Colleen Rue (1): Difference between revisions
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B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 150, p. 69) | |||
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K:Eb | |||
"Andante con moto"(B/A/) (.G.B)|(c>A) (.F.E) (.D.F)|[B,2E2] (F/G/A) (.G.B)|(c>A) (.F.D) EE|E3 (B/A/)(.G.B)| | |||
(c>A) (.F.E) (.D.F)|[B,2E2] F(G/A/) (.G.B)|(c>A) (.F.D) (.E.E)|[B,3E3|| | |||
(B/A/) (.G.B)|[B2e2] (de/f/) (ec)|(AF) (G<A) (.G.B)|e2 (de/f/) (ge)|e{fe}(d>c) (B>A) (.G.B)| | |||
[B2e2] (d/e/f/g/) ec|(A>F) (.G.A) (B/c/!fermata!_d)|c>A (.F.D) (.E.E)|E3|| | |||
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Revision as of 00:22, 22 September 2015
COLLEEN RUE [1]. AKA and see "As I Roved Out on a Summer Morning," "I'd roam through Asia," "Kind Sir Be 'Aisy'," "Red-Haired Maiden," "Sails Were Unfurled." Irish, Air (3/4 time). D Major. Standard tuning (fiddle). AB. Francis O'Neill remembered the tune from his Bantry, west Cork, boyhood being sung by his parents.
Printed source: O'Neill (O'Neill's Irish Music), 1915; No. 21, p. 20.
X:1 % T:Colleen Rue, The M:3/4 L:1/8 R:Air B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 150, p. 69) Z:AK/Fiddler’s Companion K:Eb "Andante con moto"(B/A/) (.G.B)|(c>A) (.F.E) (.D.F)|[B,2E2] (F/G/A) (.G.B)|(c>A) (.F.D) EE|E3 (B/A/)(.G.B)| (c>A) (.F.E) (.D.F)|[B,2E2] F(G/A/) (.G.B)|(c>A) (.F.D) (.E.E)|[B,3E3|| (B/A/) (.G.B)|[B2e2] (de/f/) (ec)|(AF) (G<A) (.G.B)|e2 (de/f/) (ge)|e{fe}(d>c) (B>A) (.G.B)| [B2e2] (d/e/f/g/) ec|(A>F) (.G.A) (B/c/!fermata!_d)|c>A (.F.D) (.E.E)|E3||
X:1 % T:Colleen Rue [1] M:3/4 L:1/8 R:Air S:O'Neill's Irish Music (1915) Z:AK/Fiddler's Companion K:D A/G/ FE | D2 FG AB/c/ | d2 ed/c/ AG | F2 DE DB, | =C2 zA/G/ FE | D2 FG AB/c/ | d2 ed/c/ AG | F2 DE DD | D3 || F/G/ AA | f2 de dc | d2 ed/c/ AG | F2 DE DB, | =C2 zA/G/ FE | D2 FG AB/c/ | d2 ed/c/ AG | F2 DE DD | D3 ||