Annotation:Murphy's Hornpipe (2): Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Murphy's_Hornpipe > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Murphy's_Hornpipe > | ||
|f_annotation=[[File:irishmusicclub.jpg|700px|thumb|right|Chicago's Irish Music Club, c. 1903. Adam Tobin is seated, extreme right.]] '''MURPHY'S HORNPIPE [2]''' (Crannciuil Uí Murcada). AKA and see "[[Coronation Hornpipe (1)]]," "[[Dingle Hornpipe (The)]]," "[[Kerry Hornpipe (2) (The)]]." Irish, Hornpipe. G Major. Standard tuning (fiddle). AABB. A nearly identical version of the hornpipe was printed earlier in '''Ryan's Mammoth Collection''' (1883) under the title "[[Coronation Hornpipe (1)]]," which vaguely suggests an English provenance for the tune. O'Neill was thoroughly familiar with the Boston-based Elias Howe company publication and harvested a number of tunes from '''Ryan's Mammoth''' and other Howe publications, not infrequently changing the name to emphasize an Irish connection. It is not known whether the 'Murphy's' title originated with source Adam Tobin or with O'Neill himself. See also the related "[[Cooney's Hornpipe]]," generally similar in the first strain but corresponding more closely in the second strain. | |f_annotation=[[File:irishmusicclub.jpg|700px|thumb|right|Chicago's Irish Music Club, c. 1903. Adam Tobin is seated, extreme right.]] '''MURPHY'S HORNPIPE [2]''' (Crannciuil Uí Murcada). AKA and see "[[Coronation Hornpipe (1)]]," "[[Dingle Hornpipe (The)]]," "[[Kerry Hornpipe (2) (The)]]." Irish, Hornpipe. G Major. Standard tuning (fiddle). AABB. A nearly identical version of the hornpipe was printed earlier in '''Ryan's Mammoth Collection''' (1883) under the title "[[Coronation Hornpipe (1)]]," which vaguely suggests an English provenance for the tune. O'Neill was thoroughly familiar with the Boston-based Elias Howe company publication and harvested a number of tunes from '''Ryan's Mammoth''' and other Howe publications, not infrequently changing the name to emphasize an Irish connection. It is not known whether the 'Murphy's' title originated with source Adam Tobin or with O'Neill himself. | ||
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See also the related "[[Cooney's Hornpipe]]," generally similar in the first strain but corresponding more closely in the second strain. | |||
|f_source_for_notated_version=set dance music recorded at Na Píobairí Uilleann, late 1980's [Taylor]. "Tobin" [O'Neill]--O'Neill makes but brief mention of Adam Tobin, a Chicago piper and fiddler originally from Kilkenny, in '''Irish Minstrels and Musicians''' (1913, p. 286), but has more to say in '''Irish Folk Music, A Fascinating Hobby''' (1910): | |f_source_for_notated_version=set dance music recorded at Na Píobairí Uilleann, late 1980's [Taylor]. "Tobin" [O'Neill]--O'Neill makes but brief mention of Adam Tobin, a Chicago piper and fiddler originally from Kilkenny, in '''Irish Minstrels and Musicians''' (1913, p. 286), but has more to say in '''Irish Folk Music, A Fascinating Hobby''' (1910): | ||
<blockquote> | <blockquote> | ||
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''dormitory unobserved; her mind being so absorbed between the fear of detection and the delights of the evening, that she never'' | ''dormitory unobserved; her mind being so absorbed between the fear of detection and the delights of the evening, that she never'' | ||
''thought of the gallant Tobin and his heroic sacrifice.''<br> | ''thought of the gallant Tobin and his heroic sacrifice.''<br> | ||
Laichtín Naofa Céilí Band (Co. Clare) [Treoir]. | |||
</blockquote> | </blockquote> | ||
|f_printed_sources= McNulty ('''Dance Music of Ireland'''), 1965; p. 25. Miller & Perron ('''Irish Traditional Fiddle Music vol. 1'''), 1977; No. 40. Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 120. Mulvihill ('''1st Collection'''), 1986; No. 2, p. 87. O'Neill (Krassen), 1976; p. 179. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1624, p. 301. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 856, p. 148. Prior ('''Fionn Seisiún 2'''), 2003; p. 30. Taylor ('''Through the Half-Door'''), 1992; No. 66, p. 47. Taylor ('''Music for the Sets: Blue Book'''); p. 22. | |f_printed_sources= McNulty ('''Dance Music of Ireland'''), 1965; p. 25. Miller & Perron ('''Irish Traditional Fiddle Music vol. 1'''), 1977; No. 40. Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 120. Mulvihill ('''1st Collection'''), 1986; No. 2, p. 87. O'Neill (Krassen), 1976; p. 179. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1624, p. 301. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 856, p. 148. Prior ('''Fionn Seisiún 2'''), 2003; p. 30. Taylor ('''Through the Half-Door'''), 1992; No. 66, p. 47. Taylor ('''Music for the Sets: Blue Book'''); p. 22. '''Treoir''', vol. 39, No. 2, 2007; p. 26. | ||
|f_recorded_sources=Soodlum (tape), David McNevin - "50 Solos for Tenor Banjo." NPU 007, Seamus Meehan, Dermot McLaughlin, and Madonna Horran - "Face the Hob." Shaskeen - "Shaskeen Live." | |f_recorded_sources=Soodlum (tape), David McNevin - "50 Solos for Tenor Banjo." NPU 007, Seamus Meehan, Dermot McLaughlin, and Madonna Horran - "Face the Hob." Shaskeen - "Shaskeen Live." Laichtín Naofa Céilí Band - "Come to an Irish Dance Party" (originally recorded on a 1959 Dublin Records LP). | ||
|f_see_also_listing=Alan Ng's Irishtune.info [http://www.irishtune.info/tune/1377/]<br> | |f_see_also_listing=Alan Ng's Irishtune.info [http://www.irishtune.info/tune/1377/]<br> | ||
}} | }} | ||
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Latest revision as of 00:18, 19 August 2023
X:1 T:Murphy's Hornpipe [2] M:C| L:1/8 R:Hornpipe S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 856 Z:AK/Fiddler's Companion K:G (3DEF | GABG EFGE | ABcA FGAF | GBdg ecAG | FGAF DEFD | GABG EFGE | ABcA FGAF | GBdg ecAF | G2 GG G2 :| |: Bc | dedc BcdB | (3efg ed cdef | gfgd ecAG | FGAF DEFD | GABG EFGE |ABcA FGAF | GBdg ecAF | G2 GG G2 :|]
MURPHY'S HORNPIPE [2] (Crannciuil Uí Murcada). AKA and see "Coronation Hornpipe (1)," "Dingle Hornpipe (The)," "Kerry Hornpipe (2) (The)." Irish, Hornpipe. G Major. Standard tuning (fiddle). AABB. A nearly identical version of the hornpipe was printed earlier in Ryan's Mammoth Collection (1883) under the title "Coronation Hornpipe (1)," which vaguely suggests an English provenance for the tune. O'Neill was thoroughly familiar with the Boston-based Elias Howe company publication and harvested a number of tunes from Ryan's Mammoth and other Howe publications, not infrequently changing the name to emphasize an Irish connection. It is not known whether the 'Murphy's' title originated with source Adam Tobin or with O'Neill himself.
See also the related "Cooney's Hornpipe," generally similar in the first strain but corresponding more closely in the second strain.