Tide come in (1) (The): Difference between revisions
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<section begin=X1 /> | <section begin=X1 /> | ||
X: 3 | X: 3 | ||
T: | T:Tide come in [1], The | ||
M:C | M:C | ||
L:1/8 | L:1/8 | ||
B:The Calvert Collection (1799) | B:Thomas Calvert - "The Calvert Collection" (Kelso, 1799) | ||
Z:AK/Fiddler’s Companion | Z:AK/Fiddler’s Companion | ||
K:G | K:G | ||
Line 44: | Line 44: | ||
ef|gfgd (BGB)d|e2 d2 d2 ef|gfgd (BGB)d|c2 A2 A2 ef| | ef|gfgd (BGB)d|e2 d2 d2 ef|gfgd (BGB)d|c2 A2 A2 ef| | ||
gfgd (BGB)d|(ef)ge T(edc)B|(cd)ec (AB)cA|TB2 G2 G2|| | gfgd (BGB)d|(ef)ge T(edc)B|(cd)ec (AB)cA|TB2 G2 G2|| | ||
<section end=X1 /> | |||
<section begin=X1 /> | |||
X:2 | |||
T:Till the Tide comes in [1] | |||
M:C | |||
L:1/8 | |||
Q:"Allegro" | |||
B:Robert Topliff – “Selection of the most popular melodies of the Tyne | |||
B:and the Wear consisting of 24 original airs peculiar to the counties | |||
B:of Durham and Northumberland, three of which are harmonized | |||
B:with appropriate words, symphonies and accompaniments and | |||
B:the remainder variously arranged for the piano forte” (c. 1815, p. 40) | |||
F:http://www.farnearchive.com/show_images.asp?id=F0100901&image=1 | |||
Z:AK/Fiddler’s Companion | |||
K:A | |||
V:1 | |||
c>B|A<c .e2.e2 d>c|B>d .f2.f2 e>d|c>ea>c B>fe>d|.c2.A2.A2 Tc>B| | |||
A>c .e2.d2 Td>c|B>d .f2.f2 e>d|c>ea>c B>fe>d|.c2.A2.A2|| | |||
(3efg|agag aece|(f2e2)e2 fg|agag aece|d2B2B2 c>B| | |||
A>c .e2.e2 d>c|B>d .f2.f2 e>d|c>ea>c B>fe>d|.c2.A2.A2 (3efg| | |||
Agag aece|f2e2e2 (3efg|agag aece|.d2.[E2G2B2].[E2G2B2] Tc>B| | |||
A>c .e2.e2 Td>c|B>d .f2.f2 e>d|c>ea>c B>fe>d|.c2.A2.A2|| | |||
V:2 clef = bass | |||
z2|z2 .[A,2C2].[A,2C2]z2|z2.[A,2D2].[A,2D2]z2| z2 [A,2C2] [E,2D2][E,2B,2]|.[A,2C2].[C2E2].[A,2C2]z2| | |||
z2[A,,2C,2A,2] [A,,2C,2A,2]z2|z2 [A,,2D,2A,2] [A,,2D,2A,2]z2|[A,,2E,2A,2]z2[E,,2G,,2D,2]z2|.[A,,2C,2].[C,2E,2].[A,,2C,2]|| | |||
z2|CEDE CECE|DECE =CEB,E|A,EDE CEA,E|G,EB,E E,EG,E| | |||
A,ECEA,ECE|G,EB,E G,EB,E|A,ECE E,EG,E|A,ECE .A,2z2| | |||
z2 [E,2A,2][C,2A,2][A,,2A,2]|[D,2A,2][C,2A,2][A,,2A,2]z2|z2[E,2D2][E,2C2][E,2A,2]|[E,2G,2][E,,2E,2][E,,2E,2]z2| | |||
z2.[A,,2C,2A,2].[A,,2C,2A,2]z2|z2 [A,,2D,2A,2].[A,,2D,2A,2]z2|[A,,2E,2A,2]z2z2[E,,2G,,2D,2]|.[A,,2C,2].[C,2E,2].[A,,2C,2]|| | |||
<section end=X1 /> | <section end=X1 /> | ||
<section begin=abc /> | <section begin=abc /> |
Latest revision as of 00:14, 11 September 2024
X: 3 T:Tide come in [1], The M:C L:1/8 B:Thomas Calvert - "The Calvert Collection" (Kelso, 1799) Z:AK/Fiddler’s Companion K:G TBA|G2 d2 d2 cB|c2 e2 e2 TBA|G2 d2d2 TAG|{G}F2 A2 A2 TBA| G2 d2d2 cB|cdef g2d2|(cd)ec (ABc)A|B2 G2 G2|| ef|gfgd (BGB)d|e2 d2 d2 ef|gfgd (BGB)d|c2 A2 A2 ef| gfgd (BGB)d|(ef)ge T(edc)B|(cd)ec (AB)cA|TB2 G2 G2||
X:2
T:Till the Tide comes in [1]
M:C
L:1/8
Q:"Allegro"
B:Robert Topliff – “Selection of the most popular melodies of the Tyne
B:and the Wear consisting of 24 original airs peculiar to the counties
B:of Durham and Northumberland, three of which are harmonized
B:with appropriate words, symphonies and accompaniments and
B:the remainder variously arranged for the piano forte” (c. 1815, p. 40)
F:http://www.farnearchive.com/show_images.asp?id=F0100901&image=1
Z:AK/Fiddler’s Companion
K:A
V:1
c>B|A<c .e2.e2 d>c|B>d .f2.f2 e>d|c>ea>c B>fe>d|.c2.A2.A2 Tc>B|
A>c .e2.d2 Td>c|B>d .f2.f2 e>d|c>ea>c B>fe>d|.c2.A2.A2||
(3efg|agag aece|(f2e2)e2 fg|agag aece|d2B2B2 c>B|
A>c .e2.e2 d>c|B>d .f2.f2 e>d|c>ea>c B>fe>d|.c2.A2.A2 (3efg|
Agag aece|f2e2e2 (3efg|agag aece|.d2.[E2G2B2].[E2G2B2] Tc>B|
A>c .e2.e2 Td>c|B>d .f2.f2 e>d|c>ea>c B>fe>d|.c2.A2.A2||
V:2 clef = bass
z2|z2 .[A,2C2].[A,2C2]z2|z2.[A,2D2].[A,2D2]z2| z2 [A,2C2] [E,2D2][E,2B,2]|.[A,2C2].[C2E2].[A,2C2]z2|
z2[A,,2C,2A,2] [A,,2C,2A,2]z2|z2 [A,,2D,2A,2] [A,,2D,2A,2]z2|[A,,2E,2A,2]z2[E,,2G,,2D,2]z2|.[A,,2C,2].[C,2E,2].[A,,2C,2]||
z2|CEDE CECE|DECE =CEB,E|A,EDE CEA,E|G,EB,E E,EG,E|
A,ECEA,ECE|G,EB,E G,EB,E|A,ECE E,EG,E|A,ECE .A,2z2|
z2 [E,2A,2][C,2A,2][A,,2A,2]|[D,2A,2][C,2A,2][A,,2A,2]z2|z2[E,2D2][E,2C2][E,2A,2]|[E,2G,2][E,,2E,2][E,,2E,2]z2|
z2.[A,,2C,2A,2].[A,,2C,2A,2]z2|z2 [A,,2D,2A,2].[A,,2D,2A,2]z2|[A,,2E,2A,2]z2z2[E,,2G,,2D,2]|.[A,,2C,2].[C,2E,2].[A,,2C,2]||
X:1
T:Till the Tide comes in
T:Tide come in [1]
M:C
L:1/8
S:Bruce & Stokoe – Northumbrian Minstrelsy (1882)
Z:AK/Fiddler’s Companion
K:G
BA|GB d2d2 cB|Ac e2e2 dc|BdgB Aedc|B2G2G2 BA|
GB d2d2 cB|Ac e2e2 dc|BdgB Aedc|B2G2G2:|
|:(3def|gfgf gdBd|e2d2d2ef|gfgf gdBd|c2A2A2 BA|
GB d2d2 cB|Ac e2e2 dc|BdgB Aedc|B2G2G2:|]
X:1
T:Till the Tide comes in
T:Tide come in [1]
M:C
L:1/8
R:Jig
N:The second of two settings of this tune in Cocks’ volume.
B:Cocks - Tutor for the Northumbrian Half-Long Bagpipes (1925, No. 32, p. 15)
Z:AK/Fiddler's Companion
K:A
cB|Ac e2 {f}e2 dc|Bd f2 {g}f2 ed|ceac Bfed|c2A2 A2 cB|
Ace2 {f}e2 dc|Bd f2 {g}f2 ed|ceac Bfed|c2A2A2:|
|:(3efg|agag aece|f2e2 e2 fg|agag aece|d2B2 B2 cB|
Ac e2 {f}e2dc|Bd f2 {g}f2 ed|ceac Bfed|c2A2 A2:|]
X:1
T:Till the Tide comes in [1]
M:C
L:1/8
R:Reel
B:Cocks - Tutor for the Northumbrian Half-Long Bagpipes (1925, No. 31, p. 15)
Z:AK/Fiddler's Companion
K:A
cB|A2e2{f}e2 dc|d2f2{g}f2 {a}fe|d2 fe c2 ec|dfed cBAG|
A2e2{f}e2 dc|d2f2{g}f2 ed|ceac Bdfd|c2A2 A2:|
|:fg|agag aece|f2e2 e2 fg|agag aece|d2B2 B2 ce|
aece fece|aece fece|fagf edcB|c2 A2 A2:|]