All the Way to Galway (1): Difference between revisions

Revision as of 01:11, 8 June 2012

All the Way to Galway (1) Click on the tune title to see or modify All the Way to Galway (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:All the Way to Galway (1) Query the Archive
Theme code Index	1H3H75 6475
Also known as	Bealach ar fad go Gaillimh (An), Botar Ar Fad Go Gaillim (An), A'(ll) the Way to Galloway, Galloway Girth, Galway Girls (The), High Way to Galloway, March of the Tribes to Galway (The), Road to Lisdoonvarna (2) (The), Sarsfield March (The), Slash Away the Pressing Gang
Composer/Core Source
Region	Scotland, Ireland, United States
Genre/Style	Contra, Irish, Scottish
Meter/Rhythm	Reel (single/double)
Key/Tonic of	D
Accidental	1 sharp
Mode	Mixolydian
Time signature	4/4
History
Structure	AB
Editor/Compiler	Biography:P.H. Hughes
Book/Manuscript title	Book:Gems from the Emerald Isle
Tune and/or Page number	No. 42, p. 11
Year of publication/Date of MS	c. 1860's
Artist	Biography:The Bothy Band
Title of recording	Old Hag You Have Killed Me
Record label/Catalogue nr.	Green Linnet SIF 3005
Year recorded	1981 (A reissue of the 1976 Mulligan LP)
Media
Score ()

ALL THE WAY TO GALWAY. Irish, Reel. D Mixolydian. Standard tuning (fiddle). AB, AABB. The air was set to a Jacobite era (early 18th century) song and was the precursor to "Yankee Doodle," which it resembles, particularly in the 'B' part. Breathnach (1976) finds the first printing of the tune in Glasgow publisher James Aird's Selection of Scotch, English, Irish and Foreign Airs (1780-1803) under the title "Galway Girls (The)." He quotes Crofton Crocker's The Popular Songs of Ireland (1839) which states "'All the way from Gallaway, early in the morning' is the burden of a popular song descriptive of the march of the Galway militia." See also the Scots relatives "Ciorsdan Mhor", "Big Kirsty", "Miss Stewart Bun Rannoch" and the strathspey "All the Way to Galloway". "Road to Lisdoonvarna (2)" is a variant.

Sources for notated versions: flute and whistle player Micko Russell (Doolin, Co. Clare, Ireland) [Breathnach]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker].

Print sources: Breathnach (CRÉ II), 1976; No. 282, p. 144. Cole (1000 Fiddle Tunes), 1940; p. 21. Harker (300 Tunes from Mike Rafferty), 2005; No. 92, p. 29. Hughes (Gems from the Emerald Isle), c. 1860's; No. 42, p. 11. O'Neill (Dance Music of Ireland: 1001 Gems), 1986; No. 999, p. 172. Stanford/Petrie (Complete Collection), 1905; No. 849, p. 212. Ryan's Mammoth Collection, 1883; p. 45. White's Unique Collection, 1896; No. 77, p. 14.

Recorded sources: Chieftains - "Chieftains 3." Green Linnet SIF 3005, The Bothy Band - "Old Hag You Have Killed Me" (1981. A reissue of the 1976 Mulligan LP).

X:1
T:All the Way to Galway [1]
M:C
L:1/8
R:March or Air
S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 999
Z:AK/Fiddler's Companion 
K:Dmix
A|d>efd cAA>c|BGGA/B/ cAA>c|d>efd cAA>c|BGAF|D2D:|
G|A>BAG ABcA|G>AGF EFGE|A>BAG ABcd|cAGE D2 DG|
A>BAG ABcA|G>AGF EFGE|A>BAG AddB|cAGE D2D:|

X:2
T:All the Way to Galway [1]
M:C
L:1/8
R:Reel
B:P.H. Hughes - Gems from the Emerald Isle (c. 1860's, No. 42, p. 11)
Z:AK/Fiddler's Companion
K:D
defd AFFA|BGGB cAAc|defd AFFA|BGAG FD D2:|
|:ABAG AB =c2|GAGF EFG2|ABAG AB =c2|BGAG FDD:|]

@@ Line 25: / Line 25: @@
 <br>
 ''Sources for notated versions:'' flute and whistle player Micko Russell (Doolin, Co. Clare, Ireland) [Breathnach]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker].
+<br>
 <br>
 ''Print sources:'' Breathnach ('''CRÉ II'''), 1976; No. 282, p. 144. Cole ('''1000 Fiddle Tunes'''), 1940; p. 21. Harker ('''300 Tunes from Mike Rafferty'''), 2005; No. 92, p. 29. Hughes ('''Gems from the Emerald Isle'''), c. 1860's; No.  42, p. 11. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1986; No. 999, p. 172. Stanford/Petrie ('''Complete Collection'''), 1905; No. 849, p. 212. '''Ryan's Mammoth Collection''', 1883; p. 45. '''White's Unique Collection''', 1896; No. 77, p. 14.