Annotation:Nobody coming to marry me: Difference between revisions

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{{TuneAnnotation
{{TuneAnnotation
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Nobody_coming_to_marry_me >
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Nobody_coming_to_marry_me >
|f_annotation='''NOBODY COMING TO MARRY ME.'''  English, Scottish; Air (6/8 time). D Major. Standard tuning (fiddle). One part. Composed by Mr. Cooke
|f_annotation='''NOBODY COMING TO MARRY ME.'''  AKA - "There’s Nobody Comes to Marry Me." English, Scottish; Air (6/8 time). D Major. Standard tuning (fiddle). One part. Composed by Mr. Cooke. The song [Roud 846] was performed at the Theatre Royal, Drury Lane, in the early 19th century.
<blockquote>
''When I was a smart young girl''<br>
''Of fifteen or sixteen years old''<br>
''Oh then I had plenty of suitors''<br>
''But now there(sic) grown wonderous (sic) cold.''<br>
<br>
Cho:<br>
''Oh what will become of me''<br>
''Oh what shall I do''<br>
''Nobody coming to marry me''<br>
''Nobody coming to woo''<br>
''Nobody coming to woo.''<br>
<br>
''My father's a hedger and ditcher''<br>
''My mother does nothing but spin''<br>
''I once was a pretty young Maid''<br>
''But the money comes slowly in.''<br>
<br>
''Last night when the Dogs did bark''<br>
''I went to the door to see''<br>
''And every Lass had a spark''<br>
''But no one came to me.''<br>
<br>
''Oh dear how shocking the thought''<br>
''that all my beauty must fade''<br>
''I am sure it is not my fault''<br>
''That I must die an old Maid.''<br>
</blockquote>
I sharp-eyed poster to Mudcat noticed a thematic connection with "Slighted Nansy" in Allan Ramsay's '''Tea-Table Miscellany''' (set to the tune of "The Kirk wad let me be"). However, the song has numerous variants of both words and title, including "My Father’s a (Hedger and Ditcher)" and "Seven Braw Gown."
|f_source_for_notated_version=
|f_source_for_notated_version=
|f_printed_sources=William Cahusac ('''The German Flute Preceptor'''), c. 1814; p. 13. Manson ('''Hamilton’s Universal Tune Book, vol. 2'''), 1846, p. 41.  Edward Riley ('''Riley's Flute Melodies vol. 1'''), New York, 1814; No. 290, p. 79.  
|f_printed_sources=William Cahusac ('''The German Flute Preceptor'''), c. 1814; p. 13. Manson ('''Hamilton’s Universal Tune Book, vol. 2'''), 1846, p. 41.  Edward Riley ('''Riley's Flute Melodies vol. 1'''), New York, 1814; No. 290, p. 79.  

Latest revision as of 16:18, 14 March 2024




X:1 T:Nobody coming to marry me M:6/8 L:1/8 R:Air Q:"Allegreto" B:William Cahusac – The German Flute Preceptor (c. 1814, p. 13) Z:AK/Fiddler’s Companion K:D A|F2A A2d|d2z z2f|fed dcd|e2z z2A| d2d ede|f2z z2g|afd dcd|{f}e2z zAA|d2d ede| fga z2z|d2d ede|f2z z2z|ddd ede|fga z2z| A>BA ABc|(d3 d)ef|(g3 g)fe|(a3 a)fd|A>BA ABc|d2z z2||



NOBODY COMING TO MARRY ME. AKA - "There’s Nobody Comes to Marry Me." English, Scottish; Air (6/8 time). D Major. Standard tuning (fiddle). One part. Composed by Mr. Cooke. The song [Roud 846] was performed at the Theatre Royal, Drury Lane, in the early 19th century.

When I was a smart young girl
Of fifteen or sixteen years old
Oh then I had plenty of suitors
But now there(sic) grown wonderous (sic) cold.

Cho:
Oh what will become of me
Oh what shall I do
Nobody coming to marry me
Nobody coming to woo
Nobody coming to woo.

My father's a hedger and ditcher
My mother does nothing but spin
I once was a pretty young Maid
But the money comes slowly in.

Last night when the Dogs did bark
I went to the door to see
And every Lass had a spark
But no one came to me.

Oh dear how shocking the thought
that all my beauty must fade
I am sure it is not my fault
That I must die an old Maid.

I sharp-eyed poster to Mudcat noticed a thematic connection with "Slighted Nansy" in Allan Ramsay's Tea-Table Miscellany (set to the tune of "The Kirk wad let me be"). However, the song has numerous variants of both words and title, including "My Father’s a (Hedger and Ditcher)" and "Seven Braw Gown."


Additional notes



Printed sources : - William Cahusac (The German Flute Preceptor), c. 1814; p. 13. Manson (Hamilton’s Universal Tune Book, vol. 2), 1846, p. 41. Edward Riley (Riley's Flute Melodies vol. 1), New York, 1814; No. 290, p. 79.






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