Annotation:Jim Moore's Fancy: Difference between revisions
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'''JIM MOORE'S FANCY''' (Roga Seamuis Ui Morda). AKA and see "[[Flowers of Michigan]]," "[[Lady Birr]]," "[[Morning Cheer]]." Irish, Reel. A Mixolydian (O'Neill/Krassen): A Dorian (O'Neill/1001): A Major (O'Neill/1850). Standard tuning (fiddle). AB. | '''JIM MOORE'S FANCY''' (Roga Seamuis Ui Morda). AKA and see "[[Flowers of Michigan]]," "[[Lady Birr]]," "[[Morning Cheer]]." Irish, Reel. A Mixolydian (O'Neill/Krassen): A Dorian (O'Neill/1001): A Major (O'Neill/1850). Standard tuning (fiddle). AB. Francis O'Neill learned the tune from a young Limerick man named James Moore in Chicago during the winter of 1875. Moore, a flute player without an instrument, lived in a cold boarding-house across the street from O'Neill and often availed himself of O'Neill's hospitality, ensconcing himself on a "cozy seat on the woodbox back of our kitchen stove" while borrowing O'Neill's flute to play on. Moore, complained a frustrated O'Neill, often did not remember the names of the tunes he played ("a very common failing") and was lost track of when he moved to New York in the spring [O'Neill, '''Irish Folk Music''']. Edward Cronin, a Tipperary fiddler, was the only other man O'Neill once wrote he heard playing a variant of the melody. In '''Waifs and Strays of Gaelic Melody''' O'Neill prints a variant called "[[Morning Cheer]]," reprinted from the Rice-Walsh manuscript from north Kerry. | ||
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A close cognate of the tune appears in Providence, Rhode Island, music teacher, violinist and dance fiddler George Saunders' 1847 violin tutor under the title "[[Flowers of Michigan]]." | |||
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''Source for notated version'': | ''Source for notated version'': John Moore [O'Neill]. | ||
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Revision as of 18:38, 7 June 2014
Back to Jim Moore's Fancy
JIM MOORE'S FANCY (Roga Seamuis Ui Morda). AKA and see "Flowers of Michigan," "Lady Birr," "Morning Cheer." Irish, Reel. A Mixolydian (O'Neill/Krassen): A Dorian (O'Neill/1001): A Major (O'Neill/1850). Standard tuning (fiddle). AB. Francis O'Neill learned the tune from a young Limerick man named James Moore in Chicago during the winter of 1875. Moore, a flute player without an instrument, lived in a cold boarding-house across the street from O'Neill and often availed himself of O'Neill's hospitality, ensconcing himself on a "cozy seat on the woodbox back of our kitchen stove" while borrowing O'Neill's flute to play on. Moore, complained a frustrated O'Neill, often did not remember the names of the tunes he played ("a very common failing") and was lost track of when he moved to New York in the spring [O'Neill, Irish Folk Music]. Edward Cronin, a Tipperary fiddler, was the only other man O'Neill once wrote he heard playing a variant of the melody. In Waifs and Strays of Gaelic Melody O'Neill prints a variant called "Morning Cheer," reprinted from the Rice-Walsh manuscript from north Kerry.
A close cognate of the tune appears in Providence, Rhode Island, music teacher, violinist and dance fiddler George Saunders' 1847 violin tutor under the title "Flowers of Michigan."
Source for notated version: John Moore [O'Neill].
Printed sources: O'Neill (Krassen), 1976; p. 102. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1236, p. 233. O'Neill (Dance Music of Ireland: 1001 Gems), 1907; No. 510, p. 96.
Recorded sources:
See also listing at:
Alan Ng's Irishtune.info [1]