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{{TuneAnnotation
{{TuneAnnotation
|f_annotation='''REEL Á BOUCHE [1].''' French-Canadian, Reel (whole time). A Minor. Standard tuning (fiddle). AAB: AABB. The title translates as "mouth music reel." Dance music was sometimes lilted in several cultures, notably in parts of Scotland and Ireland, and, by extension, in Cape Breton, Quebec, and other places in North America. Nonsense syllables sufficed for words, although sometimes mouth music had distinct sets of lyrics. Such tunes are also known as ''turlute'' in Quebec. Conjecture has it that such tunes were sung for dancing in the absence of an instrument, or when the musicians were incapacitated by fatigue (or drink!), but it was also employed as a mnemonic to make it easier to commit tunes to memory. For exactly this reason is a common practice today for teachers of traditional tunes to preface teaching the tune on an instrument by lilting it first.
|f_annotation='''REEL Á BOUCHE [1].''' AKA - "Reel à bouche acadien." French-Canadian, Reel (whole time). A Minor: E Minor (Demers). Standard tuning (fiddle). AAB: AABB (Demers). The title translates as "mouth music reel." Dance music was sometimes lilted in several cultures, notably in parts of Scotland and Ireland, and, by extension, in Cape Breton, Quebec, and other places in North America. Nonsense syllables sufficed for words, although sometimes mouth music had distinct sets of lyrics. Such tunes are also known as ''turlute'' in Quebec. Conjecture has it that such tunes were sung for dancing in the absence of an instrument, or when the musicians were incapacitated by fatigue (or drink!), but it was also employed as a mnemonic to make it easier to commit tunes to memory. For exactly this reason is a common practice today for teachers of traditional tunes to preface teaching the tune on an instrument by lilting it first.
|f_source_for_notated_version=Originally collected by Roger Matten (No. 110) from the lilting of, Benoît Benoît in 1957.
|f_source_for_notated_version=Originally collected by Roger Matten (No. 110) from the lilting of, Benoît Benoît in 1957.
|f_printed_sources=<p style="font-weight: 400;" >Demers ('''1000 airs du Québec et de l'Amérique francophone'''), 2020; p. 183 (as "Reel à bouche acadien"). &nbsp;</p><p style="font-weight: 400;" >.</p>
|f_recorded_sources=Ellipsis 4070, Benoît Benoît, Larsen & Marchand - "Celtic Mouth Music" (1997). Rounder 0216, John McCutcheon - "Step by Step" (1986). Rounder 0283-C, John McCutcheon - "Live at Wolf Trap" (1991). Rounder 11555, John McCutcheon - "Water from Another Time: A Retropective" (1989). Université Laval, Benoît Benoît - "Acadie et Quebec: Documents D'Enquetes" (originally recorded 1957).
|f_recorded_sources=Ellipsis 4070, Benoît Benoît, Larsen & Marchand - "Celtic Mouth Music" (1997). Rounder 0216, John McCutcheon - "Step by Step" (1986). Rounder 0283-C, John McCutcheon - "Live at Wolf Trap" (1991). Rounder 11555, John McCutcheon - "Water from Another Time: A Retropective" (1989). Université Laval, Benoît Benoît - "Acadie et Quebec: Documents D'Enquetes" (originally recorded 1957).
}}
}}

Latest revision as of 05:02, 31 December 2024



Sheet Music for "Reel-à-bouche [1]"Reel-à-bouche [1]Source: from the lilting of Benoît Benoît (1957)Notes: Mouth music reelTranscription: Sharon Berman



REEL Á BOUCHE [1]. AKA - "Reel à bouche acadien." French-Canadian, Reel (whole time). A Minor: E Minor (Demers). Standard tuning (fiddle). AAB: AABB (Demers). The title translates as "mouth music reel." Dance music was sometimes lilted in several cultures, notably in parts of Scotland and Ireland, and, by extension, in Cape Breton, Quebec, and other places in North America. Nonsense syllables sufficed for words, although sometimes mouth music had distinct sets of lyrics. Such tunes are also known as turlute in Quebec. Conjecture has it that such tunes were sung for dancing in the absence of an instrument, or when the musicians were incapacitated by fatigue (or drink!), but it was also employed as a mnemonic to make it easier to commit tunes to memory. For exactly this reason is a common practice today for teachers of traditional tunes to preface teaching the tune on an instrument by lilting it first.


Additional notes
Source for notated version : - Originally collected by Roger Matten (No. 110) from the lilting of, Benoît Benoît in 1957.

Printed sources : -

Demers (1000 airs du Québec et de l'Amérique francophone), 2020; p. 183 (as "Reel à bouche acadien").  

.



Recorded sources : - Ellipsis 4070, Benoît Benoît, Larsen & Marchand - "Celtic Mouth Music" (1997). Rounder 0216, John McCutcheon - "Step by Step" (1986). Rounder 0283-C, John McCutcheon - "Live at Wolf Trap" (1991). Rounder 11555, John McCutcheon - "Water from Another Time: A Retropective" (1989). Université Laval, Benoît Benoît - "Acadie et Quebec: Documents D'Enquetes" (originally recorded 1957).




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