Annotation:Mr. Menzies of Culdares: Difference between revisions
(Created page with "[[{{BASEPAGENAME}}|Tune properties and standard notation]] ---- <p><font face="garamond, serif" size="4"> '''MR. MENZIES OF CULDARE('S REEL)'''. AKA and see "[[Braes of Glendocha...") |
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Mr._Menzies_of_Culdares > | |||
'''MR. MENZIES OF CULDARE('S REEL)'''. AKA and see "[[Braes of Glendochart]]/[[Braes of Glendochert]]," “[[Joe | |f_annotation='''MR. MENZIES OF CULDARE('S REEL)'''. AKA and see "[[Braes of Glendochart (The)]]/[[Braes of Glendochert (The)]]," “[[Joe Tanzy's Reel]],” "[[Miss Campbell's (4)]]," “[[Paddy Murphy’s Wife (1)]],” “[[Pat Carney's Reel]].” Scottish, Reel. D Mixolydian. Standard tuning (fiddle). AB (Jones, Surenne): AAB (Gow): AABB' (Athole, Skye). The tune was first published by the Gows in the '''First Collection''' of 1784 (p. 17), and composition claimed for Niel Gow (1727-1807) in the 2nd edition of the '''First Collection''' (1801). The melody had been originally published, however, by Alexander McGlashan under the title "Braes of Glendochart" in 1778. McGlashan was dead before Gow's claim of authorship emerged in 1801. Sometimes mistakenly called “[[Miss Menzies of Culdare]]” or “[[Mrs. Menzies of Culdare]].” The name Menzies is pronounced ‘Ming-ess’ or ‘Minges’ in Scotland. They were a Jacobite family, having turned out in 1715, and, although at the next rising the scion of the family, “Old Culdares” (d. 1775), was too old to fight, he sent Bonnie Prince Charlie (the ‘Young Pretender’) a fine white horse in 1745. It was also this gentleman who brought the first larch trees to Scotland from the Austrian Tyrol in 1737 and presented them to the Duke of Atholl. Two of the original saplings, now grown to great size, are located at Dunkeld Cathederal. Old Culdares proved an agriculturalist in other areas as well, for he introduced blackfaced sheep to his holdings with the aim of teaching native tenants how to manage club-stocks of southern sheep for themselves. Gow composed other tunes for the family: see also “[[Mrs. Menzies of Culdares]]” and “[[Miss Menzies of Culdares (1)]].” <br> | ||
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A branch of the tune is played in Ireland as O'Neill's "[[Paddy Murphy’s Wife (1)]]," AKA "[[Pat Carney's Reel]]" and "[[Joe Tanzy's Reel]]." | |||
|f_source_for_notated_version= | |||
' | |f_printed_sources=Carlin ('''The Gow Collection'''), 1986; No. 297. Gow ('''The First Collection of Niel Gow’s Reels'''), 1784 (revised 1801); p. 15. Jones [Ed.] ('''Complete Tutor Violin), c. 1815; p. 11. MacDonald ('''The Skye Collection'''), 1887; p. 50. Stewart-Robertson ('''The Athole Collection'''), 1884; p. 102. Surenne ('''Dance Music of Scotland'''), 1852; p. 148. | ||
|f_recorded_sources= Rounder 7037, Father Angus Morris – “Traditional Fiddle Music of Cape Breton, vol. 1” (2002). WS 031703, Wendy MacIsaac – “Timeline” (2003). | |||
|f_see_also_listing=Alan Snyder’s Cape Breton Fiddle Recording Index [http://www.cbfiddle.com/rx/tune/t1501.html]<br> | |||
Jane Keefer’s Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/m13.htm#Mrmeofc]<br> | |||
}} | |||
Alan Snyder’s Cape Breton Fiddle Recording Index []<br> | |||
Jane Keefer’s Folk Music Index: An Index to Recorded Sources []<br> | |||
Latest revision as of 23:04, 11 November 2023
X:1 T:Mr. Menzies of Culdare M:C L:1/8 R:Reel B: Joseph Lowe - Lowe's Collection of Reels, Strathspeys and Jigs, B:book 6 (1844-45, p. 9) Z:AK/Fiddler’s Companion K:D A|(FD)AF (BG)AF|E=cGc E=CCA|(FD)AF (BG)AF|FdAd FDD:| g|(f/g/a) da (fd)af|(e/f/g) =cg (ec)ge|(f/g/a) da (fd)ad|(B/c/d) Ad (FD)Dg| (f/g/a) da (fd)af|(e/f/g) =cg (ec)ge|afge fdec|(d/c/B/c/) dA FDD||
MR. MENZIES OF CULDARE('S REEL). AKA and see "Braes of Glendochart (The)/Braes of Glendochert (The)," “Joe Tanzy's Reel,” "Miss Campbell's (4)," “Paddy Murphy’s Wife (1),” “Pat Carney's Reel.” Scottish, Reel. D Mixolydian. Standard tuning (fiddle). AB (Jones, Surenne): AAB (Gow): AABB' (Athole, Skye). The tune was first published by the Gows in the First Collection of 1784 (p. 17), and composition claimed for Niel Gow (1727-1807) in the 2nd edition of the First Collection (1801). The melody had been originally published, however, by Alexander McGlashan under the title "Braes of Glendochart" in 1778. McGlashan was dead before Gow's claim of authorship emerged in 1801. Sometimes mistakenly called “Miss Menzies of Culdare” or “Mrs. Menzies of Culdare.” The name Menzies is pronounced ‘Ming-ess’ or ‘Minges’ in Scotland. They were a Jacobite family, having turned out in 1715, and, although at the next rising the scion of the family, “Old Culdares” (d. 1775), was too old to fight, he sent Bonnie Prince Charlie (the ‘Young Pretender’) a fine white horse in 1745. It was also this gentleman who brought the first larch trees to Scotland from the Austrian Tyrol in 1737 and presented them to the Duke of Atholl. Two of the original saplings, now grown to great size, are located at Dunkeld Cathederal. Old Culdares proved an agriculturalist in other areas as well, for he introduced blackfaced sheep to his holdings with the aim of teaching native tenants how to manage club-stocks of southern sheep for themselves. Gow composed other tunes for the family: see also “Mrs. Menzies of Culdares” and “Miss Menzies of Culdares (1).”
A branch of the tune is played in Ireland as O'Neill's "Paddy Murphy’s Wife (1)," AKA "Pat Carney's Reel" and "Joe Tanzy's Reel."
