Blackbird (1) (The): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Blackbird (1) (The) | |f_tune_title=Blackbird (1) (The) | ||
|f_aka=Londubh (An), Once | |f_aka=Londubh (An), Once on a morning of sweet recreation, Bonny Lass of Aberdeen (The), Napoleon Crossing the Rhine | ||
|f_country=Ireland | |f_country=Ireland | ||
|f_genre=Irish | |f_genre=Irish | ||
Line 16: | Line 16: | ||
|f_page=p. 132 | |f_page=p. 132 | ||
|f_theme_code_index=667b6 5357b | |f_theme_code_index=667b6 5357b | ||
|f_pdf_score=[[File:The Blackbird.pdf|page=1|thumb|left|200px|The Blackbird]] | |||
|f_score=1 | |||
|f_player=Andy McGann, Joe Burke & Felix Dolan | |f_player=Andy McGann, Joe Burke & Felix Dolan | ||
|f_album=Tribute to Michael Coleman (A) | |f_album=Tribute to Michael Coleman (A) | ||
|f_label=Shaskeen Records OS-360 | |f_label=Shaskeen Records OS-360 | ||
|f_recording_date=1966 | |f_recording_date=1966 | ||
|f_media=[[File:The Blackbird.mp3|thumb|left|The Blackbird {{break}}Played by The Forge Band {{break}}Source: Soundcloud (https://soundcloud.com/the-forge-band/the-blackbird) ]] | |||
}} | }} | ||
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<!-- SUBSTITUTE THE ABC NOTATION BELOW (BETWEEN THE <SECTION BEGIN /><SECTION END /> TAGS) WITH YOUR OWN NOTATION (IF ANY) --> | |||
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
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---- | ---- | ||
< | <section begin=X1 /> | ||
X:1 | X:1 | ||
T:The Blackbird [1] | T:The Blackbird [1] | ||
R:set piece | R:set piece | ||
N:Dance by Keily, a Limerick dancing master | |||
S:Mike Rafferty | S:Mike Rafferty | ||
Z:Lesl | Z:Lesl | ||
Line 36: | Line 58: | ||
d3A|:[M:C|] BGBd cABG|AGFG ABcA|d2de fdAF|GAGF D2 | d3A|:[M:C|] BGBd cABG|AGFG ABcA|d2de fdAF|GAGF D2 | ||
DE|[1 FEFG ABcA|d2de fdAF|[M:3/2] GAGF D2DA d3A:| | DE|[1 FEFG ABcA|d2de fdAF|[M:3/2] GAGF D2DA d3A:| | ||
[2 [M:C|] FEFG ABfe|d2de fdAF|[M:3/2] GAGF D2DA d3 | [2 [M:C|] FEFG ABfe|d2de fdAF|[M:3/2] GAGF D2DA d3 e|| | ||
|:[M:C|] fede ffg2|abag fgaf|g2gf gbag|fagf d2 de| | |||
e||:[M:C|] fede ffg2|abag fgaf|g2gf gbag|fagf d2 | fede ffg2|abag fgaf|[M:3/2]g~g2f d2d>^c defg| | ||
de|fede ffg2|abag fgaf|[M:3/2]g~g2f d2d>^c | [M:C|]abag fgaf|g2 ge fdeB|dcAG ABcd|ed (3EFG A4| | ||
ABAG FGAB|c2 ~e2 dcAF|[1[M:3/2]G~G2F D2 D>A d3e:|[2[M:3/2]G~G2F D2 D>A D4|] | |||
<section end=X1 /> | |||
<section begin=X2 /> | |||
ABAG FGAB|c2 ~e2 dcAF|[1[M:3/2]G~G2F D2 D>A d3e:|[2[M:3/2]G~G2F D2 D>A D4| | |||
</ | |||
< | |||
X:2 | X:2 | ||
T:Blackbird [1], The | |||
M:C | |||
L:1/8 | |||
R:Set Dance | |||
S:”By Daniel Kellaher, Clonough, Castleisland, Co. Kerry.” | |||
N:”Slightly imperfect. P.D. Reidy.” | |||
S:P.D. Reidy music manuscript collection, London, 1890’s (No. 3) | |||
N:”Professor” Patrick Reidy of Castleisland was a dancing | |||
N:master engaged by the Gaelic League in London to teach | |||
N:dance classes. He introduced “Siege of Ennis” and “Walls | |||
N:of Limerick” ceili dances and wrote a treatise on dancing. | |||
N:Reidy's source, Daniel Kelleher, was variously said to have been | |||
N:from Castleisland, Sliabh Luachra region, County Kerry, or from | |||
N:the native-Irish speaking region of Achadh Bolg, Múscraigh, in | |||
N:County Cork. Reg Hall (2017) also found a reference to Kelleher | |||
N:as one of the soloists who accompanied step dancing exhibitions | |||
N:at Gaelic League events in London between 1897 and 1901. According | |||
N:to Hall, Kelleher was a young fiddle player active within the | |||
N:Gaelic League. His name is attached to thirteen tunes in Reidy’s collection. | |||
F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
(d/c/)|B2 (Bd) c2 (Bc)|A2 (AG) ABcA|d2 (de) dcAF|G2 (GF) D2 (DE)| | |||
F2G2A2 (fe)|dcde dcAF|GAGF DD D:|(de) | |||
f2d2f2g2|a2 (ag) f2 a2|g2 (gf) g2a2|gagf dAde|f2d2f2g2| | |||
a2 (ag) fgaf|gagf ddd (f/g/)|abag fgaf|gagf gf(ef)|dcAB c2 (de)| | |||
fefg a2 (FG)|ABAG FGAB|cBcA dcAF|GAGF DDD:| | |||
<section end=X2 /> | |||
<section begin=X3 /> | |||
X:3 | |||
T:Blackbird [1], The | T:Blackbird [1], The | ||
M:2/4 | M:2/4 | ||
Line 60: | Line 108: | ||
abag|fgaf|gagf|d2d2|defg|abag|fgaf|gage|f2 ed|c2AB| | abag|fgaf|gagf|d2d2|defg|abag|fgaf|gage|f2 ed|c2AB| | ||
c2 de|defg|a2 z2|A3G|FGAB|=c3e|d^cAF|GAGF|D2D2|D2:|| | c2 de|defg|a2 z2|A3G|FGAB|=c3e|d^cAF|GAGF|D2D2|D2:|| | ||
</ | <section end=X3 /> | ||
<section begin=X4 /> | |||
< | X:4 | ||
X: | T:Blackbird [1], The | ||
M:2/4 | |||
L:1/8 | |||
R:"Fancy Dance" | |||
Q:=180 | |||
S:Teresa Halpin, “a dancer and fiddler from Limerick.” | |||
B:Carol G. Hardebeck – A Collection of Jigs and Reels vol. 2 (Dublin, 1921, p. 23) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
d>c|:(B3d)|c2B2|~A>G A>G|A>B c>A|~d>^c d>e| | |||
d>=c A>F|G>A G>F|.D2 D>E|F2G2|A2 f>e|~d>^c d>e| | |||
d>=c A>F|G>A G>F|D2D2|1 D2 d>c:|2 D z d>e|| | |||
|:(f>e) (d>e)|f2 g2|a>b a>g|f>g a>f| g3-g/ f/|g2 a2|g2f2| | |||
d2 d>e|f>e d>e|f2 g2|a3- a/ g/|f>g a.f|g3- g/ f/| | |||
d2d2|d3- d/ e/|d>e f>g|a>b a>g|f>g a>f|g>f g>e| | |||
f2 e>d|c2 A>B|=c2d2|e>d e>g|a2 a>g|f>f e>B| | |||
=c3- c/e/|d>=c A>F|G>A G>F|D2D2 |1 Dz d>e:|2 D2|| | |||
<section end=X4 /> | |||
<section begin=X5 /> | |||
X:5 | |||
T:Blackbird [1], The | |||
M:4/4 | |||
L:1/8 | |||
R:Air | |||
B:James Morrison - How to Play the Globe Accordion Irish | |||
B:Style (1931, No. 34, p. 27) | |||
Z:AK/Fiddler's Companion | |||
K:D | |||
A2|FDFAG2F2|(3EEE ED EFGE|(3AAA AB AGEC|DEDC A,4| | |||
(3CCC CD E2 cB|(3AAA AB AGEC|DEDC A,2A,2|[M:2/4]A,2:| | |||
|:[M:4/4]AB|cBAB c2d2|(3eee ed cdec|(3ddd dc dfec|dedc A2 AB| | |||
cBAB c2d2|(3eee ed cdec|dedc A2A2|[M:2/4] AB cd| | |||
[M:4/4]e2 ed cdec|d2 (3Bcd c2B2|AGED EFGA|BA (3Bcd e4| | |||
(3EEE ED CA,CE|(3AAA AB AGEC|DEDC A,2A,2|[M:2/4]A,2:|] | |||
<section end=X5 /> | |||
<section begin=X6 /> | |||
X:6 | |||
T:Blackbird [1], The | T:Blackbird [1], The | ||
T:An Londubh | T:An Londubh | ||
Line 79: | Line 163: | ||
a6{ba}g fgaf g6{ag}e2 f6e{a} dcAB c4B/A/B/c/d/e/f/g/b/ a8| | a6{ba}g fgaf g6{ag}e2 f6e{a} dcAB c4B/A/B/c/d/e/f/g/b/ a8| | ||
A6{BA}GE F6{A}GE c4{d}cBc dcA6{BA}F2 G6AB A4{BA}F2 D12:|| | A6{BA}GE F6{A}GE c4{d}cBc dcA6{BA}F2 G6AB A4{BA}F2 D12:|| | ||
</ | <section end=X6 /> | ||
- | <section begin=X7 /> | ||
[[{{ | X:7 | ||
T:Blackbird [1], The | |||
< | Z:Don Meade | ||
R:song air | |||
S:The Black Bird, Hibernia Collection (Boston: Elias Howe, 1860), p.22 | |||
M:2/4 | |||
L:1/8 | |||
K:D | |||
A|B2A>^G|A2(3ABc|d>cdA|G2FG|A2fd|cABG|F2D>D|D2z!fine!|| | |||
A|defg|a2fa|gfga|g2{ag}fe|defg|agfe|f2d>d|defg| | |||
agfa|g2fe|fdcA|f2ed|cABG|FBAG|F2D>D|D2z!D.C.!|] | |||
<section end=X7 /> | |||
</font> | |||
<font face="sans-serif" size="4"> | |||
<div class="noprint"> | |||
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
</div> | |||
</font> | |||
__NOTITLE__ |
Latest revision as of 06:06, 27 February 2022
X:1 T:The Blackbird [1] R:set piece N:Dance by Keily, a Limerick dancing master S:Mike Rafferty Z:Lesl M:C| L:1/8 Q:1/2=60 K:Dmix d3A|:[M:C|] BGBd cABG|AGFG ABcA|d2de fdAF|GAGF D2 DE|[1 FEFG ABcA|d2de fdAF|[M:3/2] GAGF D2DA d3A:| [2 [M:C|] FEFG ABfe|d2de fdAF|[M:3/2] GAGF D2DA d3 e|| |:[M:C|] fede ffg2|abag fgaf|g2gf gbag|fagf d2 de| fede ffg2|abag fgaf|[M:3/2]g~g2f d2d>^c defg| [M:C|]abag fgaf|g2 ge fdeB|dcAG ABcd|ed (3EFG A4| ABAG FGAB|c2 ~e2 dcAF|[1[M:3/2]G~G2F D2 D>A d3e:|[2[M:3/2]G~G2F D2 D>A D4|]
X:2
T:Blackbird [1], The
M:C
L:1/8
R:Set Dance
S:”By Daniel Kellaher, Clonough, Castleisland, Co. Kerry.”
N:”Slightly imperfect. P.D. Reidy.”
S:P.D. Reidy music manuscript collection, London, 1890’s (No. 3)
N:”Professor” Patrick Reidy of Castleisland was a dancing
N:master engaged by the Gaelic League in London to teach
N:dance classes. He introduced “Siege of Ennis” and “Walls
N:of Limerick” ceili dances and wrote a treatise on dancing.
N:Reidy's source, Daniel Kelleher, was variously said to have been
N:from Castleisland, Sliabh Luachra region, County Kerry, or from
N:the native-Irish speaking region of Achadh Bolg, Múscraigh, in
N:County Cork. Reg Hall (2017) also found a reference to Kelleher
N:as one of the soloists who accompanied step dancing exhibitions
N:at Gaelic League events in London between 1897 and 1901. According
N:to Hall, Kelleher was a young fiddle player active within the
N:Gaelic League. His name is attached to thirteen tunes in Reidy’s collection.
F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up
Z:AK/Fiddler’s Companion
K:G
(d/c/)|B2 (Bd) c2 (Bc)|A2 (AG) ABcA|d2 (de) dcAF|G2 (GF) D2 (DE)|
F2G2A2 (fe)|dcde dcAF|GAGF DD D:|(de)
f2d2f2g2|a2 (ag) f2 a2|g2 (gf) g2a2|gagf dAde|f2d2f2g2|
a2 (ag) fgaf|gagf ddd (f/g/)|abag fgaf|gagf gf(ef)|dcAB c2 (de)|
fefg a2 (FG)|ABAG FGAB|cBcA dcAF|GAGF DDD:|
X:3
T:Blackbird [1], The
M:2/4
L:1/8
R:Set Dance
S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 985
Z:AK/Fiddler's Companion
K:D
d=c|B2d2|=c2B2|ABAG|AB=cA|dcde|dcAF|GAGF|
D2 DE|F2FG|A2 fe|dcde|dcAF|GAGF|D2D2|D2:|
|:de|f2d2|f2g2|abag fgaf|g2 gf|gbaf|gagf|d2 de|fede|f2g2|
abag|fgaf|gagf|d2d2|defg|abag|fgaf|gage|f2 ed|c2AB|
c2 de|defg|a2 z2|A3G|FGAB|=c3e|d^cAF|GAGF|D2D2|D2:||
X:4
T:Blackbird [1], The
M:2/4
L:1/8
R:"Fancy Dance"
Q:=180
S:Teresa Halpin, “a dancer and fiddler from Limerick.”
B:Carol G. Hardebeck – A Collection of Jigs and Reels vol. 2 (Dublin, 1921, p. 23)
Z:AK/Fiddler’s Companion
K:G
d>c|:(B3d)|c2B2|~A>G A>G|A>B c>A|~d>^c d>e|
d>=c A>F|G>A G>F|.D2 D>E|F2G2|A2 f>e|~d>^c d>e|
d>=c A>F|G>A G>F|D2D2|1 D2 d>c:|2 D z d>e||
|:(f>e) (d>e)|f2 g2|a>b a>g|f>g a>f| g3-g/ f/|g2 a2|g2f2|
d2 d>e|f>e d>e|f2 g2|a3- a/ g/|f>g a.f|g3- g/ f/|
d2d2|d3- d/ e/|d>e f>g|a>b a>g|f>g a>f|g>f g>e|
f2 e>d|c2 A>B|=c2d2|e>d e>g|a2 a>g|f>f e>B|
=c3- c/e/|d>=c A>F|G>A G>F|D2D2 |1 Dz d>e:|2 D2||
X:5
T:Blackbird [1], The
M:4/4
L:1/8
R:Air
B:James Morrison - How to Play the Globe Accordion Irish
B:Style (1931, No. 34, p. 27)
Z:AK/Fiddler's Companion
K:D
A2|FDFAG2F2|(3EEE ED EFGE|(3AAA AB AGEC|DEDC A,4|
(3CCC CD E2 cB|(3AAA AB AGEC|DEDC A,2A,2|[M:2/4]A,2:|
|:[M:4/4]AB|cBAB c2d2|(3eee ed cdec|(3ddd dc dfec|dedc A2 AB|
cBAB c2d2|(3eee ed cdec|dedc A2A2|[M:2/4] AB cd|
[M:4/4]e2 ed cdec|d2 (3Bcd c2B2|AGED EFGA|BA (3Bcd e4|
(3EEE ED CA,CE|(3AAA AB AGEC|DEDC A,2A,2|[M:2/4]A,2:|]
X:6
T:Blackbird [1], The
T:An Londubh
R:slow air
M:
Z:Transcribed by henrik.norbeck@mailbox.swipnet.se
L:1/8
Q:1/4=160
K:Dmix
d2{ed}c2|:B6{cB}AB c6{dc}BG A8{B}A/G/A/B/c/A/
d4e>dc A4{BA}F2 G6AB A4{BA}F2 D8E2
F6GA f6{gf}e2 d4e2fd A6{BA}F2 G6AB A4{BA}F2 |1 D12 GA :|2 D12||
|:de f6{gf}e d2ef4g a6{ba}g f/g/a/f/ g3ab2 a6{ba}f2 d8eg|
f6{gf}ede f2g a6{ba}g fgaf g4f2 d8efg|
a6{ba}g fgaf g6{ag}e2 f6e{a} dcAB c4B/A/B/c/d/e/f/g/b/ a8|
A6{BA}GE F6{A}GE c4{d}cBc dcA6{BA}F2 G6AB A4{BA}F2 D12:||
X:7
T:Blackbird [1], The
Z:Don Meade
R:song air
S:The Black Bird, Hibernia Collection (Boston: Elias Howe, 1860), p.22
M:2/4
L:1/8
K:D
A|B2A>^G|A2(3ABc|d>cdA|G2FG|A2fd|cABG|F2D>D|D2z!fine!||
A|defg|a2fa|gfga|g2{ag}fe|defg|agfe|f2d>d|defg|
agfa|g2fe|fdcA|f2ed|cABG|FBAG|F2D>D|D2z!D.C.!|]