Buonoparte's March: Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Buonoparte's March
|f_tune_title=Buonoparte's March
|f_aka=Hanoverian March, Napoleon, Napoleon's March, Bonaparte's March (2)
|f_aka=Bonaparte's Grand March (1), Hanoverian March, Napoleon, Napoleon's March, Bonaparte's March (2)
|f_country=England
|f_country=England
|f_genre=English
|f_genre=English
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'''BUONOPARTE'S MARCH'''. AKA and see "[[Hanoverian March]]," "[[Napoleon's March]]," "[[Bonaparte's March (2)]]." Scottish, March (cut time). D Major. Standard tuning (fiddle). AABC. Most titles reference (albeit with different spellings) Napoleon Bonaparte. The tune appears in numerous English fiddlers' manuscripts of the 19th century. Ironbridge, Shropshire, musician John Moore included it in his music manuscript as "Hanoverian March." J. Winter (Stanton, Gloucestershire) had it in his 1833 manuscript, as did Henry Stables (Waithwaite, Cumbria, 1881). Likewise, William Irwin (Langdale, Cumbria, 1838) and John Clare (Helpstone, Northants, c. 1820) also noted it into their copybooks. As "Napoleon('s March)" it was played in an 1884 Melbourne, Australia, concert given by Irish uilleann piper John Coughlin, records O'Neill (1913). Melodeon player George Tremain of Yorkshire recorded the march on a 78 RPM record in the 1950's (BBC 1862B:RW), and also recorded by whistle player Billy Conroy (Northumberland) and fiddler Billy Pennock (Goathland, north Yorkshire moors). It was also in the repertoire of Gloucestershire fiddler Stephen Baldwin (1873-1955), recorded (as "Napoleon's Grand March") by Peter Kennedy for the BBC in the early 1950's.  
'''BUONOPARTE'S MARCH'''. AKA and see "[[Bonaparte's Grand March (1)]]," "[[Hanoverian March]]," "[[Napoleon's March]]," "[[Bonaparte's March (2)]]." Scottish, March (cut time). D Major. Standard tuning (fiddle). AABC. Most titles reference (albeit with different spellings) Napoleon Bonaparte. The tune appears in numerous English fiddlers' manuscripts of the 19th century. Ironbridge, Shropshire, musician John Moore included it in his music manuscript as "Hanoverian March." J. Winter (Stanton, Gloucestershire) had it in his 1833 manuscript, as did Henry Stables (Waithwaite, Cumbria, 1881). Likewise, William Irwin (Langdale, Cumbria, 1838) and John Clare (Helpstone, Northants, c. 1820) also noted it into their copybooks. As "Napoleon('s March)" it was played in an 1884 Melbourne, Australia, concert given by Irish uilleann piper John Coughlin, records O'Neill (1913). Melodeon player George Tremain of Yorkshire recorded the march on a 78 RPM record in the 1950's (BBC 1862B:RW), and also recorded by whistle player Billy Conroy (Northumberland) and fiddler Billy Pennock (Goathland, north Yorkshire moors). It was also in the repertoire of Gloucestershire fiddler Stephen Baldwin (1873-1955), recorded (as "Napoleon's Grand March") by Peter Kennedy for the BBC in the early 1950's.  
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Revision as of 05:20, 7 December 2012


Buonoparte's March  Click on the tune title to see or modify Buonoparte's March's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Buonoparte's March
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 Theme code Index    1H1H1H5 2H2H2H1H
 Also known as    Bonaparte's Grand March (1), Hanoverian March, Napoleon, Napoleon's March, Bonaparte's March (2)
 Composer/Core Source    
 Region    England
 Genre/Style    English
 Meter/Rhythm    March/Marche
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    
 Structure    AABC
 Editor/Compiler    Biography:James S. Kerr
 Book/Manuscript title    Book:Merry Melodies vol. 4
 Tune and/or Page number    No. 370, p. 40
 Year of publication/Date of MS    c. 1880's
 Artist    Biography:Stephen Baldwin
 Title of recording    Here's One You'll Like I Think
 Record label/Catalogue nr.    Musical Traditions MTCD334
 Year recorded    2005
 Media    
 Score   ()   


BUONOPARTE'S MARCH. AKA and see "Bonaparte's Grand March (1)," "Hanoverian March," "Napoleon's March," "Bonaparte's March (2)." Scottish, March (cut time). D Major. Standard tuning (fiddle). AABC. Most titles reference (albeit with different spellings) Napoleon Bonaparte. The tune appears in numerous English fiddlers' manuscripts of the 19th century. Ironbridge, Shropshire, musician John Moore included it in his music manuscript as "Hanoverian March." J. Winter (Stanton, Gloucestershire) had it in his 1833 manuscript, as did Henry Stables (Waithwaite, Cumbria, 1881). Likewise, William Irwin (Langdale, Cumbria, 1838) and John Clare (Helpstone, Northants, c. 1820) also noted it into their copybooks. As "Napoleon('s March)" it was played in an 1884 Melbourne, Australia, concert given by Irish uilleann piper John Coughlin, records O'Neill (1913). Melodeon player George Tremain of Yorkshire recorded the march on a 78 RPM record in the 1950's (BBC 1862B:RW), and also recorded by whistle player Billy Conroy (Northumberland) and fiddler Billy Pennock (Goathland, north Yorkshire moors). It was also in the repertoire of Gloucestershire fiddler Stephen Baldwin (1873-1955), recorded (as "Napoleon's Grand March") by Peter Kennedy for the BBC in the early 1950's.

Printed source: Kerr (Merry Melodies), vol. 4; No. 370, p. 40.

Recorded source: Musical Traditions MTCD334, Stephen Baldwin - "Here's One You'll Like, I Think" (2005).


X:1
T:Buonoparte's March
M:C|
L:1/8
R:March
S:Kerr - Merry Melodies, vol. 4, No. 370  (c. 1880's)
Z:AK/Fiddler's Companion
K:D
A2|d2 d>d d2 (A/B/c/d/)|e2 e>e e2 (de)|f2 (ef) g2f2|e2 e>e e2 A2|
d>dA>A F>FA>A|d>dA>A F>FA>A|d2 d>f edef|d2 d>d d2:|
||f2|e>dc>B ABcA|d>cd>e defd|e>dc>B ABcA|d>cd>e defd|
B2 g>g g2B2|A2 f>f f2 (af)|e2 e>e edef|d2d>d d2||(fg)|a2a2b2b2|
a3gf2a2|g2g2f2(af)|e2 e>e e2 e>f|g2 (g/f/e/d/) c2A2|a>af>f d2A2|
f2 (fa) gfed|a2 a>a a2 (gf)|e>dc>B ABcA|d>cd>e defd|e>dc>B ABcA|
d>cd>e defd|B2 g>g g2B2|A2f>f f2 (af)|e2 e>e edef|d2d>d d2||


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