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'''HIGHLAND LADDIE [4]'''. AKA and see "[[Jinglin' Johnnie]]," "[[Jinglin' Johnny]]," "[[Kate Dalrymple]]," "[[New Highland Laddie]]." English, Reel. England, Northumberland. G Major. Standard tuning (fiddle). AAB (Anderson): AABBCCDDEFFGGHH (Peacock). A Northumbrian pipe tune from the c. 1805 publication [http://www.asaplive.com/archive/detail.asp?id=K0102401] generally credited to piper and pipe-maker John Peacock (c. 1754-1817). Numerous variation sets on a binary theme. The "Kate Dalrymple" title comes from a song set to the tune. There is another "Highland Laddie" tune in Peacock's collection (see "[[Highland Laddie (2)]]").  
'''HIGHLAND LADDIE [4]'''. AKA and see "[[Jinglin' Johnnie]]," "[[Jingling Johnny]]," "[[Kate Dalrymple]]," "[[New Highland Laddie]]." English, Reel. England, Northumberland. G Major. Standard tuning (fiddle). AAB (Anderson): AABBCCDDEFFGGHH (Peacock). A Northumbrian pipe tune from the c. 1805 publication [http://www.asaplive.com/archive/detail.asp?id=K0102401] generally credited to piper and pipe-maker John Peacock (c. 1754-1817). Numerous variation sets on a binary theme. The "Kate Dalrymple" title comes from a song set to the tune. There is another "Highland Laddie" tune in Peacock's collection (see "[[Highland Laddie (2)]]").  
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Revision as of 04:29, 13 March 2014

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HIGHLAND LADDIE [4]. AKA and see "Jinglin' Johnnie," "Jingling Johnny," "Kate Dalrymple," "New Highland Laddie." English, Reel. England, Northumberland. G Major. Standard tuning (fiddle). AAB (Anderson): AABBCCDDEFFGGHH (Peacock). A Northumbrian pipe tune from the c. 1805 publication [1] generally credited to piper and pipe-maker John Peacock (c. 1754-1817). Numerous variation sets on a binary theme. The "Kate Dalrymple" title comes from a song set to the tune. There is another "Highland Laddie" tune in Peacock's collection (see "Highland Laddie (2)").

Source for notated version:

Printed sources: Anderson (Anderson's Budget of Strathspeys, Reels & Country Dances for the German Flute or Violin), Edinburgh, 1820; p. 26. Peacock's Tunes, c. 1805; No. 50, p. 24. Wilson (Companion to the Ball Room), 1816; p. 36.

Recorded sources:




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