Annotation:Lively Jig (The): Difference between revisions

Find traditional instrumental music
(Created page with "'''Back to [[{{BASEPAGENAME}}]]''' ---- <p><font face="garamond, serif" size="4"> '''LIVELY JIG, THE.''' English, Morris Dance Tune (4/4 time). F Major. Standard tuning (fiddl...")
 
No edit summary
Line 2: Line 2:
----
----
<p><font face="garamond, serif" size="4">
<p><font face="garamond, serif" size="4">
'''LIVELY JIG, THE.''' English, Morris Dance Tune (4/4 time). F Major. Standard tuning (fiddle). AABB. Collected from the village of Ilmington, Warwickshire, in England's Cotswolds, although Bacon says the dance probably originated outside of the village.  
'''LIVELY JIG, THE.''' AKA - "4-Lady." English, Morris Dance Tune (4/4 time). F Major. Standard tuning (fiddle). AABB. Collected from the village of Ilmington, Warwickshire, in England's Cotswolds, although Bacon says the dance probably originated outside of the village. The Ilmington morris tradition was not constant, and in fact died and was revived several times during the 19th and 20th centuries. The revival of 1908 was led by fiddler Sam Bennett, who took some remembered tradition from the previous revival some 25 years before, and added a number of dances and tunes from elsewhere (he had accompanied Headington Quarry dances in 1907). “The repertory as noted was ‘Bumpas o’Stretton (Morris on), Maid of the Mill, Black Joke, Old Mother Oxford, Shepherd’s Hey, Constant Billy and The Buffoon.’ Of these seven, only four correspond with those given as featuring in the repertory of the Ilmington side in 1886." Bennett not only employed imported material, but seems to have added some of his own choreographic elements, which earned the denunciation of collector Cecil Sharp as "untraditional," supported by complaints about his revival side by three older dances active in the 1886 incarnation. Bennet's team survuved until the First World War. "The Lively Jig" is a dance four four and was apparently introduced by Bennet for the ladies side, not having been part of the recorded older Ilmington repertoire. It may perhaps have originated from Blackwell or Stretton-on-the-Fosse.  
<br>
<br>
<br>
<br>

Revision as of 04:39, 2 November 2012

Back to Lively Jig (The)


LIVELY JIG, THE. AKA - "4-Lady." English, Morris Dance Tune (4/4 time). F Major. Standard tuning (fiddle). AABB. Collected from the village of Ilmington, Warwickshire, in England's Cotswolds, although Bacon says the dance probably originated outside of the village. The Ilmington morris tradition was not constant, and in fact died and was revived several times during the 19th and 20th centuries. The revival of 1908 was led by fiddler Sam Bennett, who took some remembered tradition from the previous revival some 25 years before, and added a number of dances and tunes from elsewhere (he had accompanied Headington Quarry dances in 1907). “The repertory as noted was ‘Bumpas o’Stretton (Morris on), Maid of the Mill, Black Joke, Old Mother Oxford, Shepherd’s Hey, Constant Billy and The Buffoon.’ Of these seven, only four correspond with those given as featuring in the repertory of the Ilmington side in 1886." Bennett not only employed imported material, but seems to have added some of his own choreographic elements, which earned the denunciation of collector Cecil Sharp as "untraditional," supported by complaints about his revival side by three older dances active in the 1886 incarnation. Bennet's team survuved until the First World War. "The Lively Jig" is a dance four four and was apparently introduced by Bennet for the ladies side, not having been part of the recorded older Ilmington repertoire. It may perhaps have originated from Blackwell or Stretton-on-the-Fosse.

Source for notated version:

Printed sources: Bacon (The Morris Ring), 1974; p. 222.

Recorded sources:




Back to Lively Jig (The)