Bishop of Bangor's Jig: Difference between revisions

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|f_accidental=1 sharp
|f_accidental=1 sharp
|f_mode=Aeolian (minor)
|f_mode=Aeolian (minor)
|f_history=<b>England</b>/Wales
|f_history=ENGLAND(Wales)
|f_structure=AABB
|f_structure=AB, AABB
|f_book_title=Dancing Master 11th Edition
|f_book_title=Dancing Master 11th Edition
|f_collector=Henry Playford
|f_collector=Henry Playford
|f_year=1701
|f_year=1701
|f_page=286
|f_page=p. 286
|f_theme_code_index=1H1H 75 7b4 55
|f_theme_code_index=1H1H75 7b455
|f_score=1
}}
}}
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X:1
T:Bishop of Bangor’s Jigg
M:6/4
L:1/8
N:”Longways for as many as will.”
B:John Walsh – Complete Country Dancing-Master, Volume the Fourth
B: (London, 1740, No. 138)
Z:AK/Fiddler’s Companion
K:Emin
B2|e2f2g2f2g2e2|^d2e2f2B4e2|d2c2B2 c2B2A2|(B6B4)||
Bc|d2B2G2 c2A2F2|B2G2E2 A2F2D2|G2A2B2 A4G2|(G6G4)B2|
g2e2^c2 a2f2^d2|b2g2e2 a2f2^d2|e2f2g2 B2e2^d2|(e6 e4)||
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X:1
T:Bishop of Bangor's Jig
M:6/8
L:1/8
R:Country Dance Tune
B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 613)
B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf
Z:AK/Fiddler’s Companion
K:Emin
B|efg fge|^def B2e|dcB cBA|(B3 B2):|
B/c/|dBG cAF|BGE AFD|GAB A2G|(G3 G2)B|
ge^c af^d|bge af^d|efg Be^d|e3- e2||
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|:dBG cAF|BGE AFD|GAB A2G|GAG Gef|
ge^c af^d|bgb af^d|efg Be^d|e3 e3:||
ge^c af^d|bgb af^d|efg Be^d|e3 e3:||
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'''BISHOP OF BANGOR'S JIGG''' (Esgob Bangor). Welsh, English; Jig. England, North-West. E Minor. Standard tuning (fiddle). AABB. The tune appears in the 11th edition of Playford's '''Dancing Master''' of 1701, a publication that marked Henry Playford's taking over the series from his father John Playford. It was retained in subsequent editions through the 16th (1716). "Bishop of Bangor" was also published in John Walsh's Compleat Country Dancing Master (editions of 1718, 1731 and 1754). The word Bangor comes from the Welsh for a wattle fence, and referred to the fence that surrounded the monastic community founded there by St. Deiniol in the year 525. Deiniol was consecrated Bishop in 546 and his church became a cathedral, and the Bishopric dates continuously from that period. The most famous Bishop of Bangor (who never actually resided in Bangor) in Playford's time was Benjamin Hoadley, who was involved in a semi-political controversy known as Bangorism, really simply a plea for Protestantism and tolerance.  Some suspect a popular song went to the tune. A simple dance for eight people is attached to the tune, generally used as a Sicilian circle.
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''Printed sources:'' Knowles ('''Northern Frisk'''), 1988; No. 6. Phillips ('''Fiddlecase Tunebook'''), 1989; p. 11 (appears as "The Bishop of Bangor"). Williamson ('''English, Welsh, Scottish and Irish Fiddle Tunes'''), 1976; p. 45.
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Latest revision as of 01:53, 3 July 2020


Bishop of Bangor's Jig  Click on the tune title to see or modify Bishop of Bangor's Jig's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bishop of Bangor's Jig
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 Theme code Index    1H1H75 7b455
 Also known as    Bishop of Bangor's Jigg, Esgob Bangor
 Composer/Core Source    
 Region    England
 Genre/Style    English, Welsh
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    E
 Accidental    1 sharp
 Mode    Aeolian (minor)
 Time signature    6/4, 6/8
 History    ENGLAND(Wales)"ENGLAND(Wales)" is not in the list (IRELAND(Munster), IRELAND(Connaught), IRELAND(Leinster), IRELAND(Ulster), SCOTLAND(Argyll and Bute), SCOTLAND(Perth and Kinross), SCOTLAND(Dumfries and Galloway), SCOTLAND(South Ayrshire), SCOTLAND(North East), SCOTLAND(Highland), ...) of allowed values for the "Has historical geographical allegiances" property.
 Structure    AB, AABB
 Editor/Compiler    Biography:Henry Playford
 Book/Manuscript title    Book:Dancing Master 11th Edition
 Tune and/or Page number    p. 286
 Year of publication/Date of MS    1701
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Bishop of Bangor's Jig: Annotations

X:1 T:Bishop of Bangor’s Jigg M:6/4 L:1/8 N:”Longways for as many as will.” B:John Walsh – Complete Country Dancing-Master, Volume the Fourth B: (London, 1740, No. 138) Z:AK/Fiddler’s Companion K:Emin B2|e2f2g2f2g2e2|^d2e2f2B4e2|d2c2B2 c2B2A2|(B6B4)|| Bc|d2B2G2 c2A2F2|B2G2E2 A2F2D2|G2A2B2 A4G2|(G6G4)B2| g2e2^c2 a2f2^d2|b2g2e2 a2f2^d2|e2f2g2 B2e2^d2|(e6 e4)||


X:1 T:Bishop of Bangor's Jig M:6/8 L:1/8 R:Country Dance Tune B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 613) B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf Z:AK/Fiddler’s Companion K:Emin B|efg fge|^def B2e|dcB cBA|(B3 B2):| B/c/|dBG cAF|BGE AFD|GAB A2G|(G3 G2)B| ge^c af^d|bge af^d|efg Be^d|e3- e2||


X:1 T:Bishop of Bangor's Jigg M:6/8 L:1/8 R:Jig K:Emin efg fge|^def B2e|dcB AGA|BcB B3:| |:dBG cAF|BGE AFD|GAB A2G|GAG Gef| ge^c af^d|bgb af^d|efg Be^d|e3 e3:||


Bishop of Bangor's Jig: Annotations

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