Annotation:Masaniello Quadrilles: Difference between revisions
No edit summary |
No edit summary |
||
| Line 3: | Line 3: | ||
<p><font face="garamond, serif" size="4"> | <p><font face="garamond, serif" size="4"> | ||
'''MASANIELLO QUADRILLES.''' Scottish, Quadrille Set. D Major. Standard tuning (fiddle). A set of five quadrille figures, whose composition was inspired by, and based on themes from, D. F. E. Auber's opera '''Masaniello, ou La mutte de Portici''' (1828), generally considered the first French grand opera. Auber's work is loosely based on the real-life Masaniello (an abbreviation of Tommaso Aniello) (1622-1647), an Italian fisherman who became leader of the revolt against the rule of Habsburg Spain in Naples in 1647. | '''MASANIELLO QUADRILLES.''' Scottish, Quadrille Set. D Major. Standard tuning (fiddle). A set of five quadrille figures, whose composition was inspired by, and based on themes from, D. F. E. Auber's opera '''Masaniello, ou La mutte de Portici''' (1828), generally considered the first French grand opera. Auber's work is loosely based on the real-life Masaniello (an abbreviation of Tommaso Aniello) (1622-1647), an Italian fisherman who became leader of the revolt against the rule of Habsburg Spain in Naples in 1647. | ||
[[File:masaniello.jpg|200px|thumb|left|Lithograph | [[File:masaniello.jpg|200px|thumb|left|Lithograph of the opera Masaniello]] | ||
<br> | <br> | ||
<br> | <br> | ||
Revision as of 14:00, 9 August 2013
Back to Masaniello Quadrilles
MASANIELLO QUADRILLES. Scottish, Quadrille Set. D Major. Standard tuning (fiddle). A set of five quadrille figures, whose composition was inspired by, and based on themes from, D. F. E. Auber's opera Masaniello, ou La mutte de Portici (1828), generally considered the first French grand opera. Auber's work is loosely based on the real-life Masaniello (an abbreviation of Tommaso Aniello) (1622-1647), an Italian fisherman who became leader of the revolt against the rule of Habsburg Spain in Naples in 1647.
Source for notated version:
Printed sources: Laybourn(Köhler’s Violin Repository, Book One), 1881; pp. 31-33.
Recorded sources: