Annotation:Moll Roe in the Morning: Difference between revisions
No edit summary |
No edit summary |
||
| Line 2: | Line 2: | ||
{{TuneAnnotation | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Moll_Roe_in_the_Morning > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Moll_Roe_in_the_Morning > | ||
|f_annotation='''MOLL ROE IN THE MORNING.''' AKA and see "[[Moll Roe (1)]]." Irish, Slip Jig (9/8 time). D Major/Mixolydian (Cole, Kerr, Ryan): G Major (Clinton, Kennedy). Standard tuning (fiddle). AABB. A setting of "[[Moll Roe (1)]]." "Moll Roe in the Morning" was entered in the mid-19th century music manuscript of William Winter, a shoemaker and violin player who lived in West Bagborough in Somerset, southwest England. | |f_annotation='''MOLL ROE IN THE MORNING.''' AKA and see "[[Moll Roe (1)]]." Irish, Slip Jig (9/8 time). D Major/Mixolydian (Cole, Kerr, Ryan): G Major (Clinton, Kennedy). Standard tuning (fiddle). AABB. A setting of "[[Moll Roe (1)]]." Early versions of the tune can be found in "Moll Roe in the Morning" was entered in the mid-19th century music manuscript of William Winter, a shoemaker and violin player who lived in West Bagborough in Somerset, southwest England. | ||
|f_source_for_notated_version= | |f_source_for_notated_version= | ||
|f_printed_sources=Clinton ('''Gems of Ireland: 200 Airs'''), 1841; No. 4, p. 2. Cole ('''1000 Fiddle Tunes'''), 1940; p. 52. Hughes ('''Gems from the Emerald Isle'''), 1867; No. 59, p. 14. Kennedy ('''Fiddler's Tune-Book: Slip Jigs and Waltzes'''), 1999; No. 50, p. 12. Kerr ('''Merry Melodies, vol. 2'''), c. 1880's; No. 244, p. 27. '''Ryan's Mammoth Collection''', 1883; p. 98. Geoff Woolfe ('''William Winter’s Quantocks Tune Book'''), 2007; No. 153, p. 58 (ms. originally dated 1850). | |f_printed_sources=Clinton ('''Gems of Ireland: 200 Airs'''), 1841; No. 4, p. 2. Cole ('''1000 Fiddle Tunes'''), 1940; p. 52. Hughes ('''Gems from the Emerald Isle'''), 1867; No. 59, p. 14. Kennedy ('''Fiddler's Tune-Book: Slip Jigs and Waltzes'''), 1999; No. 50, p. 12. Kerr ('''Merry Melodies, vol. 2'''), c. 1880's; No. 244, p. 27. '''Ryan's Mammoth Collection''', 1883; p. 98. Geoff Woolfe ('''William Winter’s Quantocks Tune Book'''), 2007; No. 153, p. 58 (ms. originally dated 1850). | ||
Latest revision as of 19:50, 15 July 2023
X:1 T:Moll Roe (in the Morning) M:6/8 L:1/8 R:Slip Jig B:Hughes - Gems from the Emerald Isles (London, 1867, No. 59, p. 14) Z:AK/Fiddler's Companion K:A E2|A>GA BcA G>AB|cAA dBc !fermata!d2B|A>GA BcA GAB|c>Bc dBG A2:| |:e|ecc dBA GAB|ecc dBc d2^d|ecc dBA GAB|c>Bc eBG A2:|]
MOLL ROE IN THE MORNING. AKA and see "Moll Roe (1)." Irish, Slip Jig (9/8 time). D Major/Mixolydian (Cole, Kerr, Ryan): G Major (Clinton, Kennedy). Standard tuning (fiddle). AABB. A setting of "Moll Roe (1)." Early versions of the tune can be found in "Moll Roe in the Morning" was entered in the mid-19th century music manuscript of William Winter, a shoemaker and violin player who lived in West Bagborough in Somerset, southwest England.
