Annotation:Jackson's Delight (1): Difference between revisions
(Created page with "[[{{BASEPAGENAME}}|Tune properties and standard notation]] ---- <p><font face="garamond, serif" size="4"> '''JACKSON'S DELIGHT [1]'''. AKA and see "Corporal Casey (1)," "[[Fr...") |
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'''JACKSON'S DELIGHT [1]'''. AKA and see "[[Corporal Casey (1)]]," "[[Free Masons (1)]]," "[[In Bartholemew Fair]]," "[[Irish Washerwoman (1)]]," "[[Irishwoman (The)]]," "[[Scheme (The)]]," "[[Star at Liwis]]," "[[Wash Woman (The)]]." Irish, Jig (6/8 time). This is, of course, the famous "Irish Washerwoman, which Breathnach (1996) dates, in its present form, to the 1780's. The absence of Walker 'Piper' Jackson's name attached to the tune in 18th century printings, says Breathnach, suggests he had nothing to do with composing the tune. | |||
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''Source for notated version'': | <p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p> | ||
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<font color=red>''Source for notated version''</font>: - | |||
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''Printed sources'': O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 317. | <font color=red>''Printed sources''</font> : - O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 317. | ||
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''Recorded sources'': <font color=teal></font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
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Latest revision as of 13:30, 18 October 2019
X: 1 T: Jackson's Delight [1] T: The Irish Washerwoman R:Jig K:G M:6/8 L:1/16 |:dc|B2G2G2 D2G2G2|B2G2B2 d2c2B2|c2A2A2 E2A2A2|c2B2c2 e2d2c2| B2G2G2 D2G2G2|B2G2B2 d2c2B2|c2B2c2 A2d2c2|B2G2G2 G4:| |:ga|b2g2g2 d2g2g2|b2g2b2 b2a2g2|a2f2f2 d2f2f2|a2f2a2 a2g2f2| e2g2g2 d2g2g2|c2g2g2 B2g2g2|c2B2c2 A2d2c2|B2G2G2 G4:|
JACKSON'S DELIGHT [1]. AKA and see "Corporal Casey (1)," "Free Masons (1)," "In Bartholemew Fair," "Irish Washerwoman (1)," "Irishwoman (The)," "Scheme (The)," "Star at Liwis," "Wash Woman (The)." Irish, Jig (6/8 time). This is, of course, the famous "Irish Washerwoman, which Breathnach (1996) dates, in its present form, to the 1780's. The absence of Walker 'Piper' Jackson's name attached to the tune in 18th century printings, says Breathnach, suggests he had nothing to do with composing the tune.