Clonmel Lassies: Difference between revisions

Find traditional instrumental music
No edit summary
No edit summary
Line 17: Line 17:
}}
}}
<p><font face="garamond, serif" size="4">
<p><font face="garamond, serif" size="4">
'''CLONMEL(L) LASSIES'''. AKA and see "The Bruisus," "Kiss the Maid behind the Barrel(s)," "Kiss the Maid Behind the Barn," "The Maid Behind the Bar [2]," "An Bearrchaile taobh thiar den Bhear." Irish, Reel. G Major/Mixolydian. Standard tuning (fiddle). AB.  
'''CLONMEL(L) LASSIES'''. AKA and see "[[Bruisus (The)]]," "[[Kiss the Maid behind the Barrel]](s)," "[[Kiss the Maid Behind the Barn]]," "[[Maid Behind the Bar (2) (The)]]," "[[Bearrchaile taobh thiar den Bhear (An)]]." Irish, Reel. G Major/Mixolydian. Standard tuning (fiddle). AB.  
<br>
<br>
<br>
<br>

Revision as of 21:27, 29 April 2012


Clonmel Lassies  Click on the tune title to see or modify Clonmel Lassies's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Clonmel Lassies
Query the Archive
Query the Archive
 Theme code Index    5L25L4 5L244
 Also known as    Clonmell Lassies, Bruisus (The), Kiss the Maid Behind the Barrel, Kiss the Maid Behind the Barrels, Kiss the Maid Behind the Barn, Maid Behind the Bar (2) (The), Póg an Ghearrchaile ar Chúl an Bhairille, Bearrchaile Taobh Thiar den Bhear (An)
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    2/4
 History    
 Structure    AB
 Editor/Compiler    Biography:George Villiers Stanford
 Book/Manuscript title    Book:Complete Collection of Petrie's Irish Airs
 Tune and/or Page number    No. 479, p. 121
 Year of publication/Date of MS    1905
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


CLONMEL(L) LASSIES. AKA and see "Bruisus (The)," "Kiss the Maid behind the Barrel(s)," "Kiss the Maid Behind the Barn," "Maid Behind the Bar (2) (The)," "Bearrchaile taobh thiar den Bhear (An)." Irish, Reel. G Major/Mixolydian. Standard tuning (fiddle). AB.

Source for notated version: "From O'Neill's collection" (1787) [Stanford/Petrie]. The attribution is to the music manuscript collection of County Kilkenny musician Patrick O'Neill (1765–1832), now in the hands of the National Library of Ireland (NLI). According to researcher Nichlas Carolan [An Píobaire, vol. 5, No. 5, 2009, pp. 18-19], "Patrick O’Neill or Pádraig Ó Niall (1765–1832) was a prosperous miller and farmer of some 80 acres at Owning, Piltown, Co. Kilkenny (in the south-east of the county, near Carrick-on-Suir).[7] His son Cornelius (1830–97), also of Owning, seems to have written one of the NLI music manuscripts. By avocation Patrick O’Neill was, as well as being an uilleann piper, a fiddle player[8] and seemingly a singer, and an Irish-language poet,[9] known locally as ‘An Muilleoir Meidhreach’ (the merry miller). The manuscripts contain tunes from a variety of sources, including Scottish, English and Continental tunes as well as Irish, not uncommon in period manuscripts, which seems to assert that musicians of the era were interested in good tunes, no matter what the source.

Printed source: Stanford/Petrie (Complete Collection), 1905; No. 479, p. 121.


X:1
T:Clonmell Lassies
M:2/4
L:1/8
R:Reel
S:Stanford/Petrie (1905), No. 479
Z:AK/Fiddler's Companion
K:G
D/>G/G A/>G/G | D/>G/G/d/ c/A/G/F/ | D/>G/G A/G/G | c/A/f/d/ c/A/G/F/ | 
D/G/G A/G/G | D/G/G/d/ c/A/G/F/ | D/G/G A/G/G | c/A/f/d/ c/A/G/F/ || 
d/g/g a/g/g | d/g/g/b/ a/g/f/d/ | c/=f/f g/f/f | c/=f/f/g/ a/g/f/d/ |
d/g/g a/g/g | c/g/g/b/ a/g/f/g/ | a/b/g/a/ f/g/f/d/ | c/A/f/d/ c/A/G/F/ ||