Cut and Dry Dolly: Difference between revisions

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|f_page=No. 43, p. 19
|f_page=No. 43, p. 19
|f_theme_code_index=5351H 1H315
|f_theme_code_index=5351H 1H315
|f_player=Cut & Dry Band,  
|f_player=Cut & Dry Band,
|f_album=Cut and Dry Dolly
|f_album=Cut and Dry Dolly
|f_label=Topic 12TS278
|f_label=Topic 12TS278
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|:f|g>ef>d|e>cd>B|gG B2|Bd de/f/|
|:f|g>ef>d|e>cd>B|gG B2|Bd de/f/|
g>ef>d|e>cd>B|gA c2|Aee:||
g>ef>d|e>cd>B|gA c2|Aee:||
</pre>
<pre>
X:1
T:Cut and Dry Dolly
M:C|
L:1/8
S:Robert Riddell’s “Collection of Scotch Galwegian Border Tunes “ (17, p. 2)
Z:AK/Fiddler’s Companion
K:A
(e/f/4g/4)|a2 ef/g/ a/g/f/e/ c/d/e/c/|d/c/B/A/ !trill!c2 Aeeg|a2 ef/g/ a/g/f/e/ c/d/e/c/|B/c/d/B/ !trill!c2 Bffg|
a2 ef/g/ a/g/f/e/ c/d/e/c/|d/c/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||
d/c/B/A/ !trill!c2 Ae c/d/e/c/|d/c/B/A/ !trillc2 Aeea|d/c/B/A/ !trill!c2 Ae c/d/e/c/|B/c/d/B/ !trill!Bffa|
d/c/B/A/ !trill! c2 Ae c/d/e/c/|d/c/B/A/ !~trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffg||
afge fdec|d/c/B/A/ !trill!c2 Aeeg|afge fdec|B/c/d/B/ !trill!c2 Bffg|
afge fdec|d/c/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||
Aaca Aaca|d/c/B/A/ !trill!c2 Aeea|Aaca Aaca|d/c/B/A/ !trill!c2 Bffa|
Aaca Aaca|d/c/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||
e/f/e/d/ c/d/e/c/ e/f/e/d/ c/d/e/c/|d/c/B/A/ !trill!c2 Aeea|e/f/e/d/ c/d/e/c/ e/f/e/d/ c/d/e/c/|B/c/d/B/ !trilL!c2 Bffa|
e/f/e/d/ c/d/e/c/ e/f/e/d/ c/d/e/c/|d/c/B/A/ !trill!c2 Ae f/e/d/c/ |df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||
A/a/a/a/ c/a/a/a/ A/a/a/a/ c/a/a/a/|d/c/B/A/ !trill!c2 Aeea|A/a/a/a/ c/a/a/a/ A/a/a/a/ c/a/a/a/|
B/c/d/B/ c/d/e/c/ Bffa|
A/a/a/a/ c/a/a/a/ A/a/a/a/ c/a/a/a/|d/c/B/A/ !trill!c2 Ae f/e/d/c/ |df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||
A/B/c/A/ c/d/e/c/ A/B/c/A/ c/d/e/c/|d/c/B/A/ !trill!c2 Aeea|A/B/c/A/ c/d/e/c/ A/B?c/A/ c/d/e/c/|B/c/d/B/ !trill!c2 Bffa|
A/B/c/A/ c/d/e/c/ A/B/c/A/ c/d/e/c/|dc/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||
“Variations (by) J. Clark”
A,C/E/ Ac A,/A,/C/E/ Ac|d/c/B/A/ !trill!c2 A/a/!trill!a ac’|A,C/E/ Ac A,/A,/c/e/ Ac|B/c/d/B/ !trill!c2 Bb!trill!b .b.d’|
A,C/E/ Ac A,/A,/C/E/ Ac|d/c/B/A/ !trill!c2 A/a/g/a/ f/e/d/c/|d/b/B/f/ =g/f/e/d/ c/A/A/e/|B/c/d/B/ !trill!c2 Bffg||
(a/g/).f/e/ (d/c/).B/./A (G/A/).E/.A/ (C/E/).A/.c/|d/c/B/A/ !trill!c2 Aeeg|(a/g/).f/.e/ (d/c/).B/.A/ (G/A/).E/.A/ (C/E/).A/.c/|
B/c/d/B/ !trill!c2 Bffg|(a/e/).c/.e/ (f/d/).B/.e/ (c/A/).E/.A/ (C/E/).A/c/|(A,/B,/).C/.D/ (E/F/).G/.A/ (d/c/).B/.A/ (c/d/).e/.c/|d/b/B/f/ =g/f/e/d/ c/A/A/e/ f/e/d/c/|B/c/d/B/ !trill!c2 Bff||


</pre>
</pre>

Revision as of 00:28, 3 May 2011


Cut and Dry Dolly  Click on the tune title to see or modify Cut and Dry Dolly's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Cut and Dry Dolly
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 Theme code Index    5351H 1H315
 Also known as    
 Composer/Core Source    
 Region    England
 Genre/Style    Northumbrian/Borders
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    2/4
 History    England/North East"England/North East" is not in the list (IRELAND(Munster), IRELAND(Connaught), IRELAND(Leinster), IRELAND(Ulster), SCOTLAND(Argyll and Bute), SCOTLAND(Perth and Kinross), SCOTLAND(Dumfries and Galloway), SCOTLAND(South Ayrshire), SCOTLAND(North East), SCOTLAND(Highland), ...) of allowed values for the "Has historical geographical allegiances" property.
 Structure    AABB
 Editor/Compiler    John Peacock
 Book/Manuscript title    Book:Peacock's Tunes
 Tune and/or Page number    No. 43, p. 19
 Year of publication/Date of MS    c. 1805
 Artist    Biography:Cut & Dry Band
 Title of recording    Cut and Dry Dolly
 Record label/Catalogue nr.    Topic 12TS278
 Year recorded    
 Media    
 Score   ()   


CUT AND DRY DOLLY. English, Reel. England, Northumberland. G Major. Standard tuning (fiddle). AABB (Bruce & Stokoe): AABBCCDDEEFFGGHH (Peacock). The title appears in Henry Robson's list of popular Northumbrian song and dance tunes, which he published c. 1800. No one knows definitively what the title refers to, or if it belong to a lost song. One explanation proffered is that it refers to a "kirn-dolly", in agrarian tradition the last bit of grain to be cut which was then dressed as a female.

Printed sources: Peacock (Peacock's Tunes), c. 1805; No. 43, p. 19. Bruce & Stokoe (Northumbrian Minstrelsy), 1882; p. 156. 

X:1
T:Cut and Dry Dolly
M:2/4
L:1/8
R:Reel
S:Bruce & Stokoe - Northumbrian Minstrelsy   (1882)
Z:AK/Fiddler's Companion
K:G
g|d/B/A/G/ B2|d/B/A/G/ g/f/e/f/|gG B2|Gddg|
d/B/A/G/ B2|d/B/A/G/ g/f/e/f/|gA c2|Aee:|
|:f|g>ef>d|e>cd>B|gG B2|Bd de/f/|
g>ef>d|e>cd>B|gA c2|Aee:||

X:1

T:Cut and Dry Dolly

M:C|

L:1/8

S:Robert Riddell’s “Collection of Scotch Galwegian Border Tunes “ (17, p. 2)

Z:AK/Fiddler’s Companion

K:A

(e/f/4g/4)|a2 ef/g/ a/g/f/e/ c/d/e/c/|d/c/B/A/ !trill!c2 Aeeg|a2 ef/g/ a/g/f/e/ c/d/e/c/|B/c/d/B/ !trill!c2 Bffg|

a2 ef/g/ a/g/f/e/ c/d/e/c/|d/c/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||

d/c/B/A/ !trill!c2 Ae c/d/e/c/|d/c/B/A/ !trillc2 Aeea|d/c/B/A/ !trill!c2 Ae c/d/e/c/|B/c/d/B/ !trill!Bffa|

d/c/B/A/ !trill! c2 Ae c/d/e/c/|d/c/B/A/ !~trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffg||

afge fdec|d/c/B/A/ !trill!c2 Aeeg|afge fdec|B/c/d/B/ !trill!c2 Bffg|
afge fdec|d/c/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||

Aaca Aaca|d/c/B/A/ !trill!c2 Aeea|Aaca Aaca|d/c/B/A/ !trill!c2 Bffa|

Aaca Aaca|d/c/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||

e/f/e/d/ c/d/e/c/ e/f/e/d/ c/d/e/c/|d/c/B/A/ !trill!c2 Aeea|e/f/e/d/ c/d/e/c/ e/f/e/d/ c/d/e/c/|B/c/d/B/ !trilL!c2 Bffa|

e/f/e/d/ c/d/e/c/ e/f/e/d/ c/d/e/c/|d/c/B/A/ !trill!c2 Ae f/e/d/c/ |df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||

A/a/a/a/ c/a/a/a/ A/a/a/a/ c/a/a/a/|d/c/B/A/ !trill!c2 Aeea|A/a/a/a/ c/a/a/a/ A/a/a/a/ c/a/a/a/|

B/c/d/B/ c/d/e/c/ Bffa|

A/a/a/a/ c/a/a/a/ A/a/a/a/ c/a/a/a/|d/c/B/A/ !trill!c2 Ae f/e/d/c/ |df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||

A/B/c/A/ c/d/e/c/ A/B/c/A/ c/d/e/c/|d/c/B/A/ !trill!c2 Aeea|A/B/c/A/ c/d/e/c/ A/B?c/A/ c/d/e/c/|B/c/d/B/ !trill!c2 Bffa|

A/B/c/A/ c/d/e/c/ A/B/c/A/ c/d/e/c/|dc/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||

“Variations (by) J. Clark”

A,C/E/ Ac A,/A,/C/E/ Ac|d/c/B/A/ !trill!c2 A/a/!trill!a ac’|A,C/E/ Ac A,/A,/c/e/ Ac|B/c/d/B/ !trill!c2 Bb!trill!b .b.d’|

A,C/E/ Ac A,/A,/C/E/ Ac|d/c/B/A/ !trill!c2 A/a/g/a/ f/e/d/c/|d/b/B/f/ =g/f/e/d/ c/A/A/e/|B/c/d/B/ !trill!c2 Bffg||

(a/g/).f/e/ (d/c/).B/./A (G/A/).E/.A/ (C/E/).A/.c/|d/c/B/A/ !trill!c2 Aeeg|(a/g/).f/.e/ (d/c/).B/.A/ (G/A/).E/.A/ (C/E/).A/.c/|

B/c/d/B/ !trill!c2 Bffg|(a/e/).c/.e/ (f/d/).B/.e/ (c/A/).E/.A/ (C/E/).A/c/|(A,/B,/).C/.D/ (E/F/).G/.A/ (d/c/).B/.A/ (c/d/).e/.c/|d/b/B/f/ =g/f/e/d/ c/A/A/e/ f/e/d/c/|B/c/d/B/ !trill!c2 Bff||

© 1996-2010 Andrew Kuntz. All Rights Reserved.
Engraver Valerio M. Pelliccioni

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