Santa Anna's Retreat: Difference between revisions
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(A/B/A/G/ EA) (^cA)(eA)|(cd) [A/(e/]d/[A/e/]f/ g)B A2| | (A/B/A/G/ EA) (^cA)(eA)|(cd) [A/(e/]d/[A/e/]f/ g)B A2| | ||
(A/B/A/G/ EA) (^cA)(eA)|(cd) [A/(e/]d/[A/e/]f/ g)B A2|| | (A/B/A/G/ EA) (^cA)(eA)|(cd) [A/(e/]d/[A/e/]f/ g)B A2|| | ||
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||[A(e]|[Ae)]aea (e/d/f) g2|| | ||[A(e]|[Ae)]aea (e/d/f) g2|| | ||
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Latest revision as of 17:25, 10 March 2023
X:1 T:Santa Anna’s Retreat M:C| L:1/8 K:Ador ^cd|e2a2e2a2|edef gfed|B2g2f2 gf|edB^c d2 ^cd| e2a2e2a2|edef gfed|baef gfed|c2A2A2:| |:G2|ABAG EGAB|c2A2 edAB|c2d2 edef|gf B2 A3G| ABAG EGAB|c2c2 e2 ec|Acdc edef|gf B2A2:|
X:2
T:Santa Anna’s Retreat
M:4/4
L:1/8
S:From a transcription of Henry Reed’s playing, by Alan Jabbour
K:Ador
(A/B/c/d/)|eaea (e/d/e/f/) g2|Bgfg (e/d/B/c/ d)(c/d/)|eaea (e/d/e/f/) g2|\
{a/}be (e/d/B/)(B/ c)A A2:|
(A/B/A/G/ EA) (^cA)(eA)|(cd) [A/(e/]d/[A/e/]f/ g)B A2|
(A/B/A/G/ EA) (^cA)(eA)|(cd) [A/(e/]d/[A/e/]f/ g)B A2||
P:Variations
||[A(e]|[Ae)]aea (e/d/f) g2||