Clach na Cudain (1): Difference between revisions

Revision as of 22:41, 4 August 2011

Clach na Cudain (1) Click on the tune title to see or modify Clach na Cudain (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Clach na Cudain (1) Query the Archive
Theme code Index	1311 1363
Also known as	Clachnacudainn, Clach na Cuddin, Cross of Inverness, Rocking Stone of Inverness (The), Stone Meeting (The)
Composer/Core Source
Region	Scotland, Canada
Genre/Style	Cape Breton/PEI, Scottish
Meter/Rhythm	Strathspey
Key/Tonic of	D
Accidental	2 sharps
Mode	Ionian (Major)
Time signature	4/4
History	Canada/Maritimes (English)"Canada/Maritimes (English)" is not in the list (IRELAND(Munster), IRELAND(Connaught), IRELAND(Leinster), IRELAND(Ulster), SCOTLAND(Argyll and Bute), SCOTLAND(Perth and Kinross), SCOTLAND(Dumfries and Galloway), SCOTLAND(South Ayrshire), SCOTLAND(North East), SCOTLAND(Highland), ...) of allowed values for the "Has historical geographical allegiances" property.
Structure	AAB
Editor/Compiler	Biography:James S. Kerr
Book/Manuscript title	Book:Merry Melodies vol. 2
Tune and/or Page number	No. 151, p. 18
Year of publication/Date of MS	c. 1880's
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

CLACH NA CUDDIN/CUDAIN {Clachnacudainn} [1] (Cross of Inverness). AKA - "Rocking Stone of Inverness (The)." AKA and see "Cross of Inverness." Scottish, Strathspey. D Major. Standard tuning (fiddle). AAB (Athole, Honeyman, Hunter, Skinner): AABB' (Kerr, Martin). MacDonald notes that the Clach na Cudain translates as "The Key stone of Inverness," sometimes called 'the rocking stone of Inverness', referring to a foundation stone in the town of Inverness, located near the famous cross. See also the reel "Clach na Cudain (2)."

Printed sources: Honeyman (Strathspey, Reel and Hornpipe Tutor), 1898; p. 9. Hunter (Fiddle Music of Scotland), 1988; No. 94. Kerr (Merry Melodies), vol. 2; No. 151, p. 18. Köhlers’ Violin Repository, Book 2, 1881-1885; p. 102. MacDonald (The Skye Collection), 1887; p. 47. Martin (Ceol na Fidhle, vol. 3), 1988; p. 28. Skinner (The Scottish Violinist, with variations); p. 6. Stewart-Robertson (The Athole Collection), 1884; p. 95.

Recorded sources: Rounder 82161-7032-2, Bill Lamey - "From Cape Breton to Boston and Back: Classic House Sessions of Traditional Cape Breton Music 1956-1977" (2000). Rounder 7059, Alex Francis MacKay with Gordon MacLean - "Gaelic in the Bow" (2005).

X:1
T:Clach na Cudain [1]
T:Cross of Inverness
M:C
L:1/8
R:Strathspey
S:MacDonald - Skye Collection  (1887)
Z:AK/Fiddler's Companion
K:D
A, | D<D F>E D2 D<A, | D<D F>A B>AF>d | D<D F>E D2 D>F| 
G>A,F>A, E>A, C<E :| d>fA>f d/e/f/g/ a>f | d>fA>f d>fA>f | 
d>fA>f d/e/f/g/ a>f | g>Af>A e>Ac>e | dfAf d/e/f/g/ a>f |
dfAf d>Ad>f | B<gA<f G<eF<d | G>A,F>A, E<A,C<E ||

X:1
T:Clach na Cudain [1]
M:C|
L:1/8
B:Köhlers’ Violin Repository, Book 2 (1881-1885, p. 102)
Z:AK/Fiddler’s Companion
K:D
A,|D<D D>E F>E D2|A,<DD>E F>EF<d|D<DD>E F>E DE/F/|
G>A,F>A, E>A,C<E:||d>fA>f (d/e/).f/.g/ a>f|d>fA>a f>df<a|
d>fA>f (d/e/).f/.g/ a>f|g>Af>A e>Ac<e|d>fA>f d/e/f/g/ a>f|
d>fA>a f>df<a|B>g A>f G>e A>d|G>A, F>A, E>A,C<E||

@@ Line 1: / Line 1: @@
 {{Abctune
 |f_tune_title=Clach na Cudain (1)
-|f_aka=Clachnacudainn, Clach na Cuddin, Cross of Inverness, Rocking Stone of Inverness (The),
+|f_aka=Clachnacudainn, Clach na Cuddin, Cross of Inverness, Rocking Stone of Inverness (The), Stone Meeting (The)
 |f_country=Scotland, Canada
 |f_genre=Cape Breton/PEI, Scottish
@@ Line 12: / Line 12: @@
 |f_structure=AAB
 |f_book_title=Merry Melodies vol. 2
 |f_collector=James S. Kerr,
 |f_year=c. 1880's
 |f_page=No. 151, p. 18
@@ Line 18: / Line 18: @@
 }}
 <p><font face="garamond, serif" size="4">
-'''CLACH NA CUDDIN/CUDAIN {Clachnacudainn} [1]''' (Cross of Inverness). AKA - "The Rocking Stone of Inverness." AKA and see "Cross of Inverness." Scottish, Strathspey. D Major. Standard tuning (fiddle). AAB (Athole, Honeyman, Hunter, Skinner): AABB' (Kerr, Martin). MacDonald notes that the Clach na Cudain translates as "The Key stone of Inverness," sometimes called 'the rocking stone of Inverness', referring to a foundation stone in the town of Inverness, located near the famous cross. See also the reel "Clach na Cudain [2]."
+'''CLACH NA CUDDIN/CUDAIN {Clachnacudainn} [1]''' (Cross of Inverness). AKA - "[[Rocking Stone of Inverness (The)]]." AKA and see "[[Cross of Inverness]]." Scottish, Strathspey. D Major. Standard tuning (fiddle). AAB (Athole, Honeyman, Hunter, Skinner): AABB' (Kerr, Martin). MacDonald notes that the Clach na Cudain translates as "The Key stone of Inverness," sometimes called 'the rocking stone of Inverness', referring to a foundation stone in the town of Inverness, located near the famous cross. See also the reel "[[Clach na Cudain (2)]]."
 <br>
 <br>
-''Printed sources:'' Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; p. 9. Hunter ('''Fiddle Music of Scotland'''), 1988; No. 94. Kerr ('''Merry Melodies'''), vol. 2; No. 151, p. 18. MacDonald ('''The Skye Collection'''), 1887; p. 47. Martin ('''Ceol na Fidhle''', vol. 3), 1988; p. 28. Skinner ('''The Scottish Violinist''', with variations); p. 6. Stewart-Robertson ('''The Athole Collection'''), 1884; p. 95.
+''Printed sources:'' Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; p. 9. Hunter ('''Fiddle Music of Scotland'''), 1988; No. 94. Kerr ('''Merry Melodies'''), vol. 2; No. 151, p. 18. '''Köhlers’ Violin Repository''', Book 2, 1881-1885; p. 102. MacDonald ('''The Skye Collection'''), 1887; p. 47. Martin ('''Ceol na Fidhle''', vol. 3), 1988; p. 28. Skinner ('''The Scottish Violinist''', with variations); p. 6. Stewart-Robertson ('''The Athole Collection'''), 1884; p. 95.
 <br>
 <br>
@@ Line 43: / Line 43: @@
 d>fA>f d/e/f/g/ a>f | g>Af>A e>Ac>e | dfAf d/e/f/g/ a>f |
 dfAf d>Ad>f | B<gA<f G<eF<d | G>A,F>A, E<A,C<E ||
+</pre>
+<pre>
+X:1
+T:Clach na Cudain [1]
+M:C|
+L:1/8
+B:Köhlers’ Violin Repository, Book 2 (1881-1885, p. 102)
+Z:AK/Fiddler’s Companion
+K:D
+A,|D<D D>E F>E D2|A,<DD>E F>EF<d|D<DD>E F>E DE/F/|
+G>A,F>A, E>A,C<E:||d>fA>f (d/e/).f/.g/ a>f|d>fA>a f>df<a|
+d>fA>f (d/e/).f/.g/ a>f|g>Af>A e>Ac<e|d>fA>f d/e/f/g/ a>f|
+d>fA>a f>df<a|B>g A>f G>e A>d|G>A, F>A, E>A,C<E||
 </pre>
 ----