's Reel (1)]]," "[[Lawson's Favorite]]," "[[Fiddler's Frolic (1) (The)]]," "[[Maude Miller (1)]]," "[[Molloy's Favourite (1)]]," "[[ Reidy Johnson's (1)]]," "[[Take Her Out and Air Her (2)]]," "[[Roll Her in the Haystack]]," "[[Hawthorn's Reel]]." Irish, Reel. D Major. Standard tuning (fiddle). AB. Sligo fiddler Michael Coleman recorded the tune in New York in 1921 on his very first 78 rpm side, on which it was the second tune in a set entitled "Reidy Johnson's"). Coleman's Donegal-born New York protege Hughie Gillespie recorded the same two reels, calling this one "Farewell to Leitrim." Influential button accordionist Joe Burke later used Gillespie's title when he recorded the tune. | |f_annotation='''FAREWELL TO LEITRIM'''. AKA and see "[[Kennaw's Reel (1)]]," "[[Lawson's Favorite]]," "[[Fiddler's Frolic (1) (The)]]," "[[Maude Miller (1)]]," "[[Molloy's Favourite (1)]]," "[[ Reidy Johnson's (1)]]," "[[Take Her Out and Air Her (2)]]," "[[Roll Her in the Haystack]]," "[[Hawthorn's Reel]]." Irish, Reel. D Major. Standard tuning (fiddle). AB. Sligo fiddler Michael Coleman recorded the tune in New York in 1921 on his very first 78 rpm side, on which it was the second tune in a set entitled "Reidy Johnson's"). Coleman's Donegal-born New York protege Hughie Gillespie recorded the same two reels, calling this one "Farewell to Leitrim." Influential button accordionist Joe Burke later used Gillespie's title when he recorded the tune. | ||
|f_source_for_notated_version= | |f_source_for_notated_version= | ||
|f_printed_sources=Breathnach (''' | |f_printed_sources=Breathnach ('''Ceol Rince na hÉireann vol. II'''), 1976; No. 279 (appears as untitled reel). Breathnach ('''Ceol Rince na hÉireann vol. V'''), 1999; No. 139. Carlin ('''Master Collection'''), 1984; No. 215, p. 126; Allan's Irish Fiddler, n.d., c. 1920s, No. 64 (appears as "Molloy's Favourite"). | ||
|f_recorded_sources=Decca 12186 (78 RPM), Hugh Gillespie (1938). | |f_recorded_sources=Decca 12186 (78 RPM), Hugh Gillespie (1938). | ||
|f_see_also_listing=Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/f02.htm#Fartole]<br> | |f_see_also_listing=Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/f02.htm#Fartole]<br> | ||
Latest revision as of 17:48, 4 September 2022
X: 1 T:Farewell to Leitrim R:reel D:Altan: Blackwater Z:id:hn-reel-771 M:C| K:Dmix d2AG FADF|Ec~c2 Ec~c2|(3dcB cA BGAG|FDEF DEFA| d2AG FADF|(3EFG AB c2Bc|(3dcB cA BGAF|GFEG FDDe|| fd~d2 fdad|fd~d2 ^cdeg|fd~d2 fdad|^ceag fdde| fd~d2 adfd|e=c~c2 gceg|afge fded|^ceaf g2fe||
FAREWELL TO LEITRIM. AKA and see "Kennaw's Reel (1)," "Lawson's Favorite," "Fiddler's Frolic (1) (The)," "Maude Miller (1)," "Molloy's Favourite (1)," "Reidy Johnson's (1)," "Take Her Out and Air Her (2)," "Roll Her in the Haystack," "Hawthorn's Reel." Irish, Reel. D Major. Standard tuning (fiddle). AB. Sligo fiddler Michael Coleman recorded the tune in New York in 1921 on his very first 78 rpm side, on which it was the second tune in a set entitled "Reidy Johnson's"). Coleman's Donegal-born New York protege Hughie Gillespie recorded the same two reels, calling this one "Farewell to Leitrim." Influential button accordionist Joe Burke later used Gillespie's title when he recorded the tune.
