Annotation:Cailleach do mharbhuidhis me: Difference between revisions
(Created page with "{{TuneAnnotation |f_annotation='''CAILLEACH DO MHARBHUIDHIS ME. '''Irish, Jig (6/8 time). D Mixolydian. Standard tuning (fiddle). AABB. Hugh and Lisa Shields suggest comparison with O'Neill's "Stolen Purse (1) (The)", but I find no particular resembance [AK]. }}") |
No edit summary |
||
| (5 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''CAILLEACH DO MHARBHUIDHIS ME. | |f_annotation='''CAILLEACH DO MHARBHUIDHIS ME.''' Irish, Jig (6/8 time). D Mixolydian. Standard tuning (fiddle). AABB. Goodman researchers Hugh and Lisa Shields suggest comparison with O'Neill's "[[Stolen Purse (1) (The)]]", but the resemblance is obscure, as is the other suggested comparison with "A dtiocfaidh tú a bhaile liom?" ("[[Will You Come Home with Me? (2)]]) in Stanford/Petrie '''Complete Collection''' (1907, No. 1487, p. 372). It is possible all these tunes may have developed into different branches from a distant ancestor. | ||
}} | }} | ||
Latest revision as of 00:08, 7 August 2024
X:1 T:Cailleach do mharbhuidhis me M:6/8 L:1/8 R:Jig B:James Goodman music manuscript collection, Book 1, p. 31 (mid-19th century) B:http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=34&z=855.8239%2C1050.859%2C6748.648%2C2584.8765 F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie Z:AK/Fiddler’s Companion K:G F3 GFG|~A2D GED|ADA ABG|ADA ABG| F3 GFG|~A2D GED|GDG GAG|1 GDG GAG:|2 GDG GAB|| |:c3 A2d|fed cAG|ADA ABG|ADA ABG| c3 A2d|fed cAd|GDG GAG|1 GDG GAB:|2 GDG GAG||
CAILLEACH DO MHARBHUIDHIS ME. Irish, Jig (6/8 time). D Mixolydian. Standard tuning (fiddle). AABB. Goodman researchers Hugh and Lisa Shields suggest comparison with O'Neill's "Stolen Purse (1) (The)", but the resemblance is obscure, as is the other suggested comparison with "A dtiocfaidh tú a bhaile liom?" ("Will You Come Home with Me? (2)) in Stanford/Petrie Complete Collection (1907, No. 1487, p. 372). It is possible all these tunes may have developed into different branches from a distant ancestor.
