Annotation:Watson's Hornpipe: Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Watson's_Hornpipe > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Watson's_Hornpipe > | ||
|f_annotation='''WATSON’S HORNPIPE.''' English, Hornpipe. D Major. Standard tuning (fiddle). AABB. The first strain is shared with “[[Miss Sackville’s Fancy]]”, printed in Glasgow by James Aird in 1785. The melody with a different second strain appears as an untitled hornpipe in the George Henry Watson (Swanton Abbott, Norfolk) music manuscript collection, c. | |f_annotation='''WATSON’S HORNPIPE.''' English, Hornpipe. D Major. Standard tuning (fiddle). AABB. The first strain is shared with “[[Miss Sackville’s Fancy]]”, printed in Glasgow by James Aird in 1785. The melody with a different second strain appears as an untitled hornpipe in the George Henry Watson (Swanton Abbott, Norfolk) music manuscript collection, c. 1890 (hence being dubbed "Watson's Hornpipe"). Compare also with "[[Lishman's Second Hornpipe]]" which may have had a common ancestor, and with the first strain of "[[Saturday Night (6)]]. | ||
|f_source_for_notated_version= | |f_source_for_notated_version= | ||
|f_printed_sources=Callaghan ('''Hardcore English'''), 2007; p. 26. | |f_printed_sources=Callaghan ('''Hardcore English'''), 2007; p. 26. | ||
Latest revision as of 12:11, 11 September 2023
X: 1 T:Watson's Hornpipe. GHW.065 T:Hornpipe. GHW.065 M:2/4 L:1/8 Q:1/2=90 C:Untitled in MS S:George H.Watson,MS,Swanton Abbott,Norfolk,c1880 R:.Hornpipe O:England A:Norfolk Z:vmp.Taz Tarry K:D AGFG A2 d2|BGde dcBA|defe B2 (cd)|efge dcBA|! AGFG A2 d2|BGde dcBA|defe B2 g2|fdec d4:|! |:f2 (df) agfe|e2 (ce) aedc|defd B2 cd| efge dcBA|! AGFG A2 d2|BGde dcBA|defe B2 g2|fdec d4:|]
WATSON’S HORNPIPE. English, Hornpipe. D Major. Standard tuning (fiddle). AABB. The first strain is shared with “Miss Sackville’s Fancy”, printed in Glasgow by James Aird in 1785. The melody with a different second strain appears as an untitled hornpipe in the George Henry Watson (Swanton Abbott, Norfolk) music manuscript collection, c. 1890 (hence being dubbed "Watson's Hornpipe"). Compare also with "Lishman's Second Hornpipe" which may have had a common ancestor, and with the first strain of "Saturday Night (6).
