White Cockade (1) (The): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=White Cockade (1) (The) | |f_tune_title=White Cockade (1) (The) | ||
|f_aka=Caledonian Quadrille - Figure 5a, Cnota Bán (An), Duke of Buccleugh's Tune (The), Ranting Highlander (The), Ranting Highlandman (The), Fiddler's Morris, Highland Laddie (3) (The), Lad with the White Cockade (The), Rose in the Garden (The), White Cock Head, O an ye were dead guidman, Highland lad my love was born (A), Wind Blew the Bonnie Lassie’s Plaidie Away (The), Reel des Laurentides | |f_aka=Caledonian Quadrille - Figure 5a, Celebrated Set of Quadrilles II - Figure 4, Cnota Bán (An), Duke of Buccleugh's Tune (The), Ranting Highlander (The), Ranting Highlandman (1) (The), Fiddler's Morris, Highland Laddie (3) (The), Lad with the White Cockade (The), Rose in the Garden (The), White Cock Head, O an ye were dead guidman, Highland lad my love was born (A), Wind Blew the Bonnie Lassie’s Plaidie Away (The), Reel des Laurentides | ||
|f_country=England, Scotland, Ireland, Canada, United States | |f_country=England, Scotland, Ireland, Canada, United States | ||
|f_genre=Cape Breton/PEI, Contra, English, Irish, Northumbrian/Borders, Old-Time, Scottish | |f_genre=Cape Breton/PEI, Contra, English, Irish, Northumbrian/Borders, Old-Time, Scottish | ||
Line 51: | Line 51: | ||
<section end=abc /> | <section end=abc /> | ||
<section begin=X2 /> | <section begin=X2 /> | ||
X: | X:1 | ||
T:Second to the White | T:Second to the White Cockade | ||
M:C | M:C | ||
L:1/8 | L:1/8 | ||
B:Calvert - "A Collection of Marches & Quick Steps, Strathspeys & Reels" (1799, p. 9) | |||
Z:AK/Fiddler's Companion | |||
K:G | K:G | ||
BA|G2B2 dBAB| | BA|G2B2 dBAB|d2G2G2 Bc|B2G2G2F2|G2 [F2A2][F2A2] BA| | ||
G2B2 dBAB| | G2B2 dBAB|c2d2e2f2|g/f/e/d/c/B/A/G/|B2G2G2|| | ||
GA| | GA|B2G2d2G2|B2 ge d2 Bc|B2G2B2 AB|c2A2 [F2A2]BA| | ||
G2B2 dBAB| | G2B2 dBAB|c2d2e2f2|g/f/e/d/c/B/A/G/|B2G2G2|| | ||
<section end=X2 /> | <section end=X2 /> | ||
<section begin=X5 /> | <section begin=X5 /> | ||
Line 110: | Line 109: | ||
B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2|| | B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2|| | ||
<section end=X11 /> | <section end=X11 /> | ||
<section begin=X12 /> | |||
X:1 | |||
T:White Cockade, The | |||
M:C| | |||
L:1/8 | |||
R:Country Dance tune or March | |||
B:Patrick McGahon music manuscript collection (1817, No. 17) | |||
N:McGahon was a scribe of Irish language literature who lived in | |||
N:Dungooley, County Louth, on the Armagh border. He was a | |||
N:teacher with The Irish Society in the early 19th century, but little | |||
N:else is known about him. A few tunes in the ms. are written in other N:hands. | |||
B:Pádraigín Ní UIallacháin – “A Hidden Ulster” (2003, p. 443) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
GA|B2B2 cBAG|B2B2B2g2|B2B2 cBAG|B2A2A2 GA| | |||
B2B2 cBAG|B2d2g2 fg|bagf efge |d2B2B2:| | |||
|:Bc |d2 cB g2 Bc|d2d2d2 Bc|d2B2 g2 fg|a2A2A2 GA| | |||
BABd cBAG|B2d2 g2 ga|bagf efge|d2B2B2:| | |||
<section end=X12 /> | |||
<section begin=X15 /> | <section begin=X15 /> | ||
X:5 | X:5 | ||
Line 226: | Line 244: | ||
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|] | BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|] | ||
<section end=X33 /> | <section end=X33 /> | ||
<section begin=X34 /> | |||
X:44 | |||
T:White Cockade Country Dance. GHW.044 | |||
M:2/4 | |||
L:1/16 | |||
Q:1/4=100 | |||
B:George H.Watson,MS,Swanton Abbott,Norfolk,c1890 | |||
R:.Scots Measure | |||
A:England; Norfolk | |||
Z:Village Music Project, Taz Tarry, 2000 | |||
K:G | |||
(GA)|B2B2 cBAG|B2B2 B2g2|d2B2 cBAG|FGAB A2GA| | |||
B2B2 cBAG|B2d2 g2ga|bagf agfe|d2B2B2:| | |||
(Bc)|d2B2g2B2|d2d2 d2(Bc)|d2B2 g2(fg)|a2A2 A2(GA)| | |||
B2B2 cBAG|B2d2 g2(ga)|bagf agfe|d2B2B2:| | |||
<section end=X34 /> | |||
<section begin=X36 /> | <section begin=X36 /> | ||
X:12 | X:12 |
Latest revision as of 21:37, 10 September 2023
X:1 T:White Cockade [1] M:C| L:1/8 R:March S:fifer Thomas Nixon Jr./Joseph Long copybook (c. 1776-78. pp. 90-91) Z:AK/Fiddler's Companion K:G GA|B2 Bc B2 AG|d2B2B2g2|d2 Bc B2 AG|FGAB A2 GA| B2 Bc B2 AG|A2B2 g4|a2 f2 g2e2|d2B2 B3:| |:Bc|d2 Bc g2 Bc|d2 de d4|edef gfga|b2 e2 e2 d>c/B/4| g2 d2 BA G2|A2B2g4|a2f2g2e2|d2B2B2:||
X:1
T:Second to the White Cockade
M:C
L:1/8
B:Calvert - "A Collection of Marches & Quick Steps, Strathspeys & Reels" (1799, p. 9)
Z:AK/Fiddler's Companion
K:G
BA|G2B2 dBAB|d2G2G2 Bc|B2G2G2F2|G2 [F2A2][F2A2] BA|
G2B2 dBAB|c2d2e2f2|g/f/e/d/c/B/A/G/|B2G2G2||
GA|B2G2d2G2|B2 ge d2 Bc|B2G2B2 AB|c2A2 [F2A2]BA|
G2B2 dBAB|c2d2e2f2|g/f/e/d/c/B/A/G/|B2G2G2||
X:43
C:Page 22
T:White Cockade. MBe.43, The
A:England;Cumbria;Towcett
B:Matthew Betham MS, Towcett Cumbria, 1815
Z:VMP - Hugh Taylor, 2012
M:2/4
L:1/8
Q:1/4=100
R:
N:Well known in the district as a tune to play for Westmorland Style step dancing
N:Not the same as the White Cockade MBe.27 on page 13
K:G
g|dB BA/G/|BBBg|dB BA/G/|BA AG/A/|
BB BA/B/|{A}G"sic"G>ga|(b/a/g/f/) (a/g/f/e/)|dB BB:|
|:c|{e}dBgB|ddde|{e}dc/B/ {a}~gf/g/|gA AG/A/|
BB BA/B/|GGga|(b/a/g/f/) (a/g/f/e/)|dB BB:|
X:3
T:White Cockade [1]
M:C
L:1/8
Q:"Allegretto"
B:Wilson - Companion to the Ball Room (1816, p. 39)
Z:AK/Fiddler's Companion
K:G
G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|
|:B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|]
X:4
T:White Cockade [1] (Scotch)
M:C
L:1/8
Q:"Allegretto"
R:Country Dance
B:Thomas Wilson - Companion to the Ball Room (1816, p. 54)
Z:AK/Fiddler's Companion
K:G
GA|B2B2 B2 AG|d2B2B2 GA|B2B2B2 AG|B2A2A2 GA|
B2B2B2 AG|A2B2 g3a|bagf efge|d2B2B2||
AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA|
B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2||
X:1
T:White Cockade, The
M:C|
L:1/8
R:Country Dance tune or March
B:Patrick McGahon music manuscript collection (1817, No. 17)
N:McGahon was a scribe of Irish language literature who lived in
N:Dungooley, County Louth, on the Armagh border. He was a
N:teacher with The Irish Society in the early 19th century, but little
N:else is known about him. A few tunes in the ms. are written in other N:hands.
B:Pádraigín Ní UIallacháin – “A Hidden Ulster” (2003, p. 443)
Z:AK/Fiddler’s Companion
K:G
GA|B2B2 cBAG|B2B2B2g2|B2B2 cBAG|B2A2A2 GA|
B2B2 cBAG|B2d2g2 fg|bagf efge |d2B2B2:|
|:Bc |d2 cB g2 Bc|d2d2d2 Bc|d2B2 g2 fg|a2A2A2 GA|
BABd cBAG|B2d2 g2 ga|bagf efge|d2B2B2:|
X:5
T:White Cockade
M:2/4
L:1/8
R:Country Dance Tune
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 154)
Z:AK/Fiddler's Companion
K:G
gf|e/d/c/B/ d/B/A/G/|BB Bg/f/|e/d/c/B/ d/B/A/G/|BA AG/A/|
B/G/B/d/ c/B/A/G/|AB !fermata!ga|b/a/g/f/ e/f/g/e/|d/B/A/B/ A:|
|:B/c/|dB/G/ gB/c/|ddd>e|dB gf/g/|aA G/A/|
B/G/B/d/ c/B/A/B/|GB/d/ !fermata!ga|b/a/g/f/ e/f/g/e/|d/G/B/d/A:|]
X:6
T:White Cockade, The
M:2/4
L:1/8
Q:"Allegro Spiritoso"
R:Country Dance
B:J. Clinton - Gems of Ireland:200 Airs (1841, No. 199, p. 104)
Z:AK/Fiddler's Companion
K:G
(G/A/)|.B.B.B (A/G/)|.B.B.B .g|.d.B (c/B/)(A/G/)|(BA).A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d.g (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B ||
(B/c/)|.d.B.g (B/c/)|{e}(d/^c/)(c/d/) .d(B/=c/)|.d.B.g (f/g/)|.a.A.A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d. g(g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B (B/c/)|
(dB).g (B/c/)|{e}(d/^c/d/e/) .d(B/=c/)|(^c/d/e/f/ g/a/^a/b/)|=.a.A.A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d!fermata! (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B||
X:7
T:White Cockade [1], The
M:C|
L:1/8
Q:"Spiritoso"
R:Country Dance
B:P.M. Haverty - One Hundred Irish Airs vol. 1 (1858, No. 22, p. 9)
Z:AK/Fiddler's Companion
K:G
GA|B2 (Bd) (cB)(AG)|BABc B2 gf|(ed)(cB) (cB)(AG)|E2 A>A .A2 GA|
.B2 Bd cBAG|(Bd)(ef) gfga|(ba)gf (agf)e|d2B2B2||
Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)|
.B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2||
X:8
T:White Cockade [1], The
M:2/4
L:1/16
R:Pipe March
B:William Ross - Ross's Collection of Pipe Music (1869, No. 107, p. 99)
Z:AK/Fiddler's Companion
K:G
e2|G3B B2AB|G3B B>Bg/|G3B B2AG|B2A2 A2GA|
B<Bed B2AG|AGAB g2fg|a2gf efge|d3B BB3:|
|:c2|d3B g3B|dedB d3e|e2dB g2fg|a3A AGAB|
BBed B2AG|AGAB g2fg|a2gf efge|d2B2 BB2:|]
X:9
T:White Cockade, The, with Variations
M:C
L:1/8
R:Hornpipe
B:Stephen Grier music manuscript collection (Book 3, c. 1883, No. 30, p. 10)
B: http://grier.itma.ie/book-three#?c=0&m=0&s=0&cv=9&z=106.4282%2C299.3808%2C3343.425%2C1294.4477
N:Stephen Grier (c. 1824-1894) was a piper and fiddler from
N:Newpark, Bohey, Gortletteragh, south Co. Leitrim.
Z:AK/Fiddler's Companion
K:G
GA|B2 Bd cBAB|GBBA Bgge|dBGB cBAG|FGAF DFAF|
GBdB cBAG|Bdef g2a2|bagf ag/f/ gf/e/|d2B2B2||
Bc|d2B2g2B2|dcde d2 ge|dcBc defg|agab a2 GA|
BcdB cBAG|Bdef g2a2|bagf ag/f/ gf/e/|d2B2B2||
P:1st Variation
DGBG DGBG|DGBG cBAG|DGBG DGBG|ABcB cBAG|
DGBG DGBG|DGBd g2a2|bagf ag/f/ gf/e/ |d2B2B2||
P:2nd Variation
ge|dBGB dgfg|bgfg dcBc|dBGB defg|agab agfe|
dBGB dgfg|bgfg dcBd|c'bc'b c'bag|f2d2d2||
P:3rd Variation
ge|dB BB/B/ GG GG/G/|DB BB/B/ GB BB/B/|dB BB/B/ GBGB|AcBd cBAg|
dB BB/B/ GG GG/G/|DB BB/B/ GBdg|bagf ag/f/ gf/e/|d2B2B2||
X:10
T:White Cockade, The
L:1/8
M:C|
R:Country Dance
B:Stewart-Robertson - The Athole Collection (1884)
Z:AK/Fiddler's Companion
K:G
GA|B2B2B2 AB|G2B2B2 ge|d2B2B2 AG|B2A2A2 GA|
B2 Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|
|:Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA|
B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|]
X:11
T:White Cockade [1]
M:2/4
L:1/8
R:Air and Reel
N:”As played by David R. Hamblon” (1809-1893, originally from Cumberland
N:Gap, Lee County, western Virginia, as transcribed by his grandson, A. Porter Hamblon.
N:The key signature in the MS is (inexplicably) E Major.
Z:AK/Fiddler's Companion
K:G
G/A/|BB B/A/G/B/|dB Bg/e/|dB B/A/G/A/|BA A2 G/A/|
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|
|:dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2|
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|]
X:44
T:White Cockade Country Dance. GHW.044
M:2/4
L:1/16
Q:1/4=100
B:George H.Watson,MS,Swanton Abbott,Norfolk,c1890
R:.Scots Measure
A:England; Norfolk
Z:Village Music Project, Taz Tarry, 2000
K:G
(GA)|B2B2 cBAG|B2B2 B2g2|d2B2 cBAG|FGAB A2GA|
B2B2 cBAG|B2d2 g2ga|bagf agfe|d2B2B2:|
(Bc)|d2B2g2B2|d2d2 d2(Bc)|d2B2 g2(fg)|a2A2 A2(GA)|
B2B2 cBAG|B2d2 g2(ga)|bagf agfe|d2B2B2:|
X:12
T:The White Cockade
M:4/4
L:1/8
R:March
B:Deloughery - Sliabh Luachra on Parade (1980, No. 125)
N:From the playing of Terry Teahan
Z:Patrick Cavanagh
K:G
G/A/|BB c/B/A/G/ dB Bg/e/|dB B/A/G/A/ BA AG/A/|BB c/B/A/G/ Bd g>a|b/a/g/f/ e/f/g/e/ dB B:|
|:B/c/|dB g/d/B/c/ dB BB/c/|dB gf/g/ aA AG/A/|BB c/B/A/G/ Bd g>a|b/a/g/f/ e/f/g/e/ dB B:||