Gae to the kye wi' me Jamie: Difference between revisions
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e2c' ba^g aze|{fe^d}e2c' ba^g a3|e2c' ba^g aze|Te2d | e2c' ba^g aze|{fe^d}e2c' ba^g a3|e2c' ba^g aze|Te2d Tc2d!fermata!e2!fermata!z| | ||
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Latest revision as of 23:47, 11 September 2024
X:1 T:Gae to the kye wi' me Jamie M:6/8 L:1/8 Q:"Briskly" B:Edinburgh Repository of Music (1818,p. 119) F:https://archive.org/details/edinburghreposit00rugg/page/118/mode/2up Z:AK/Fiddler's Companion K:Dmin A>BA A2G FED|F>GF A2f e3|A>BA A2G FED|F2G Ad^c d3:| |:A>BA f2f ed^c|A>BA f2f e3|A>BA f2f efg|{g}f>ed Ad^c d3!fermata!:|
X:1
T:Go to the kye
L:1/8
M:9/8
Q:"Allegrato"
B:Robert Topliff – “Selection of the most popular melodies of the Tyne
B:and the Wear consisting of 24 original airs peculiar to the counties
B:of Durham and Northumberland, three of which are harmonized
B:with appropriate words, symphonies and accompaniments and
B:the remainder variously arranged for the piano forte” (c. 1812, pp. 12-13)
F: http://www.farnearchive.com/show_images.asp?id=F0101202&image=1
Z:AK/Fiddler’s Companion
K:Amin
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e>fe e2d cBA|e>fe e2c' b3|e>fe e2d cBA|Azc' ba^g a2z:|
e2c' ba^g aze|{fe^d}e2c' ba^g a3|e2c' ba^g aze|Te2d Tc2d!fermata!e2!fermata!z|
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A,CE A,CE A,CE|A,CE A,CE ^G,GE|A,CE A,CE A,CE|.A,2z [E,3D3]-[A,2C2]z:|
[A2c2][Ac] [^G2d2][GB] [Ac]z[Ac]|[A2c2][Ac] [^G2d2][Bd] [A3c3]|[Ac]EE [^Gd]EE[ Ac]EE|E2D C2D!fermata!E2!fermata!z|
[K:bass]