Confederacy (1) (The): Difference between revisions

Revision as of 15:23, 27 May 2012

Confederacy (1) (The) Click on the tune title to see or modify Confederacy (1) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Confederacy (1) (The) Query the Archive
Theme code Index	3266 5222
Also known as	Glen Morisone's Reell, Ye're Welcome Charlie Stewart
Composer/Core Source
Region	England, Scotland
Genre/Style	Northumbrian/Borders, Scottish
Meter/Rhythm	Reel (single/double)
Key/Tonic of	D
Accidental	2 sharps
Mode	Ionian (Major)
Time signature	4/4
History	ENGLAND(North East)
Structure	AABB
Editor/Compiler	Biography:William Vickers
Book/Manuscript title	Book:William Vickers' music manuscript collection
Tune and/or Page number	No. 322
Year of publication/Date of MS	1770
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

CONFEDERACY [2], THE. AKA and see "Glen Morisone's Reell," "Ye're Welcome Charlie Stewart." English, Scottish; Reel. England, Northumberland. D Major. Standard tuning (fiddle). AABB. The tune appears in the David Young 1734 Duke of Perth Manuscript (also called the Drummond Castle Manuscript because it is in the possession of the Earl of Ancaster at Drummond Castle), and in Walsh's Caledonian Country Dances (London) and Walsh's Third Book of the Compleat Country Dancing Master (London, 1735). It is miss-spelled as "The Confederalecy" in William Vicker's original 1770 Northumbrian dance tune MS. (Seattle), and it also appears in the music manuscript of London musician Thomas Hammersley (c. 1790). A different, unrelated tune called "Confederacy (2)" was printed in London by the John Young in the second book of the Dancing Master, beginning with the first edition, in 1710.

Printed source: Seatlle (William Vickers), 1987, Part 2; No. 322.

X:1
T:Confederacy [2], The
M:4/4
L:1/8
S:William Vickers' music manuscript collection (Northumberland, 1770)
K:D
A|FAED B2 Be|AFED E/E/E EA|FAFD BcdB|AGFE D/D/D D:|
|:A|defd gefd|e/f/g f/g/a e2 e/f/g|abaf edef|dBAF D/D/D D:||

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-'''CONFEDERACY [2], THE'''. AKA and see "Glen Morisone's Reell," "Ye're Welcome Charlie Stewart." English, Scottish; Reel. England, Northumberland. D Major. Standard tuning (fiddle). AABB. The tune appears in the David Young 1734 '''Duke of Perth Manuscript''' (also called the '''Drummond Castle Manuscript''' because it is in the possession of the Earl of Ancaster at Drummond Castle), and in Walsh's '''Caledonian Country Dances''' (London) and Walsh's '''Third Book of the Compleat Country Dancing Master''' (London, 1735). It is miss-spelled as "The Confederalecy" in William Vicker's original 1770 Northumbrian dance tune MS. (Seattle), and it also appears in the music manuscript of London musician Thomas Hammersley (c. 1790). A different, unrelated tune called "[[Confederacy (2)]]" was printed in London by the John Young in the second book of the '''Dancing Master''', beginning with the first edition, in 1710.
+'''CONFEDERACY [2], THE'''. AKA and see "[[Glen Morisone's Reell]]," "[[Ye're Welcome Charlie Stewart]]." English, Scottish; Reel. England, Northumberland. D Major. Standard tuning (fiddle). AABB. The tune appears in the David Young 1734 '''Duke of Perth Manuscript''' (also called the '''Drummond Castle Manuscript''' because it is in the possession of the Earl of Ancaster at Drummond Castle), and in Walsh's '''Caledonian Country Dances''' (London) and Walsh's '''Third Book of the Compleat Country Dancing Master''' (London, 1735). It is miss-spelled as "The Confederalecy" in William Vicker's original 1770 Northumbrian dance tune MS. (Seattle), and it also appears in the music manuscript of London musician Thomas Hammersley (c. 1790). A different, unrelated tune called "[[Confederacy (2)]]" was printed in London by the John Young in the second book of the '''Dancing Master''', beginning with the first edition, in 1710.
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