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'''LUDE'S LAMENT.''' Scottish, Air. Similar in the first strain to "[[Drunk at Night and Dry i' the Morning (1)]]," and to the opening of "[[Maid of Selma (The)]]," which Stenhouse ('''Illustrations of the Lyric Poetry and Music of Scotland''') says is based "on the old air of "[[Todlin' Hame]]," which has assumed various shapes in common as well as treble time. In Oswald's Collection is a medley called " [[Battle of Falkirk (The)]]," in which "Lude's Lament" is evidently a slight alteration of "[[Todlin' Hame]]."  
'''LUDE'S LAMENT.''' Scottish, Air. Similar in the first strain to "[[Drunk at Night and Dry i' the Morning (1)]]," and to the opening of "[[Maid of Selma (The)]]," which Stenhouse ('''Illustrations of the Lyric Poetry and Music of Scotland''') says is based "on the old air of "[[Todlin' Hame]]," which has assumed various shapes in common as well as treble time. In Oswald's Collection is a medley called "[[Battle of Falkirk (The)]]," in which "Lude's Lament" is evidently a slight alteration of "[[Todlin' Hame]]."  
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Revision as of 18:29, 18 February 2013

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LUDE'S LAMENT. Scottish, Air. Similar in the first strain to "Drunk at Night and Dry i' the Morning (1)," and to the opening of "Maid of Selma (The)," which Stenhouse (Illustrations of the Lyric Poetry and Music of Scotland) says is based "on the old air of "Todlin' Hame," which has assumed various shapes in common as well as treble time. In Oswald's Collection is a medley called "Battle of Falkirk (The)," in which "Lude's Lament" is evidently a slight alteration of "Todlin' Hame."

Source for notated version:

Printed sources: Oswald (Caledonian Pocket Companion), 1760, vol. 9, p. 3.

Recorded sources: Maggie's Music MMCD222, Bonnie Rideout - "Scottish Fire" (2000).




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