Annotation:Wars alarms entic’d my Willy: Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Wars_alarms_entic'd_my_Willy > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Wars_alarms_entic'd_my_Willy > | ||
|f_annotation='''WARS ALARMS ENTIC'D MY WILLY.''' AKA - "Wars Alarms," "When war's alarms entic'd my Willy from me." Scottish, English; Air (whole time). G Major. Standard tuning (fiddle). AB. The air was first publised by Thompson and Son (London) in '''A Complete Tutor for the English Flute''' (1768). The song [Roud No. 6864] appeared Act 1, scene ii, of the successful stage production '''The Camp''' (1778), by Richard Brinsley Sheridan (music composed by Thomas Linley the Elder, 1756-1778), where it was sung by Miss Walpole in the character of Nancy, the forsaken lover. The words to the song were printed in '''The Goldfinch, or New Modern Songster''' (Glasgow, c. 1785, p. 194). | |f_annotation='''WARS ALARMS ENTIC'D MY WILLY.''' AKA - "Wars Alarms," "When Wars Alarmes," "When war's alarms entic'd my Willy from me." Scottish, English; Air (whole time). G Major. Standard tuning (fiddle). AB. The air was first publised by Thompson and Son (London) in '''A Complete Tutor for the English Flute''' (1768). The song [Roud No. 6864] appeared Act 1, scene ii, of the successful stage production '''The Camp''' (1778), by Richard Brinsley Sheridan (music composed by Thomas Linley the Elder, 1756-1778), where it was sung by Miss Walpole in the character of Nancy, the forsaken lover. The words to the song were printed in '''The Goldfinch, or New Modern Songster''' (Glasgow, c. 1785, p. 194). | ||
<blockquote> | <blockquote> | ||
''WARS ALARMS ENTIC'D MY WILLY.''<br> | ''WARS ALARMS ENTIC'D MY WILLY.''<br> | ||
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''Shall longer keep me from my dear.''<br> | ''Shall longer keep me from my dear.''<br> | ||
</blockquote> | </blockquote> | ||
It was a popular song and air, printed in a variety of songsters, instrumental tutors and collections of the late 18th and early 19th centuries, and appears in several musicians manuscript collections of the same period. A different "War's Alarms" was published by James Oswald in his '''Caledonian Pocket Companion''' (1760). | It was a popular song and air, printed in a variety of songsters, instrumental tutors and collections of the late 18th and early 19th centuries, and appears in several musicians manuscript collections of the same period. The melody was also entered in the mid-19th century music manuscript of William Winter (1774-1861), a shoemaker and violin player who lived in West Bagborough in Somerset, southwest England. | ||
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A different "War's Alarms" was published by James Oswald in his '''Caledonian Pocket Companion''' (1760). | |||
|f_source_for_notated_version= | |f_source_for_notated_version= | ||
|f_printed_sources= Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 3'''), 1788; No. 593, p. 226. | |f_printed_sources= Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 3'''), 1788; No. 593, p. 226. Edward Riley ('''Riley's Flute Melodies vol. 1'''), New York, 1814; No. 270, p. 73. Samuel, Ann & Peter Thompson ('''Complete Collection of 200 Favourite Country Dances vol. IV'''), 1780; No. 198. Geoff Woolfe ('''William Winter’s Quantocks Tune Book'''), 2007; No. 372, p. 129 (ms. originally dated 1850). | ||
|f_recorded_sources= | |f_recorded_sources= | ||
|f_see_also_listing= | |f_see_also_listing= | ||
}} | }} | ||
Latest revision as of 15:04, 14 March 2024
X:1 T:Wars alarms entic’d my Willy M:C L:1/8 R:Air B:Aird - Selection of Scotch, English, Irish and Foreign Airs, vol. 3 (1788, No. 593, p. 226) Z:AK/Fiddler’s Companion K:G d2 Be A3c|BGEA (GF)(ED)|G2G2 G>AB>c|{Bc}d2 cB {B}A4| d2 Be A3c|BGEA GFED|G2 G2 G>AB>c|B2 A2 G4|| e2 e^d eBcB|c2 cB BA GE|c2 F2B2e2|BAGF E3F| G2G2 e3d|{d}c>B {B}A>G {G}F>D|d2 B/e/ A3 {A/B/}c|B2A2 G4||
WARS ALARMS ENTIC'D MY WILLY. AKA - "Wars Alarms," "When Wars Alarmes," "When war's alarms entic'd my Willy from me." Scottish, English; Air (whole time). G Major. Standard tuning (fiddle). AB. The air was first publised by Thompson and Son (London) in A Complete Tutor for the English Flute (1768). The song [Roud No. 6864] appeared Act 1, scene ii, of the successful stage production The Camp (1778), by Richard Brinsley Sheridan (music composed by Thomas Linley the Elder, 1756-1778), where it was sung by Miss Walpole in the character of Nancy, the forsaken lover. The words to the song were printed in The Goldfinch, or New Modern Songster (Glasgow, c. 1785, p. 194).
WARS ALARMS ENTIC'D MY WILLY.
WHEN wars alarms entie'd my Willy from me,
My poor heart with grief did sigh,
Each soft remembrance brought fresh sorrow on me,
I 'woke ere yet the morn was nigh.
No other could delight him,
Ah ! why did I e'er fight him?
Coldly answering his fond tale,
Which drove him far
Amid the rage of war,
And left ally me thus to bewail.
But I no longer, tho' a maid forsaken,
Thus will mourn like yonder dove,
For, 'ere the lark to-morrow shall awaken,
I will seek my absent love;
The hostile country over
I'll fly to seek my lover,
Scorning ev'ry threat'ning fear;
No distant more,
Nor cannon's roar,
Shall longer keep me from my dear.
It was a popular song and air, printed in a variety of songsters, instrumental tutors and collections of the late 18th and early 19th centuries, and appears in several musicians manuscript collections of the same period. The melody was also entered in the mid-19th century music manuscript of William Winter (1774-1861), a shoemaker and violin player who lived in West Bagborough in Somerset, southwest England.
A different "War's Alarms" was published by James Oswald in his Caledonian Pocket Companion (1760).
