Annotation:Isle de Melba: Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''ISLE DE MALBA.''' | |f_annotation='''ISLE DE MALBA.''' French-Canadian, Reel (2/4 time). D Major. Standard tuning (fiddle). AABB. Researcher Jean Duval compares this tune with the group of tunes typified by "[[Four Poster Bed (The)]]" in which the fiddler taps the corners of the top of the instrument with the end of his/her bow in conjunction with rests or pizzicato notes in the music. He points to "[[Quatre coins de St-Malo (Les)]]" as being another such tune in Québec repertory. | ||
|f_printed_sources=J.A. Boucher ('''Le Repertoire du Violoneux'''), 1933; No. 89, p. 45. | |f_printed_sources= J.A. Boucher ('''Le Repertoire du Violoneux'''), 1933; No. 89, p. 45. | ||
|f_see_also_listing=See Jean Duval's 2018 annotated edition of Boucher's 1933 collection [https://leviolondejos.wiki/images/9/9a/Le_Répertoire_du_Violoneux_de_J-A_Boucher_(réédition_2018_par_Jean_Duval).pdf] | |f_see_also_listing=See Jean Duval's 2018 annotated edition of Boucher's 1933 collection [https://leviolondejos.wiki/images/9/9a/Le_Répertoire_du_Violoneux_de_J-A_Boucher_(réédition_2018_par_Jean_Duval).pdf]<br> | ||
}} | }} | ||
Latest revision as of 00:13, 6 November 2022
X:1 T:Isle de Melba M:2/4 L:1/8 B:J.A. Boucher – “Le Repertoire du Violoneux” (1933, No. 89, p. 45) B:“Le Repertoire du Violoneux” (Nouvelle édition 2018 par Jean Duval) [1] K:D A/B/c/|dD D/F/A/d/|cB B/d/e/f/|gA A/c/e/g/|fd d/A/B/c/| dD D/F/A/d/|cB B/d/e/f/|g/f/g/a/ b/a/g/e/|d/A/f/e/ d/:| |:A/B/c/|d>e d/A/d/f/|a/^g/a/b/ a/f/d/f/|g/b/g/e/ f/a/f/d/|e/f/e/d/ c/A/B/c/| d>e d/A/d/f/|a/^g/a/b/ a/f/d/f/|g/b/g/e/ f/a/f/d/|e/g/e/c/ d/:|
ISLE DE MALBA. French-Canadian, Reel (2/4 time). D Major. Standard tuning (fiddle). AABB. Researcher Jean Duval compares this tune with the group of tunes typified by "Four Poster Bed (The)" in which the fiddler taps the corners of the top of the instrument with the end of his/her bow in conjunction with rests or pizzicato notes in the music. He points to "Quatre coins de St-Malo (Les)" as being another such tune in Québec repertory.
