Annotation:Wandering Minstrel (The): Difference between revisions
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|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Wandering_Minstrel_(The) > | |f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Wandering_Minstrel_(The) > | ||
|f_annotation='''WANDERING MINSTREL, THE''' (An Ceoltóir Fánach). AKA and see “[[Cape Breton Jig]],” “[[Dandy Scholar (The)]],” "[[Fair Maidens (The)]]," “[[Guiness is Good for You]].” Irish (originally), Canadian; Double Jig (6/8 time). Canada; Cape Breton, Prince Edward Island. D Major. Standard tuning (fiddle). ABC (Breathnach, Moylan): AABBCC (Miller & Perron, Mulvihill, Treoir, Tubridy). The tune has been paired with “[[Lark in the Morning (The)]]” largely due to the influence of the great Co. Sligo/New Yorkfiddler James Morrison. Breathnach (1963) finds versions of this jig in the first part of O’Neill’s “[[Willy Walsh's Jig]]” and “[[Merry Maiden (The)]],” although he thinks the second strain differs. Famed Sligo fiddler Michael Coleman recorded “Wandering Minstrel” in a medley (with “[[Fasten the Leggin' (1)]]” and “[[Coleman's Cross (4)]]”) in New York in 1934. Influential uilleann piper Seamus Ennis recorded the jig (paired with "[[Jackson's Morning Brush]]"), popularizing it with pipers. Ennis remarked (in liner notes to his 1974 Topic album): | |f_annotation='''WANDERING MINSTREL, THE''' (An Ceoltóir Fánach). AKA and see “[[Cape Breton Jig]],” “[[Dandy Scholar (The)]],” "[[Fair Maidens (2) (The)]]," “[[Guiness is Good for You]].” Irish (originally), Canadian; Double Jig (6/8 time). Canada; Cape Breton, Prince Edward Island. D Major. Standard tuning (fiddle). ABC (Breathnach, Moylan): AABBCC (Miller & Perron, Mulvihill, Treoir, Tubridy). The tune has been paired with “[[Lark in the Morning (The)]]” largely due to the influence of the great Co. Sligo/New Yorkfiddler James Morrison. Breathnach (1963) finds versions of this jig in the first part of O’Neill’s “[[Willy Walsh's Jig]]” and “[[Merry Maiden (The)]],” although he thinks the second strain differs. Famed Sligo fiddler Michael Coleman recorded “Wandering Minstrel” in a medley (with “[[Fasten the Leggin' (1)]]” and “[[Coleman's Cross (4)]]”) in New York in 1934. Influential uilleann piper Seamus Ennis recorded the jig (paired with "[[Jackson's Morning Brush]]"), popularizing it with pipers. Ennis remarked (in liner notes to his 1974 Topic album): | ||
[[File:coleman.jpg|200px|thumb|left|Michael Coleman (1891–1945)]] | [[File:coleman.jpg|200px|thumb|left|Michael Coleman (1891–1945)]] | ||
<blockquote> | <blockquote> |
Latest revision as of 01:33, 18 September 2023
X:1 T:Wandering Minstrel, The R:jig L:1/8 M:6/8 K:D B|ADD BAF|Ade fdB|ADD BAG|F3 GFG| ADD BAF|Ade fdB|AdB AFE| FDD D2:| |:e|fdf ede|fdB AFA|~B3 Afd|AGF E2g| ~f3 ede|fdB AFA|~B3 AFE|FDD D2:| |:e|fef afd|gbe gbe|~f3 afd|ceA ceA |fef afd|gbe gbe|~f3 ede|fdc d2:|]
WANDERING MINSTREL, THE (An Ceoltóir Fánach). AKA and see “Cape Breton Jig,” “Dandy Scholar (The),” "Fair Maidens (2) (The)," “Guiness is Good for You.” Irish (originally), Canadian; Double Jig (6/8 time). Canada; Cape Breton, Prince Edward Island. D Major. Standard tuning (fiddle). ABC (Breathnach, Moylan): AABBCC (Miller & Perron, Mulvihill, Treoir, Tubridy). The tune has been paired with “Lark in the Morning (The)” largely due to the influence of the great Co. Sligo/New Yorkfiddler James Morrison. Breathnach (1963) finds versions of this jig in the first part of O’Neill’s “Willy Walsh's Jig” and “Merry Maiden (The),” although he thinks the second strain differs. Famed Sligo fiddler Michael Coleman recorded “Wandering Minstrel” in a medley (with “Fasten the Leggin' (1)” and “Coleman's Cross (4)”) in New York in 1934. Influential uilleann piper Seamus Ennis recorded the jig (paired with "Jackson's Morning Brush"), popularizing it with pipers. Ennis remarked (in liner notes to his 1974 Topic album):
My earliest conscious memory of familiarity with The Wandering Minstrel is a 78-record I had of the famous Michael Coleman’s fiddle-playing during my mid-teens, although I must have heard my late father play it through the years. As undoubtedly Coleman did, I select its title as applicable to myself.