Annotation:Wise Maid (1) (The): Difference between revisions
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''WISE MAID [1], THE (An Ghearrchaile Chríonna). '''AKA and see “[[All Around the World]],” “[[Cooley's Reel (2)]],” “[[Connemara Rake (The)]],” “[[Doherty's Reel (2)]],” “[[Grehan's]],” “[[John Doherty's Reel (2)]],” “[[Johnny Doherty's Reel (1)]],” “[[Jolly Beggar (2)]],” “[[Knotted Chord (2) (The)]]," “[[Matt Molloy's (1)]],” “[[Mistress (The)]],” “[[Mot Malloy]],” “[[Tinker Doherty]].” Irish, Reel. D Major. Standard tuning (fiddle). AAB (Miller & Perron): AABB (most versions): AA'BB (Breathnach). Taylor (1992) remarks the tune "probably ranks amongst the top twenty most widely-known Irish reels." The tune is associated with Donegal fiddler John Doherty, who probably composed it. It is attributed to Doherty by several sources, including Larry McCullough in his '''Whistle Tutor,''' ccordionist Luke O’Malley in his '''Collection of Irish Music '''{1976}), and by Daniel Michael Collins (Bronx, NY) in the sleeve notes of the Paddy Carty/Mick O’Connor LP "Traditional Music of Ireland", where he notes that fiddler Hugh Gillespie is quoted as verifying that the reel was written by John Dougherty. The reel was popularized by Galway accordion player Joe Cooley (after whom its sometimes called), according to both Caoimhin Mac Aoidh and Peter Wood, and also by the latter 20th century music group Planxty.<br /> | |f_annotation='''WISE MAID [1], THE (An Ghearrchaile Chríonna). '''AKA and see “[[All Around the World]],” “[[Cooley's Reel (2)]],” “[[Connemara Rake (The)]],” “[[Doherty's Reel (2)]],” “[[Grehan's]],” “[[John Doherty's Reel (2)]],” “[[Johnny Doherty's Reel (1)]],” “[[Jolly Beggar (2)]],” “[[Knotted Chord (2) (The)]]," “[[Matt Molloy's (1)]],” “[[Mistress (The)]],” “[[Mot Malloy]],” “[[Tinker Doherty]].” Irish, Reel (cut time). D Major. Standard tuning (fiddle). AAB (Miller & Perron): AABB (most versions): AA'BB (Breathnach). Taylor (1992) remarks the tune "probably ranks amongst the top twenty most widely-known Irish reels." The tune is associated with Donegal fiddler John Doherty, who probably composed it. It is attributed to Doherty by several sources, including Larry McCullough in his '''Whistle Tutor,''' ccordionist Luke O’Malley in his '''Collection of Irish Music '''{1976}), and by Daniel Michael Collins (Bronx, NY) in the sleeve notes of the Paddy Carty/Mick O’Connor LP "Traditional Music of Ireland", where he notes that fiddler Hugh Gillespie is quoted as verifying that the reel was written by John Dougherty. The reel was popularized by Galway accordion player Joe Cooley (after whom its sometimes called), according to both Caoimhin Mac Aoidh and Peter Wood, and also by the latter 20th century music group Planxty.<br /> | ||
|f_source_for_notated_version=<span>Galway accordion player Joe Cooley (Ireland) [Breathnach]; fiddler Michael Lennihan (b. 1917, Kilnamanagh, in the Frenchpark area of County Roscommon) [Flaherty]; accordion player Johnny O’Leary (Sliabh Luachra region of the Cork-Kerry border), recorded in concert at Na Píobairí Uilleann, November, 1990 [Moylan]; set dance music recorded at Na Píobairí Uilleann in the 1980’s (Taylor/Yellow); flute player Jack Coen (Bronx, N.Y., originally from Woodford, County Galway) [Mulvihill]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker].</span> | |f_source_for_notated_version=<span>Galway accordion player Joe Cooley (Ireland) [Breathnach]; fiddler Michael Lennihan (b. 1917, Kilnamanagh, in the Frenchpark area of County Roscommon) [Flaherty]; accordion player Johnny O’Leary (Sliabh Luachra region of the Cork-Kerry border), recorded in concert at Na Píobairí Uilleann, November, 1990 [Moylan]; set dance music recorded at Na Píobairí Uilleann in the 1980’s (Taylor/Yellow); flute player Jack Coen (Bronx, N.Y., originally from Woodford, County Galway) [Mulvihill]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker].</span> | ||
|f_printed_sources=<span>Breathnach (</span>'''CRÉ III'''<span>''')''', 1985; No. 158, p. 73. Brody (</span>'''Fiddler’s Fakebook'''<span>), 1983; p. 293. Cranitch (</span>'''Irish Fiddle Book'''<span>), 1996; No. 52, p. 145. Flaherty (</span>'''Trip to Sligo'''<span>), 1990; p. 89. Harker (</span>'''300 Tunes from Mike Rafferty'''<span>), 2005; No. 104, p. 32. Miller & Perron (</span>'''Irish Traditional Fiddle Music vol. 1'''<span>), 1977; No. 12 (appears as “Mot Malloy”). Miller & Perron (</span>'''Irish Traditional Fiddle Music'''<span>), 2</span><sup>nd </sup><span>Edition, 2006; p. 110. Moylan (</span>'''Johnny O’Leary of Sliabh Luachra'''<span>), 1994; No. 168, pg. 97. Mulvihill (</span>'''1<sup>st</sup>Collection'''<span>), 1986; No. 200, p . 54. Taylor (</span>'''Crossroads Dance'''<span>), 1992; No. 36, p. 26. Taylor (</span>'''Music for the Sets: Yellow Book'''<span>), 1995; p. 2. </span>'''Treoir '''<span>'''II''', 4; p. 11 (appears as untitled tune).</span> | |f_printed_sources=<span>Breathnach (</span>'''CRÉ III'''<span>''')''', 1985; No. 158, p. 73. Brody (</span>'''Fiddler’s Fakebook'''<span>), 1983; p. 293. Cranitch (</span>'''Irish Fiddle Book'''<span>), 1996; No. 52, p. 145. Flaherty (</span>'''Trip to Sligo'''<span>), 1990; p. 89. Harker (</span>'''300 Tunes from Mike Rafferty'''<span>), 2005; No. 104, p. 32. Miller & Perron (</span>'''Irish Traditional Fiddle Music vol. 1'''<span>), 1977; No. 12 (appears as “Mot Malloy”). Miller & Perron (</span>'''Irish Traditional Fiddle Music'''<span>), 2</span><sup>nd </sup><span>Edition, 2006; p. 110. Moylan (</span>'''Johnny O’Leary of Sliabh Luachra'''<span>), 1994; No. 168, pg. 97. Mulvihill (</span>'''1<sup>st</sup>Collection'''<span>), 1986; No. 200, p . 54. Taylor (</span>'''Crossroads Dance'''<span>), 1992; No. 36, p. 26. Taylor (</span>'''Music for the Sets: Yellow Book'''<span>), 1995; p. 2. </span>'''Treoir '''<span>'''II''', 4; p. 11 (appears as untitled tune).</span> | ||
Latest revision as of 18:36, 24 August 2023
X:2 T:Wise Maid [1], The M:C| L:1/8 N:Slurs by Brian Conway S:Mulvihill – 1st Collection (1986) K:D (DE) | F3 (G F)ED(E | F)AAB A(FE)D | d2 (3efg f(de)c | {e}d(BA)F BE {F}(3EDE | F3G FEDE | FAAB A(FE)D | d2 eg f(de)c | d(BA)F D2 || A | d2 A(G F)DFA | dfa(f {a}g)feg | f2 df e(Ac)e | dfe(d c)AAc | B2 GB A(DF)A | dfa(f {a}g)fed | (3Bcd ec d(BA)G | FGEF D2 ||
WISE MAID [1], THE (An Ghearrchaile Chríonna). AKA and see “All Around the World,” “Cooley's Reel (2),” “Connemara Rake (The),” “Doherty's Reel (2),” “Grehan's,” “John Doherty's Reel (2),” “Johnny Doherty's Reel (1),” “Jolly Beggar (2),” “Knotted Chord (2) (The)," “Matt Molloy's (1),” “Mistress (The),” “Mot Malloy,” “Tinker Doherty.” Irish, Reel (cut time). D Major. Standard tuning (fiddle). AAB (Miller & Perron): AABB (most versions): AA'BB (Breathnach). Taylor (1992) remarks the tune "probably ranks amongst the top twenty most widely-known Irish reels." The tune is associated with Donegal fiddler John Doherty, who probably composed it. It is attributed to Doherty by several sources, including Larry McCullough in his Whistle Tutor, ccordionist Luke O’Malley in his Collection of Irish Music {1976}), and by Daniel Michael Collins (Bronx, NY) in the sleeve notes of the Paddy Carty/Mick O’Connor LP "Traditional Music of Ireland", where he notes that fiddler Hugh Gillespie is quoted as verifying that the reel was written by John Dougherty. The reel was popularized by Galway accordion player Joe Cooley (after whom its sometimes called), according to both Caoimhin Mac Aoidh and Peter Wood, and also by the latter 20th century music group Planxty.
