Female Tatler (The): Difference between revisions
No edit summary |
No edit summary |
||
Line 16: | Line 16: | ||
|f_theme_code_index=13L1 322 | |f_theme_code_index=13L1 322 | ||
}} | }} | ||
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]= | |||
<!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS --> | <!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS --> | ||
---- | ---- | ||
<pre> | <pre> | ||
X:1 | X:1 | ||
% | |||
T:Female Tatler, The | T:Female Tatler, The | ||
M:3/2 | M:3/2 | ||
Line 32: | Line 34: | ||
</pre> | </pre> | ||
---- | ---- | ||
[[ANNOTATION:{{PAGENAME}}|Tune annotations]] | =[[ANNOTATION:{{PAGENAME}}|Tune annotations]]= | ||
<!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS --> | <!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS --> |
Revision as of 17:32, 24 April 2018
Tune annotations
X:1 % T:Female Tatler, The M:3/2 L:1/4 R:Country Dance S:John Young - Dancing Master, Second Volume (1710, p. 3) K:Bb BF DF Bc|de/d/ cB cd/e/|fg/f/ ef/e/ de/d/|cB B>A B2:| |:df fg/f/ fg/f/|df fg/f/ f2|ff ga ba/g/|f2-fe d2| d/f/d/f/ d/f/d/f/ c/f/c/f/|d/f/d/f/ d/f/d/f/ e/g/e/g/| d/f/d/f/ d/f/d/f/ c/f/c/f/|BB/c/ c>B B2:|]