Annotation:Tu maries ma fille: Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''TU MARIES MA FILLE''' (You married my daughter). French-Canadian, Reel (cut time). G Major. Standard tuning (fiddle). AA'B. | |f_annotation='''TU MARIES MA FILLE''' (You married my daughter). French-Canadian, Reel (cut time). G Major. Standard tuning (fiddle). AA'B. The first strain of "Tu maries ma fille" is well-known under several titles, including "[[Buck Creek Girl]]," "[["Buffalo Breakdown]]," "[[Goin' Up Chaney]]," "[[Hop Along Sally]]," "[[Kelton's Reel]]," "[[Off with Your Jacket]]," "[[Old Dad]]," "[[Old Mother Goodwin]]," "[[Pig Town (The)]]," "[[Pigtown Fling]]," "[[Stoney Point (1)]]," "[[Stony Point (1)]]," "[[Stony Point Reel]]," "[[Warm Stuff]]," "[[Wild Horse]]," and "[[Wild Horses at Stony Point]]." Researcher Jean Duval finds melodic contour similarities in the second strain with "[[Cobbler's Reel (1)]]/[[Reel des cordoniers]]," despite the difference in tonality. | ||
|f_recorded_sources=Columbia | |f_recorded_sources=Columbia 34272 (78 RPM), Adélard St-Louis (1930). | ||
}} | }} | ||
Latest revision as of 20:28, 24 May 2024
X:1 T:Tu maries ma fille M:2/2 L:1/8 C:Adélard St-Louis et Borromée Bernaquez D:Columbia 34272 (78 RPM), Adélard St-Louis (1930) Z:Transcribe by Jean Duval K:G "A"ge|d2ed B2ge | dBAB G2ge | d2ed B2AG | FAEF G2ge | ! d2ed B2ge | dBAB G2ge | d2ed B2AG |1 FAEF G2:||2 FAEF G2G2||! "B"B2e2e2g2 | fgaf gfed | B2e2e2g2 | fgaf gfg2 | ! B2e2e2g2 | fgaf gfed | B2e2e2g2 | fgab g2||
TU MARIES MA FILLE (You married my daughter). French-Canadian, Reel (cut time). G Major. Standard tuning (fiddle). AA'B. The first strain of "Tu maries ma fille" is well-known under several titles, including "Buck Creek Girl," ""Buffalo Breakdown," "Goin' Up Chaney," "Hop Along Sally," "Kelton's Reel," "Off with Your Jacket," "Old Dad," "Old Mother Goodwin," "Pig Town (The)," "Pigtown Fling," "Stoney Point (1)," "Stony Point (1)," "Stony Point Reel," "Warm Stuff," "Wild Horse," and "Wild Horses at Stony Point." Researcher Jean Duval finds melodic contour similarities in the second strain with "Cobbler's Reel (1)/Reel des cordoniers," despite the difference in tonality.
