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{{Abctune
{{Abctune
|f_tune_title=Because He Was a Bonny Lad
|f_tune_title=Because He Was a Bonny Lad
|f_aka=Because I Was a Bonny Lad, Boney Lad, Bonny Lad, Bonny Lads, Jack's Favourwright (2), Jack's Favorite (2)
|f_aka=Because I was a Bonny Lad, Boney Lads, Boney Lad, Bonny Lads, Jack's Favourwright (2), Jack's Favorite (2), Gin I was a Bonny Lad, Bonnie Lad (The), Bonny Lad (1), Highland Ladies Fishing, Sandy's Scotch Reel
|f_country=England, Scotland
|f_country=England, Scotland, Canada
|f_genre=English, Northumbrian/Borders, Scottish
|f_genre=Cape Breton/PEI, English, Northumbrian/Borders, Scottish
|f_rhythm=Country Dance, Reel (single/double)
|f_rhythm=Country Dance, March/Marche, Reel (single/double)
|f_time_signature=4/4
|f_time_signature=4/4
|f_key=A
|f_key=A
|f_accidental=3 sharps
|f_accidental=3 sharps
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AABB
|f_history=ENGLAND(North East), CANADA(Maritimes/English)
|f_book_title=Compleat Collection of 200 Favourite Country Dances vol. 1
|f_structure=AAB, AABB
|f_collector=Charles and Samuel Thompson,
|f_book_title=Drummond Castle Manuscript
|f_year=1757
|f_collector=David Young
|f_page=No. 169
|f_year=1734
|f_page=No. 34
|f_theme_code_index=3165 4522
|f_theme_code_index=3165 4522
|f_player=Beatons of Mabou,
|f_pdf_score=[[File:Because_He_was_a_Bonny_Lad.pdf|page=1|thumb|left|200px|Because he was a bonny lad]]
|f_score=1
|f_player=Beatons of Mabou
|f_album=Beatons of Mabou (The): Scottish Violin Music from Cape Breton
|f_album=Beatons of Mabou (The): Scottish Violin Music from Cape Breton
|f_label=Rounder 7011
|f_label=Rounder 7011
|f_recording_date=1978
|f_recording_date=1978
|f_media={{FeaturedTunes |f_track= Because He Was A Bonny Lad.mp3 |f_artwork= The Unthanks.png |f_tune_name=Because he was a bonny lad |f_played_by=The Unthanks |f_notes=The Unthanks |f_source=Soundcloud |f_pix=250 |f_picpix=80 |f_piclink=Because_He_was_a_Bonny_Lad }} {{FeaturedTunes |f_track=Because He Was A Bonny Lad-KT.mp3 |f_artwork= Kathryn Tickell.png |f_tune_name=Because he was a bonny lad (excerpt) |f_played_by=Kathryn Tickell |f_notes=Kathryn Tickell |f_source=Soundcloud |f_pix=250 |f_picpix=80 |f_piclink=Because_He_was_a_Bonny_Lad }}
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<section begin=abc />
X:1
T:Because I was a bonny Lad
M:C|
L:1/8
R:Reel
B:David Young – Drummond Castle/Duke of Perth Manuscript (1734, No. 34)
Z:AK/Fiddler’s Companion
K:Amix
e|Tc>Baa faef|TcAec B/B/B Be|Tc>Baa faef|TcAec A/A/A A:|
|:e|Tc>BAc defd|TcAec B/B/B Be|Tc>BAc defg|a/^g/f/e/ ac A/A/A A:|]
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X:1
T:Because I was a bonny lad
T:Because I was a bonny lad
M:C|
M:C|
L:1/8
L:1/8
B:Thompson's Compleat Collection of 200 Favourite Country Dances, vol. 1 (London, 1757)
B:Thompson's Compleat Collection of 200 Favourite Country Dances, vol. 1 (London, 1757)
Z:Transcribed and edited by Fynnian Titford-Mock, 2007
Z:Transcribed and edited by Fynn Titford-Mock, 2007
Z:abc's:AK/Fiddler's Companion  
Z:abc's:AK/Fiddler's Companion  
K:A
K:A
e|c>BA=g f/g/a/ e>c|d>fe>c B/B/B Be|c>BA=g (f/g/a) ec|d>fec A/A/A A:|
e|c>BA=g f/g/a e>c|d>fe>c B/B/B Be|c>BA=g (f/g/a) ec|d>fec A/A/A A:|
|:e|cAeA fAeA|dfec B/B/B Be|cAeA fAeA|dfec A/A/A A:||
|:e|cAeA fAeA|dfec B/B/B Be|cAeA fAeA|dfec A/A/A A:||
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<section begin=X3 />
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X:2
<br>
T:Because he was a bonny lad
<br>
M:C|
<br>
L:1/8
<br>
R:Reel
<br>
B:Robert Bremner - Collection of Scots Reel, Country Dances (1757. p. 14)
<br>
Z:AK/Fiddler's Companion
<br>
K:D
<br>
e|T(c>BA)a faec|dfec B/B/B Be|T(c>BA)a faec|dfec A/A/A A:||
<br>
T(c>BA)c defd|cAec B/B/B Be|T(c>BA)c def^g|(a/^g/f/e/) ac A/A/A Ae|
<br>
cAeA fAeA|cAeA B/B/B B^g|afge fdec|dBec A/A/A A|]
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BECAUSE HE/I WAS A BONNIE/BONNY LAD (she bid him aye come back).  AKA and See &quot;Boney (Bonny) Lad(s),&quot; &quot;Jack's Favourwright (Favorite) [2].&quot; Scottish, Shetland, English, Cape Breton; Country Dance (cut time) or Reel. G Major (Aird, Cole, Raven): A Major (Athole, Gow, Hunter, Kerr, Skinner, Skye). Standard tuning. AB (Cole, Hunter, McGlashan): AAB (Aird, Athole, Gow, Kerr, Skinner, Skye): AABB (Bremner, Raven, Thompson). A popular country dance dating back to at least 1752, according to Alburger (1983), when fiddler and dancing master John McGill of Girvan wrote down the instructions for his pupils. Glen finds its earliest appearance in print in Bremner's 1757 collection (pg. 14), in which year it also appeared in London publishers Charles and Samuel Thompson's first country dance collection (London). The tune appears, however, in the somewhat earlier '''Drummond Castle Manuscript''', which is inscribed &quot;A Collection of Country Dances written for the use of his Grace the Duke of Perth by Dav. Young, 1734.&quot; This was Young's MS was in the possession of the Earl of Ancaster at Drummond Castle in the early 1970's, and hence its present-day title. Nearly simultaneously, the melody was printed in London by John Walsh in his Third Book of the '''Compleat Country Dancing Master''' (1735).  John Oswald included it in his '''Caledonian Pocket Companion''' (London, 1760). It retained its popularity through that century and into the next, for the title appears in Henry Robson's list of popular Northumbrian song and dance tunes, which he wrote c. 1800./ The tune, attached to an alternate 'B' parts, turns up in southwestern Pa. as 1) a fife tune (4/4 time) in the repertory of Hiram Horner (1944) who had the tune from a Scots fifer, and known simply as &quot;Old Bagpipe Air&quot; [Bayard, 1981; No. 252, pg. 216], and 2) as a jig called &quot;Nancy Fat&quot; played by fifers in Greene County, Pa., and by one &quot;crippled Jack Anderson&quot; in particular [Bayard, 1981; No. 566, pg. 503].
<br>
<br>
''Printed source:'' Aird ('''Selection of Scotch, English, Irish and Foreign Airs'''), vol. II, 1782; No. 122, pg. 45. Bremner ('''A Collection of Scots Reels'''), 1757; pg. 14. Bruce & Stokoe ('''Northumbrian Minstrelsy'''), 1882; pg. 155. Cole ('''1000 Fiddle Tunes'''), 1940; pg. 46. Gow (Complete Collection), Part 1, 1799; pg. 23. Hunter ('''Fiddle Music of Scotland'''), 1988; No. 118. Kerr ('''Merry Melodies'''), vol. 2; No. 10, pg. 4. MacDonald ('''The Skye Collection'''), 1887; pg. 9. McGlashan ('''A Collection of Reels'''), 1786; pg. 44. O'Neill ('''Waifs and Strays of Gaelic Melody'''), 1922; No. 225. Raven ('''English Country Dance Tunes'''), 1984; pg. 183. Skinner ('''Harp & Claymore'''), 1904; pg. 92. Stewart-Robertson ('''The Athole Collection'''), 1884; pg. 13. Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 1'''), 1757; No. 169.
<br>
<br>
''Source for notated version in print'': copied from James Aird's Selection of Scotch, English, Irish and Foreign Airs (1882-97) [O'Neill].
<br>
<br>
''Recorded sources:'' Rounder 7011, &quot;The Beatons of Mabou: Scottish Violin Music from Cape Breton&quot; (1978). Folkways Records, SFW CD 40507, The Beaton Family of Mabou - &quot;Cape Breton Fiddle and Piano Music&quot; (2004). 
See also listings at:
Alan Snyder's Cape Breton Fiddle Recording Index []
Jane Keefer's Folk Music Index: An Index to Recorded Sources []  
<br>
<br>
X:1
X:1
T:Because He Was a Bonny Lad
T:Because I was a bonny lad
M:C
L:1/8
R:Air & variations
Q:"Lively"
B:James Oswald – Caledonian Pocket Companion vol. 2 (1760, p. 149)
F: https://digital.nls.uk/special-collections-of-printed-music/archive/94600836?mode=transcription
Z:AK/Fiddler’s Companion
K:A
e|Tc>BA=g (f/^g/a) fd|dfec B2 Be|Tc>Baa face|dfec A2A:|
|:e|cAeA fAeA|dfec B2 Be|cAeA fAec|dfec A2A:|
|:e|cAae cAae|cAac B2 Be|cAae (f/g/a) ca|dBec A2A:|
|:a|Tfeca feca|(f/g/a) ce B2 Ba|T(f>e)ca (f/g/a) ca|dBec A2A:|
|:e|cA a2 cA a2|cAac B2 Be|cAaf geac|dfec A2A:|
|:g|(ag)(fe) a2 ec|a2 ec B2 Bg|a2 ec acac|dfec A2A:|
|:e|c/A/A/A/ A/A/A/A/ f/A/A/A/ A/A/A/A/|c/A/A/A/ A/A/A/A/ B/E/E/E/ E/E/E/E/|
c/A/A/A/ A/A/A/A/ a/A/A/A/ A/A/A/A/|df ec A2A:|
|:g|a/e/e/e/ e/e/e/e/ a/c/c/c/ c/c/c/c/|a/e/e/e/ e/e/e/e/ a/B/B/B/ B/B/B/B/|
a/e/e/e/ e/e/e/e/ a2 ec|dfec A2A:|]
<section end=X4 />
<section begin=X5 />
X:3
T:Because I was a bonny Lad
M:C|
M:C|
L:1/8
L:1/8
S:Reel
R:Reel
B:Stewart-Robertson - The Athole Collection  (1884)
B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 4 (1796, No. 64, p. 26)
Z:AK/Fiddler's Companion
Z:AK/Fiddler’s Companion
K:Amix
e|Tc>BAa (f/g/a) ec|d>fec B/B/B (Be)|cBAa f/g/a ec|d>fec A/A/A Ae|
T(c>BAa) (3faf (3efe|d>fec B/B/B (Be)|cBAa (3faf (3efe|d>fec A/A/A A||
e|T(c>BAc) defd|cAec B/B/B Be|T(c>BAc) def^g|(a/^g/f/e/) ac A/A/A Ae|
cAeA fAea|cAec B/B/B Bf/^g/|af^ge fdec|dgec A/A/A A||
<section end=X5 />
<section begin=X7 />
X:153
T:Clever Lad. RHu.149, The
T:Because He Was A Bonny Lad,aka. RHu.149
B:R.Hughes MS,1823,Whitchurch,Shrops.
A:Whitchurch, Shropshire
Z:Tony Weatherall 2006
M:2/4
L:1/8
Q:1/4=100
R:Reel
K:C
f|edcc'|bage|fage|d2d2|edcc'|bage|fage|c2c:|
|:z|""ecgc|acgc|fage|d2d2|ecgc|c'age|fage|c2c:|
<section end=X7 />
<section begin=X8 />
X:22
T:Bonny Lad. Roose.0022
T:Because He Was A Bonny Lad,aka. Roose.0022
B:J.Roose MS, Manchester, 1850
Z:Village Music Project 2019 Eric Conrad
M:C
Q:1/4=140
L:1/8
N:Beaming here (suggesting cut time or 2/2) is as in MS.  But frequent chord
N:changes seem consistent with 4/4, in agreement with MS common time.
N:
N:NB1) MS has quarter note, but this is not consistent with the pickups.
N:  (It would make sense as the final note.)
N:NB2) Added tie to complete that final note.  (See NB1).
K:A
|: e | c>BAa faec | dfec B/B/BB2 | c>BAa faec | dfec A/A/A A :|
|: z | cAec fAeA | dfec B/B/BB2 | cAeA fAeA | dfec A/A/AA2 |
cAeA fAeA | dfec B/B/B Bg | afge fdec | dfec A/A/A "_NB1"A- :| "_NB2"A |]
<section end=X8 />
<section begin=X11 />
X:150
T:Because I am a Bonny Lad
O:No 150 Page 72 No 2 William Clarke of Feltwell  (1858)
Z:Transcribed by M Humphreys May 2010
M:4/4
L:1/8
K:A
K:A
e|c>BA>a (f/g/a (ec|d>fe>c B/B/B ~B>e|c>BA>a (f/g/a (e>c|dfec A/A/A A:|
d|cBAa|gaec|dfec|(3BBB Bd|cBAa|gaec|dfec|(3AAA A:|
e|cBAc defd|cAec B/B/B (Bd|cBAc defg|agac A/A/A (Ae|cAeA fA eA|
|: d|cAeA|fAeA|dfec|(3BBB  Bd| cAeA|fAeA |eaeg| (3AAA Ad|
cAec B/B/B (Bg|afge efec|dfec A/A/A A||
cAeA |fAeA|dfec| (3 BBB Bg| agfe|fedc| dBec| (3AAA A:||
X:2
<section end=X11 />
<section begin=X14 />
X:1
T:Bonny Lads
M:C
L:1/8
R:Reel
S:James Goodman (1828─1896) music manuscript collection,
S:vol. 3, p. 107. Mid-19th century, County Cork
Z:AK/Fiddler’s Companion
K:Amix
d|cAAa faec|dfec B2 Bd|cAAa faec|dfec A2A2:|
cAeA faec|dfec B2 Bd|cAeA faec|dfec A2 ad|
cAeA faec|dfec B2 fg|afge fdec|dfec A2A2!D.C.!||
<section end=X14 />
<section begin=X17 />
X:4
T:Because He Was a Bonny Lad
T:Because He Was a Bonny Lad
L:1/8
L:1/8
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Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:G
K:G
d|B>Agg e/f/g d>B|c>edB cAAc|B>Agg e/f/g d>B|c>edc BGG:|
d|B>AGg e/f/g d>B|c>edB cAAc|B>AGg e/f/g d>B|c>edc BGG:|
|:d|BGdG eGdG|c>edB cAAc|BGdB eGdG|c>edc BGG:|
|:d|BGdG eGdG|c>edB cAAc|BGdB eGdG|c>edc BGG:|
X:3
<section end=X17 />
T:Because I Was a Bonnie Lad  
<section begin=X20 />
M:4/4
X:5
T:Because He Was a Bonny Lad
M:C|
L:1/8
S:Reel
B:Stewart-Robertson - The Athole Collection  (1884)
Z:AK/Fiddler's Companion
K:A
e|c>BA>a (f/g/a) (ec|d>)fe>c B/B/B ~B>e|c>BA>a (f/g/a) (e>c|d)fec A/A/A A:|
e|cBAc defd|cAec B/B/B (Bd|c)BAc defg|agac A/A/A (Ae|
c)AeA fA eA|cAec B/B/B (Bg|a)fge efec|dfec A/A/A A||
<section end=X20 />
<section begin=X23 />
X:1
T:Because He was a Bonny Lad
M:C
L:1/8
L:1/8
S:Aird's Selections 1782-97
R:March
Z:Paul Kinder
B:Cocks - Tutor for the Northumbrian Half-Long Bagpipes (1925, No. 9, p. 9)
R:Reel
Z:AK/Fiddler's Companion
K:A
K:A
e||&quot;tr&quot;c>BAa (3fga ec|d>fec B3 B|cBAa (3fga ec|d>fec A2 A:|
e|c>Baa f/g/a e>c|d>fec dB{e}Bd|c>Baa f/g/a e>c|d>fed cA{e}A:|
e|&quot;tr&quot;c>BAc defd|cAec (3BBB B2|c>BAc def^g|afec (3AAA A2|
|:e|cAeA fAeA|d>fec dB{e}Bd|cAeA fAeA|d>fed cA{e}A:|]
cAeA fAea|cAec (3BBB Bf/2^g/2|af^ge fdec|dfec (3AAA A||
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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Latest revision as of 20:50, 29 April 2024


Because He was a Bonny Lad  Click on the tune title to see or modify Because He was a Bonny Lad's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Because He was a Bonny Lad
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 Theme code Index    3165 4522
 Also known as    Because I was a Bonny Lad, Boney Lads, Boney Lad, Bonny Lads, Jack's Favourwright (2), Jack's Favorite (2), Gin I was a Bonny Lad, Bonnie Lad (The), Bonny Lad (1), Highland Ladies Fishing, Sandy's Scotch Reel
 Composer/Core Source    
 Region    England, Scotland, Canada
 Genre/Style    Cape Breton/PEI, English, Northumbrian/Borders, Scottish
 Meter/Rhythm    Country Dance, March/Marche, Reel (single/double)
 Key/Tonic of    A
 Accidental    3 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    ENGLAND(North East), CANADA(Maritimes/English)
 Structure    AAB, AABB
 Editor/Compiler    David Young
 Book/Manuscript title    Book:Drummond Castle Manuscript
 Tune and/or Page number    No. 34
 Year of publication/Date of MS    1734
 Artist    Biography:Beatons of Mabou
 Title of recording    Beatons of Mabou (The): Scottish Violin Music from Cape Breton
 Record label/Catalogue nr.    Rounder 7011
 Year recorded    1978
 Media    
Because he was a bonny lad

Played by: The Unthanks
Source: Soundcloud
Image: The Unthanks


Because he was a bonny lad (excerpt)

Played by: Kathryn Tickell
Source: Soundcloud
Image: Kathryn Tickell
 Score   (1)   
Because he was a bonny lad




Because He was a Bonny Lad: Annotations

X:1 T:Because I was a bonny Lad M:C| L:1/8 R:Reel B:David Young – Drummond Castle/Duke of Perth Manuscript (1734, No. 34) Z:AK/Fiddler’s Companion K:Amix e|Tc>Baa faef|TcAec B/B/B Be|Tc>Baa faef|TcAec A/A/A A:| |:e|Tc>BAc defd|TcAec B/B/B Be|Tc>BAc defg|a/^g/f/e/ ac A/A/A A:|]


X:1 T:Because I was a bonny lad M:C| L:1/8 B:Thompson's Compleat Collection of 200 Favourite Country Dances, vol. 1 (London, 1757) Z:Transcribed and edited by Fynn Titford-Mock, 2007 Z:abc's:AK/Fiddler's Companion K:A e|c>BA=g f/g/a e>c|d>fe>c B/B/B Be|c>BA=g (f/g/a) ec|d>fec A/A/A A:| |:e|cAeA fAeA|dfec B/B/B Be|cAeA fAeA|dfec A/A/A A:||


X:2 T:Because he was a bonny lad M:C| L:1/8 R:Reel B:Robert Bremner - Collection of Scots Reel, Country Dances (1757. p. 14) Z:AK/Fiddler's Companion K:D e|T(c>BA)a faec|dfec B/B/B Be|T(c>BA)a faec|dfec A/A/A A:|| T(c>BA)c defd|cAec B/B/B Be|T(c>BA)c def^g|(a/^g/f/e/) ac A/A/A Ae| cAeA fAeA|cAeA B/B/B B^g|afge fdec|dBec A/A/A A|]


X:1 T:Because I was a bonny lad M:C L:1/8 R:Air & variations Q:"Lively" B:James Oswald – Caledonian Pocket Companion vol. 2 (1760, p. 149) F: https://digital.nls.uk/special-collections-of-printed-music/archive/94600836?mode=transcription Z:AK/Fiddler’s Companion K:A e|Tc>BA=g (f/^g/a) fd|dfec B2 Be|Tc>Baa face|dfec A2A:| |:e|cAeA fAeA|dfec B2 Be|cAeA fAec|dfec A2A:| |:e|cAae cAae|cAac B2 Be|cAae (f/g/a) ca|dBec A2A:| |:a|Tfeca feca|(f/g/a) ce B2 Ba|T(f>e)ca (f/g/a) ca|dBec A2A:| |:e|cA a2 cA a2|cAac B2 Be|cAaf geac|dfec A2A:| |:g|(ag)(fe) a2 ec|a2 ec B2 Bg|a2 ec acac|dfec A2A:| |:e|c/A/A/A/ A/A/A/A/ f/A/A/A/ A/A/A/A/|c/A/A/A/ A/A/A/A/ B/E/E/E/ E/E/E/E/| c/A/A/A/ A/A/A/A/ a/A/A/A/ A/A/A/A/|df ec A2A:| |:g|a/e/e/e/ e/e/e/e/ a/c/c/c/ c/c/c/c/|a/e/e/e/ e/e/e/e/ a/B/B/B/ B/B/B/B/| a/e/e/e/ e/e/e/e/ a2 ec|dfec A2A:|]


X:3 T:Because I was a bonny Lad M:C| L:1/8 R:Reel B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 4 (1796, No. 64, p. 26) Z:AK/Fiddler’s Companion K:Amix e|Tc>BAa (f/g/a) ec|d>fec B/B/B (Be)|cBAa f/g/a ec|d>fec A/A/A Ae| T(c>BAa) (3faf (3efe|d>fec B/B/B (Be)|cBAa (3faf (3efe|d>fec A/A/A A|| e|T(c>BAc) defd|cAec B/B/B Be|T(c>BAc) def^g|(a/^g/f/e/) ac A/A/A Ae| cAeA fAea|cAec B/B/B Bf/^g/|af^ge fdec|dgec A/A/A A||


X:153 T:Clever Lad. RHu.149, The T:Because He Was A Bonny Lad,aka. RHu.149 B:R.Hughes MS,1823,Whitchurch,Shrops. A:Whitchurch, Shropshire Z:Tony Weatherall 2006 M:2/4 L:1/8 Q:1/4=100 R:Reel K:C f|edcc'|bage|fage|d2d2|edcc'|bage|fage|c2c:| |:z|""ecgc|acgc|fage|d2d2|ecgc|c'age|fage|c2c:|


X:22 T:Bonny Lad. Roose.0022 T:Because He Was A Bonny Lad,aka. Roose.0022 B:J.Roose MS, Manchester, 1850 Z:Village Music Project 2019 Eric Conrad M:C Q:1/4=140 L:1/8 N:Beaming here (suggesting cut time or 2/2) is as in MS. But frequent chord N:changes seem consistent with 4/4, in agreement with MS common time. N: N:NB1) MS has quarter note, but this is not consistent with the pickups. N: (It would make sense as the final note.) N:NB2) Added tie to complete that final note. (See NB1). K:A |: e | c>BAa faec | dfec B/B/BB2 | c>BAa faec | dfec A/A/A A :| |: z | cAec fAeA | dfec B/B/BB2 | cAeA fAeA | dfec A/A/AA2 | cAeA fAeA | dfec B/B/B Bg | afge fdec | dfec A/A/A "_NB1"A- :| "_NB2"A |]


X:150 T:Because I am a Bonny Lad O:No 150 Page 72 No 2 William Clarke of Feltwell (1858) Z:Transcribed by M Humphreys May 2010 M:4/4 L:1/8 K:A d|cBAa|gaec|dfec|(3BBB Bd|cBAa|gaec|dfec|(3AAA A:| |: d|cAeA|fAeA|dfec|(3BBB Bd| cAeA|fAeA |eaeg| (3AAA Ad| cAeA |fAeA|dfec| (3 BBB Bg| agfe|fedc| dBec| (3AAA A:||


X:1 T:Bonny Lads M:C L:1/8 R:Reel S:James Goodman (1828─1896) music manuscript collection, S:vol. 3, p. 107. Mid-19th century, County Cork Z:AK/Fiddler’s Companion K:Amix d|cAAa faec|dfec B2 Bd|cAAa faec|dfec A2A2:| cAeA faec|dfec B2 Bd|cAeA faec|dfec A2 ad| cAeA faec|dfec B2 fg|afge fdec|dfec A2A2!D.C.!||


X:4 T:Because He Was a Bonny Lad L:1/8 M:C S: Bruce & Stokoe - Northumbrian Minstrelsy (1882) Z:AK/Fiddler's Companion K:G d|B>AGg e/f/g d>B|c>edB cAAc|B>AGg e/f/g d>B|c>edc BGG:| |:d|BGdG eGdG|c>edB cAAc|BGdB eGdG|c>edc BGG:|


X:5 T:Because He Was a Bonny Lad M:C| L:1/8 S:Reel B:Stewart-Robertson - The Athole Collection (1884) Z:AK/Fiddler's Companion K:A e|c>BA>a (f/g/a) (ec|d>)fe>c B/B/B ~B>e|c>BA>a (f/g/a) (e>c|d)fec A/A/A A:| e|cBAc defd|cAec B/B/B (Bd|c)BAc defg|agac A/A/A (Ae| c)AeA fA eA|cAec B/B/B (Bg|a)fge efec|dfec A/A/A A||


X:1 T:Because He was a Bonny Lad M:C L:1/8 R:March B:Cocks - Tutor for the Northumbrian Half-Long Bagpipes (1925, No. 9, p. 9) Z:AK/Fiddler's Companion K:A e|c>Baa f/g/a e>c|d>fec dB{e}Bd|c>Baa f/g/a e>c|d>fed cA{e}A:| |:e|cAeA fAeA|d>fec dB{e}Bd|cAeA fAeA|d>fed cA{e}A:|]


Because He was a Bonny Lad: Annotations

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