Annotation:Harp that Once (The): Difference between revisions

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HARP THAT ONCE THROUGH TARA'S HALLS, THE. AKA and see "Gradh Mo Croidhe," "Gramachree," "Molly Asthore," "Will You Go to Flanders?," "Little Molly O!" Irish, Air; English, March; Scottish, Guaracha Waltz. D Major (Roche): G Major (Kerr). Standard tuning (fiddle). One part (Kerr): AB (Roche). An air used (under another title) as a British march during the (American) Revolutionary War period, and later a famous song (under the above title) set to the old air by Thomas Moore in 1807.

Source for notated version:

Printed sources: Kerr (Merry Melodies, vol. 3), c. 1880's; No. 311, p. 34. Roche Collection of Irish Traditional Music, vol. 1, 1912; No. 28, p. 15.

Recorded sources:

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-'''HARP THAT ONCE THROUGH TARA'S HALLS, THE'''. AKA and see "[[Gradh Mo Croidhe]]," "[[Gramachree]]," "[[Molly Asthore]]," "[[Will You Go to Flanders]]," "[[Little Molly O!]]" Irish, Air; English, March; Scottish, Guaracha Waltz. D Major (Roche): G Major (Kerr). Standard tuning (fiddle). One part (Kerr): AB (Roche). An air used (under another title) as a British march during the (American) Revolutionary War period, and later a famous song (under the above title) set to the old air by Thomas Moore in 1807.
+'''HARP THAT ONCE THROUGH TARA'S HALLS, THE'''. AKA and see "[[Gradh Mo Croidhe]]," "[[Gramachree]]," "[[Molly Asthore]]," "[[Will You Go to Flanders?]]," "[[Little Molly O!]]" Irish, Air; English, March; Scottish, Guaracha Waltz. D Major (Roche): G Major (Kerr). Standard tuning (fiddle). One part (Kerr): AB (Roche). An air used (under another title) as a British march during the (American) Revolutionary War period, and later a famous song (under the above title) set to the old air by Thomas Moore in 1807.
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-''Printed sources'': Kerr ('''Merry Melodies'''), vol. 3; No. 311, p. 34. Roche '''Collection of Irish Traditional Music, vol. 1''', 1912; No. 28, p. 15.
+''Printed sources'': Kerr ('''Merry Melodies, vol. 3'''), c. 1880's; No. 311, p. 34. Roche '''Collection of Irish Traditional Music, vol. 1''', 1912; No. 28, p. 15.
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